E-raamat: Expanded Painting: Ontological Aesthetics and the Essence of Colour

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(University of Technology, Sydney, Australia)
  • Formaat: 240 pages
  • Ilmumisaeg: 24-Aug-2017
  • Kirjastus: Bloomsbury Academic
  • ISBN-13: 9781350004160
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Expanded Painting: Ontological Aesthetics and the Essence of ColourSuurem pilt
  • Formaat: 240 pages
  • Ilmumisaeg: 24-Aug-2017
  • Kirjastus: Bloomsbury Academic
  • ISBN-13: 9781350004160
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The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance.


Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.

Arvustused

Mark Titmarsh is both a practitioner and a thinker. 'Expanded painting' names both a moment in the history of painting as well as a specific set of stylistic determinations. Expanded painting calls upon the resources of both philosophy and history in order that it be understood. Mark Titmarsh's response to that call has led to a book that will be indispensable for any serious discussion of painting today. -- Andrew Benjamin, Professor of Philosophy, Monash University, Australia and Professor of Philosophy and the Humanities, Kingston University, UK Mark (playing dual roles as writer and artist) wrestles adeptly with a subject that is constantly in motion; in the process he names a new medium and creates for it a necessary new language. Expanded Painting promises to be a touchstone for scholars, artists and acolytes of colour and light. * UMag, University of Technology, Australia *

Muu info

An original and clear book on aesthetics by a practicing artist which defines and then provides an account of 'expanded painting'.
preface
acknowledgements

Introduction: Presence of Paint

1.Painting

An Ecology of Painting?
Fieldworks
Painting Expanded
Post Aesthetics
Research-Making

2. Expanded Painting

The Death of Painting
Cave, church, easel, other
Another beginning
(i) Early 20th Century avant-garde - Punching through the screen
(ii) 1960s Conceptual Art and Minimalism - The Escape from Painting
(iii) 1980s Neo-Conceptualism - Painting Forgotten and the Misnomer of
Installation Art
(iv) Recent expanded painting - Not painting Now
Craftiness

3. Post Aesthetics
Questioning Ontology
Picturing Worlds
Falls the Shadow
Revelation
Thinking Earth
Four Earths
Thinking World
Absent Nature
Pres-absential
Strifely Assemblages
Coming to Presence
Ontology of Making
Making Heidegger Paint
Paint-Tool
The Being of Becoming
Thinking Making
Causing Making
Genres of production
Producing Expanded Painting
Post Aesthetics
Phainesthetics
Post Aesthetic Enigma
Applied Post Aesthetics
Applied Heidegger

4. Ontology of Colour
What is Colour?
Colourism
Colour IS
Apprehending Light
The Idea of Light
The Good Light
The other look
Moment of Vision

Conclusion: The Painting of Being
Paint itself
The Idea of Expanded Painting
In a new light
Ontological Aesthetics
Politics of Being
Ontological Goods

index
Mark Titmarsh is a visual artist working in painting, video and writing. He is lecturer in Interdisciplinary Studies, in the School of Design, University of Technology, Sydney, Australia. His artworks are held in the collection of the National Gallery of Australia and in private collections overseas.
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