I-Docs: The Evolving Practices of Interactive Documentary [Pehme köide]

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  • Formaat: Paperback / softback, 312 pages, kõrgus x laius: 234x156 mm, 24 b&w illustrations
  • Sari: Nonfictions
  • Ilmumisaeg: 28-Feb-2017
  • Kirjastus: Wallflower Press
  • ISBN-10: 023118123X
  • ISBN-13: 9780231181235
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  • Formaat: Paperback / softback, 312 pages, kõrgus x laius: 234x156 mm, 24 b&w illustrations
  • Sari: Nonfictions
  • Ilmumisaeg: 28-Feb-2017
  • Kirjastus: Wallflower Press
  • ISBN-10: 023118123X
  • ISBN-13: 9780231181235
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The history of documentary has been one of adaptation and change, due in part to the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and they are increasingly the subject of academic study.

i-docs: The Evolving Practices of Interactive Documentary addresses the creative practices, purposes, and ethics that lie behind these emergent forms. Expert contributions, case studies, and interviews with major figures in the field all address the production processes for interactive documentary, as well as the political, cultural, and geographic contexts in which they are emerging and the media ecology that supports them. Taking a broad view of interactive documentary as any work which documents 'the real' by employing digital interactive technology, this volume addresses a range of platforms and environments, from web-docs and virtual reality to mobile media and live performance. The volume explores the challenges that face interactive documentary practitioners and scholars, and proposes new ways of producing and engaging with interactive factual content.

Arvustused

i-Docs, web docs, interactive docs, database docs, nonlinear stories, procedural narratives; the sheer variety of neologisms in circulation right now is indicative of an exciting, if turbulent, economy of documentary-oriented new media forms. This timely, original collection captures much of this uncertainty and excitement, with contributions from some of the key thinkers in what we might call 'new documentary studies.' -- Professor Matt Soar, Concordia University

Acknowledgments vii
Notes on Contributors ix
Foreword xv
Brian Winston
Introduction 1(6)
Judith Aston
Sandra Gaudenzi
Mandy Rose
1 CO-CREATION
Preface
7(2)
Mandy Rose
1 I-docs and the documentary tradition: exploring questions of engagement
9(17)
Kate Nash
2 Co-creation as talkback: using the collaborative and interactive docu-forms to (re)imagine the `rape-city'
26(12)
Anandana Kapur
3 Documentary as co-creative practice: From Challenge for Change to Highrise - Kat Cizek in conversation with Mandy Rose
38(11)
Anna Wiehl
4 Not media about, but media with: co-creation for activism
49(17)
Mandy Rose
5 Living collaborations in Los Sures, Brooklyn: 1984 and today
66(16)
Christopher Allen
6 Software as co-creator in interactive documentary
82(17)
Craig Hight
2 METHODS
Preface
99(2)
Sandra Gaudenzi
7 Evaluating users' experiences: a case study approach to improving i-doc UX Design
101(16)
Samuel Gantier
Michel Labour
8 User experience versus author experience: lessons learned from the UX Series
117(12)
Sandra Gaudenzi
9 The Learn Do Share design methodology: Lance Weiler in conversation
129(10)
Sandra Gaudenzi
10 Pushing the craft forward: the POV Hackathon as a collaborative approach to making an interactive documentary
139(15)
Jess Linington
11 Testing and evaluating design prototypes: the case study of Avatar Secrets
154(16)
Ramona Pringle
12 Look who's watching: what storytellers can learn from privacy and personalisation
170(19)
Ben Moskowitz
3 HORIZONS
Preface
189(2)
Judith Aston
13 Things to come: the possible futures of documentary ... from a historical perspective
191(15)
William Uricchio
14 Towards behavioural realism: experiments in immersive journalism
206(16)
Nonny de la Pena
15 Interactive documentary and live performance: from embodied to emplaced interaction
222(15)
Judith Aston
16 The travelling i-doc: reflections on the meaning of interactive documentary-based image-making practices in contemporary India
237(18)
Paolo Favero
17 Interactive documentary aqui y ahora - here & now: themes and directions in South America
255(17)
Arnau Gifreu-Castells
18 Who wants to become banal?: the i-doc from experiment to industry
272(17)
Jon Dovey
Index 289
Judith Aston is a Senior Lecturer at the University of the West of England. Sandra Gaudenzi is a Senior Lecturer at the University of Westminster. Mandy Rose is an Associate Professor at the University of the West of England. All three have published widely in the field of digital documentary theory and practice, and are co-directors of the i-Docs bi-annual symposium.