Movies with Meaning: Existentialism through Film [Kõva köide]

(Late of Lock Haven University, USA)
  • Formaat: Hardback, 280 pages, kõrgus x laius: 216x138 mm, kaal: 472 g, 14 b&w
  • Ilmumisaeg: 29-Jun-2017
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1474299296
  • ISBN-13: 9781474299299
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  • Formaat: Hardback, 280 pages, kõrgus x laius: 216x138 mm, kaal: 472 g, 14 b&w
  • Ilmumisaeg: 29-Jun-2017
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1474299296
  • ISBN-13: 9781474299299
Teised raamatud teemal:

This book pairs close readings of some of the classic writings of existentialist philosophers with interpretations of films that reveal striking parallels to each of those texts, demonstrating their respective philosophies in action. Individual chapters include significant excerpts from the original texts being discussed and illustrated. Pairings cover Schopenhauer and Waking Life, Stirner and Hud, Kierkegaard and Winter Light, Nietzsche and Citizen Kane, early Heidegger and Blade Runner, later Heidegger and The Thin Red Line, early Camus and Leaving Las Vegas, later Camus and Missing, early Sartre and Husbands and Wives, later Sartre and October, de Beauvoir and The Piano, and finally Foucault and One Flew Over the Cuckoo's Nest.

Movies with Meaning offers a clear and insightful examination of the relationships between existential philosophers and film, providing both digests of their most significant texts and cinematic illustrations of what each had in mind. For the first time in one place, this book analyses the implications for film of the perspectives of a wide array of the most significant existentialist thinkers. Organized chronologically, like most existentialism anthologies, this is an ideal textbook for an intermediate level existentialism course, or as a companion to a selection of primary texts.

Arvustused

Dan Shaw writes intelligently and insightfully about the intersection between film and philosophy. This book is a treat not only for scholars but for everybody who loves film. -- Sander Lee, Professor of communication and Philosophy, Keene State College, USA, and author of 'Woody Allens Angst' Juxtaposing a set of well-known films with the theories of the central Existentialist philosophers from Arthur Schopenhauer to Simone de Beauvoir, Movies with Meaning explains not just how films raise significant philosophical issues, but also the ongoing relevance of films to understanding Existentialist thought. Anyone interested in Existentialism should read Shaws insightful accounts of films such as Hud and Missing in order to see how these films shed light on this important tradition of philosophical thought. -- Thomas E. Wartenberg, Research Professor of Philosophy, Mount Holyoke College, USA A wonderful introduction to existentialism and many of the excellent movies that embody this powerful current of thought. With incisive overviews of key existentialist and critical thinkers (Kierkegaard, Schopenhauer, Nietzsche, Heidegger, Sartre, de Beauvoir, Camus, and Foucault), coupled with illuminating philosophical discussions of contemporary films across a range of genres (Blade Runner, The Thin Red Line, Waking Life, Husbands and Wives, Michael Collins, and Revolutionary Road), Shaws Movies with Meaning offers an engaging and exciting foray into the world of film and philosophy for anyone interested in existential questions today. * Robert Sinnerbrink, Senior Lecturer in Philosophy, Macquarie University, Australia * In this engagingly written survey of existentialism, Shaw (communication and philosophy, Lock Haven Univ.) links central concepts from several key thinkers (Schopenhauer, Kierkegaard, Nietzsche, Heidegger, Sartre, Camus, Beauvoir, and Foucault) with a dozen different films, in each case explaining how the film both illustrates and illuminates what the philosopher had in mind Shaws writing is clear and his comments are insightful. Summing Up: Recommended. Lower-division undergraduates through faculty; general readers. * CHOICE *

Muu info

An engaging and brilliantly written text incorporating original excerpts from existentialist philosophers, commentary on these excerpts and applications of the theories to appropriate films.
Acknowledgements ix
Introduction: Why Existentialism and Film? 1(10)
1 Dreams, Illusions and Will in Waking Life and Studies in Pessimism
11(20)
2 Egoism in Max Stirner's The Ego and His Own and in Hud
31(18)
3 Kierkegaard and Bergman on Faith and Despair
49(16)
4 Howard Rourke as Nietzschean Overman in The Fountainhead
65(20)
5 Being-Towards-Death in Blade Runner: Angst, Authenticity and Care
85(16)
6 Heidegger's Poetics and the Truth of War in The Thin Red Line
101(20)
7 Absurdity and Suicide in Leaving Las Vegas and The Myth of Sisyphus
121(16)
8 Rebellion and Murder in Missing and Camus's The Rebel
137(16)
9 Sartrean Romantic Pessimism in Husbands and Wives
153(18)
10 Sartre and the Justice of Violent Rebellion in Michael Collins
171(18)
11 De Beauvoir's Fight against Gender Stereotypes and Revolutionary Road
189(18)
12 Foucault's Madness and Civilization and One Flew Over the Cuckoo's Nest
207(20)
Afterword: Existential Philosophies and the Movies that Embody Them 227(3)
Notes 230(17)
Index 247
Daniel Shaw is Professor of Philosophy at Lock Haven University, USA. He is the author of Film and Philosophy: Taking Movies Seriously (2008) and Morality and the Movies: Reading Ethics Through Film (Bloomsbury, 2012) and is editor of Film and Philosophy.