| Preface |
|
iii | |
| How to Use This Book |
|
xiii | |
| Thematic Guide to the Readings |
|
xxxv | |
|
Part 1 Rhetorical Situations |
|
|
1 | (18) |
|
|
|
3 | (2) |
|
|
|
4 | (1) |
|
|
|
4 | (1) |
|
|
|
5 | (4) |
|
Identifying your audience |
|
|
6 | (1) |
|
|
|
7 | (2) |
|
|
|
9 | (3) |
|
|
|
10 | (1) |
|
|
|
10 | (2) |
|
|
|
12 | (3) |
|
|
|
13 | (1) |
|
|
|
14 | (1) |
|
|
|
15 | (4) |
|
Identifying your media and design needs |
|
|
16 | (1) |
|
|
|
16 | (1) |
|
|
|
17 | (2) |
|
|
|
19 | (190) |
|
Writing a Literacy Narrative |
|
|
21 | (17) |
|
|
|
21 | (3) |
|
|
|
How I Learned about the Power of Writing |
|
|
24 | (2) |
|
|
|
|
|
26 | (2) |
|
|
|
|
|
28 | (1) |
|
|
|
|
|
|
|
|
|
|
|
|
29 | (1) |
|
|
|
29 | (1) |
|
Considering the rhetorical situation |
|
|
29 | (1) |
|
Generating ideas and text |
|
|
30 | (2) |
|
|
|
32 | (1) |
|
|
|
33 | (1) |
|
Considering matters of design |
|
|
34 | (1) |
|
Getting response and revising |
|
|
35 | (1) |
|
|
|
36 | (1) |
|
Taking stock of your work |
|
|
36 | (2) |
|
|
|
38 | (21) |
|
In the 24 World, Family Is the Main Casualty |
|
|
38 | (3) |
|
|
|
|
|
41 | (2) |
|
|
|
|
|
43 | (6) |
|
|
|
|
|
49 | (1) |
|
|
|
|
|
|
|
|
|
|
Support for your conclusions |
|
|
|
|
|
50 | (1) |
|
Choosing a text to analyze |
|
|
50 | (1) |
|
Considering the rhetorical situation |
|
|
51 | (1) |
|
Generating ideas and text |
|
|
51 | (3) |
|
|
|
54 | (1) |
|
|
|
55 | (1) |
|
Considering matters of design |
|
|
56 | (1) |
|
Getting response and revising |
|
|
57 | (1) |
|
|
|
57 | (1) |
|
Taking stock of your work |
|
|
58 | (1) |
|
|
|
59 | (24) |
|
The Inevitability of Bumps |
|
|
59 | (4) |
|
|
|
|
|
63 | (4) |
|
|
|
|
|
67 | (4) |
|
|
|
|
|
71 | (2) |
|
|
|
|
Well-researched information |
|
|
|
Various writing strategies |
|
|
|
|
|
|
|
|
|
|
|
73 | (1) |
|
|
|
73 | (1) |
|
Considering the rhetorical situation |
|
|
74 | (1) |
|
Generating ideas and text |
|
|
75 | (1) |
|
|
|
76 | (1) |
|
|
|
77 | (2) |
|
Considering matters of design |
|
|
79 | (1) |
|
Getting response and revising |
|
|
80 | (1) |
|
|
|
81 | (1) |
|
Taking stock of your work |
|
|
81 | (2) |
|
|
|
83 | (28) |
|
What If It's All Been a Big Fat Lie? |
|
|
83 | (5) |
|
|
|
|
|
88 | (4) |
|
|
|
Organ Sales Will Save Lives |
|
|
92 | (5) |
|
|
|
|
|
97 | (2) |
|
A clear and arguable position |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Consideration of other positions |
|
|
|
|
|
99 | (1) |
|
|
|
99 | (1) |
|
Considering the rhetorical situation |
|
|
100 | (1) |
|
Generating ideas and text |
|
|
101 | (4) |
|
|
|
105 | (1) |
|
|
|
106 | (2) |
|
Considering matters of design |
|
|
108 | (1) |
|
Getting response and revising |
|
|
108 | (1) |
|
|
|
109 | (1) |
|
Taking stock of your work |
|
|
110 | (1) |
|
|
|
111 | (5) |
|
|
|
111 | (1) |
|
|
|
112 | (1) |
|
|
|
112 | (1) |
|
|
|
113 | (1) |
|
A summary of basic information |
|
|
|
|
|
|
|
|
|
|
|
113 | (1) |
|
Considering the rhetorical situation |
|
|
113 | (1) |
|
Generating ideas and text |
|
|
114 | (1) |
|
|
|
115 | (1) |
|
|
|
116 | (9) |
|
|
|
116 | (2) |
|
|
|
|
|
|
|
|
|
118 | (1) |
|
|
|
|
|
119 | (1) |
|
|
|
|
Complete bibliographic information |
|
|
|
A concise description of the work |
|
|
|
|
|
|
|
|
|
|
|
120 | (1) |
|
Considering the rhetorical situation |
|
|
120 | (1) |
|
Generating ideas and text |
|
|
121 | (2) |
|
|
|
123 | (2) |
|
|
|
125 | (8) |
|
Juno: Not Just Another Teen Movie |
|
|
125 | (3) |
|
|
|
|
|
128 | (1) |
|
A concise description of the subject |
|
|
|
|
|
|
A knowledgeable discussion |
|
|
|
A balanced and fair assessment |
|
|
|
|
|
|
|
|
129 | (1) |
|
Considering the rhetorical situation |
|
|
130 | (1) |
|
Generating ideas and text |
|
|
130 | (2) |
|
|
|
132 | (1) |
|
|
|
133 | (10) |
|
The Effect of Biofeedback Training |
|
|
133 | (5) |
|
|
|
|
|
138 | (2) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
140 | (1) |
|
Considering the rhetorical situation |
|
|
140 | (1) |
|
Generating ideas and text |
|
|
141 | (1) |
|
|
|
142 | (1) |
|
|
|
143 | (10) |
|
Metaphor and Society in Shelley's ``Sonnet'' |
|
|
144 | (2) |
|
|
|
|
|
146 | (1) |
|
|
|
|
Careful attention to the language of the text |
|
|
|
Attention to patterns or themes |
|
|
|
|
|
|
|
|
|
|
|
147 | (1) |
|
Considering the rhetorical situation |
|
|
147 | (1) |
|
Generating ideas and text |
|
|
148 | (4) |
|
|
|
152 | (1) |
|
|
|
153 | (8) |
|
All Over But the Shoutin' |
|
|
153 | (4) |
|
|
|
|
|
157 | (1) |
|
|
|
|
|
|
|
|
|
|
|
|
158 | (1) |
|
Choosing an event to write about |
|
|
158 | (1) |
|
Considering the rhetorical situation |
|
|
158 | (1) |
|
Generating ideas and text |
|
|
159 | (1) |
|
|
|
160 | (1) |
|
|
|
161 | (10) |
|
Rural Idaho Town Seeks to Turn Film's Cult Status into Prosperity |
|
|
161 | (4) |
|
|
|
|
|
165 | (2) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
167 | (1) |
|
Choosing a suitable subject |
|
|
167 | (1) |
|
Considering the rhetorical situation |
|
|
167 | (1) |
|
Generating ideas and text |
|
|
168 | (1) |
|
|
|
169 | (2) |
|
|
|
171 | (9) |
|
Course Requirement: Extortion |
|
|
171 | (3) |
|
|
|
|
|
174 | (1) |
|
|
|
|
|
|
|
A convincing argument for your solution |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
175 | (1) |
|
|
|
175 | (1) |
|
Considering the rhetorical situation |
|
|
176 | (1) |
|
Generating ideas and text |
|
|
176 | (1) |
|
|
|
177 | (1) |
|
|
|
177 | (1) |
|
Biodiversity Loss and Its Effect on Medicine |
|
|
178 | (1) |
|
|
|
|
|
179 | (1) |
|
A concise discussion of the subject |
|
|
|
A statement of your intended focus |
|
|
|
A rationale for the topic |
|
|
|
|
|
|
|
|
180 | (8) |
|
|
|
180 | (3) |
|
|
|
|
|
183 | (2) |
|
A topic that intrigues you |
|
|
|
|
|
|
|
|
|
A questioning, speculative tone |
|
|
|
|
|
185 | (1) |
|
|
|
185 | (1) |
|
Considering the rhetorical situation |
|
|
185 | (1) |
|
Generating ideas and text |
|
|
186 | (1) |
|
|
|
186 | (2) |
|
|
|
188 | (13) |
|
|
|
188 | (3) |
|
|
|
191 | (1) |
|
An organization that suits your goals and experience |
|
|
|
|
|
|
A design that highlights key information |
|
|
|
|
|
192 | (1) |
|
Considering the rhetorical situation |
|
|
192 | (1) |
|
Generating ideas and text |
|
|
192 | (3) |
|
|
|
195 | (1) |
|
Application and Thank-You Letters |
|
|
195 | (3) |
|
|
|
198 | (1) |
|
A succinct indication of your qualifications |
|
|
|
A reasonable and pleasing tone |
|
|
|
A conventional, businesslike format |
|
|
|
|
|
198 | (1) |
|
Generating ideas and text |
|
|
198 | (2) |
|
|
|
200 | (1) |
|
|
|
201 | (8) |
|
|
|
201 | (2) |
|
|
|
|
|
203 | (1) |
|
|
|
|
|
|
|
|
|
|
|
|
|
Some typical ways of mixing genres |
|
|
204 | (1) |
|
|
|
205 | (1) |
|
Considering the rhetorical situation |
|
|
205 | (1) |
|
Generating ideas and text |
|
|
206 | (1) |
|
|
|
207 | (2) |
|
|
|
209 | (50) |
|
|
|
211 | (4) |
|
|
|
211 | (3) |
|
|
|
214 | (1) |
|
|
|
214 | (1) |
|
|
|
215 | (4) |
|
Some ground rules for working in a group |
|
|
215 | (1) |
|
|
|
216 | (1) |
|
|
|
217 | (1) |
|
|
|
217 | (2) |
|
Generating Ideas and Text |
|
|
219 | (7) |
|
|
|
219 | (1) |
|
|
|
220 | (1) |
|
|
|
220 | (1) |
|
|
|
221 | (1) |
|
|
|
222 | (1) |
|
|
|
222 | (1) |
|
|
|
223 | (1) |
|
|
|
224 | (1) |
|
|
|
224 | (1) |
|
|
|
225 | (1) |
|
|
|
226 | (3) |
|
|
|
226 | (1) |
|
|
|
226 | (1) |
|
|
|
227 | (1) |
|
Dealing with writer's block |
|
|
228 | (1) |
|
Assessing Your Own Writing |
|
|
229 | (6) |
|
Assessing the writing you do for yourself |
|
|
229 | (1) |
|
Assessing the writing you do for others |
|
|
230 | (1) |
|
Considering the rhetorical situation |
|
|
230 | (1) |
|
Examining the text itself |
|
|
231 | (3) |
|
|
|
|
|
|
|
|
|
|
|
|
|
Thinking about your process |
|
|
234 | (1) |
|
Getting Response and Revising |
|
|
235 | (7) |
|
|
|
235 | (1) |
|
|
|
236 | (3) |
|
|
|
239 | (3) |
|
|
|
242 | (5) |
|
|
|
242 | (3) |
|
|
|
245 | (2) |
|
|
|
247 | (12) |
|
Considering the rhetorical situation |
|
|
247 | (1) |
|
|
|
248 | (1) |
|
|
|
248 | (1) |
|
|
|
248 | (4) |
|
|
|
|
|
|
|
Reflecting on your portfolio |
|
|
252 | (5) |
|
|
|
257 | (1) |
|
|
|
257 | (1) |
|
|
|
258 | (1) |
|
Reflecting on your portfolio |
|
|
258 | (1) |
|
|
|
259 | (114) |
|
|
|
261 | (11) |
|
|
|
261 | (1) |
|
|
|
262 | (4) |
|
|
|
266 | (1) |
|
|
|
267 | (3) |
|
Considering the rhetorical situation |
|
|
270 | (2) |
|
|
|
272 | (6) |
|
|
|
272 | (1) |
|
|
|
273 | (2) |
|
|
|
275 | (2) |
|
|
|
277 | (1) |
|
Analyzing Causes and Effects |
|
|
278 | (5) |
|
Determining plausible causes and effects |
|
|
278 | (1) |
|
Arguing for causes or effects |
|
|
279 | (1) |
|
|
|
280 | (1) |
|
Considering the rhetorical situation |
|
|
281 | (2) |
|
|
|
283 | (17) |
|
|
|
283 | (1) |
|
|
|
284 | (9) |
|
|
|
|
|
|
|
|
|
|
Convincing readers you're trustworthy |
|
|
293 | (3) |
|
Appealing to readers' emotions |
|
|
296 | (1) |
|
|
|
296 | (2) |
|
Considering the rhetorical situation |
|
|
298 | (2) |
|
|
|
300 | (1) |
|
|
|
300 | (6) |
|
|
|
301 | (1) |
|
Creating clear and distinct categories |
|
|
302 | (3) |
|
Considering the rhetorical situation |
|
|
305 | (1) |
|
Comparing and Contrasting |
|
|
306 | (8) |
|
Two ways of comparing and contrasting |
|
|
307 | (2) |
|
|
|
|
The point-by-point method |
|
|
|
|
|
309 | (2) |
|
Using figurative language |
|
|
311 | (1) |
|
Considering the rhetorical situation |
|
|
312 | (2) |
|
|
|
314 | (10) |
|
|
|
314 | (2) |
|
|
|
316 | (5) |
|
|
|
321 | (1) |
|
Considering the rhetorical situation |
|
|
322 | (2) |
|
|
|
324 | (9) |
|
|
|
324 | (3) |
|
Objectivity and subjectivity |
|
|
327 | (2) |
|
|
|
329 | (1) |
|
|
|
330 | (1) |
|
|
|
331 | (1) |
|
Considering the rhetorical situation |
|
|
331 | (2) |
|
|
|
333 | (5) |
|
|
|
333 | (1) |
|
Integrating dialogue into your writing |
|
|
334 | (1) |
|
|
|
335 | (1) |
|
Considering the rhetorical situation |
|
|
336 | (2) |
|
|
|
338 | (5) |
|
|
|
338 | (1) |
|
Explaining how something is done |
|
|
338 | (1) |
|
Explaining how to do something |
|
|
339 | (1) |
|
|
|
340 | (1) |
|
Considering the rhetorical situation |
|
|
341 | (2) |
|
|
|
343 | (9) |
|
|
|
343 | (4) |
|
Including pertinent detail |
|
|
347 | (2) |
|
Opening and closing with narratives |
|
|
349 | (1) |
|
Considering the rhetorical situation |
|
|
350 | (2) |
|
|
|
352 | (15) |
|
|
|
352 | (1) |
|
|
|
353 | (1) |
|
Considering the rhetorical situation |
|
|
353 | (1) |
|
Thinking about your initial response |
|
|
354 | (1) |
|
|
|
354 | (1) |
|
|
|
355 | (3) |
|
Thinking about how the text works |
|
|
358 | (2) |
|
|
|
360 | (1) |
|
|
|
361 | (3) |
|
|
|
364 | (1) |
|
Considering the larger context |
|
|
365 | (2) |
|
|
|
367 | (6) |
|
Considering the rhetorical situation |
|
|
367 | (1) |
|
Analyzing essay questions |
|
|
368 | (2) |
|
Some guidelines for taking essay exams |
|
|
370 | (3) |
|
|
|
|
|
|
|
|
|
|
|
|
373 | (148) |
|
Developing a Research Plan |
|
|
375 | (9) |
|
|
|
375 | (1) |
|
|
|
375 | (1) |
|
Considering the rhetorical situation |
|
|
376 | (1) |
|
|
|
377 | (2) |
|
Doing some preliminary research |
|
|
379 | (1) |
|
Keeping a working bibliography |
|
|
379 | (2) |
|
Coming up with a research question |
|
|
381 | (1) |
|
Drafting a tentative thesis |
|
|
381 | (1) |
|
|
|
382 | (1) |
|
Keeping track of your sources |
|
|
383 | (1) |
|
|
|
384 | (16) |
|
|
|
384 | (2) |
|
|
|
386 | (2) |
|
|
|
388 | (1) |
|
|
|
|
|
|
|
|
|
|
|
|
389 | (1) |
|
|
|
390 | (2) |
|
|
|
|
Electronic indexes and databases |
|
|
|
|
|
392 | (2) |
|
|
|
394 | (6) |
|
|
|
|
|
|
|
Questionnaires and surveys |
|
|
|
|
|
400 | (4) |
|
Considering the reliability of sources |
|
|
400 | (1) |
|
Considering whether a source serves your purpose |
|
|
400 | (2) |
|
Reading sources with a critical eye |
|
|
402 | (2) |
|
|
|
404 | (4) |
|
Reading for patterns and connections |
|
|
404 | (2) |
|
Synthesizing to support your ideas |
|
|
406 | (1) |
|
Entering the conversation |
|
|
406 | (2) |
|
Quoting, Paraphrasing, and Summarizing |
|
|
408 | (12) |
|
|
|
408 | (1) |
|
Deciding whether to quote, paraphrase, or summarize |
|
|
409 | (1) |
|
|
|
410 | (3) |
|
|
|
413 | (3) |
|
|
|
416 | (1) |
|
Incorporating source materials into your text |
|
|
417 | (3) |
|
|
|
|
|
|
|
Acknowledging Sources, Avoiding Plagiarism |
|
|
420 | (5) |
|
|
|
420 | (3) |
|
|
|
423 | (2) |
|
|
|
425 | (3) |
|
Understanding documentation styles |
|
|
425 | (2) |
|
|
|
427 | (1) |
|
|
|
427 | (1) |
|
|
|
428 | (49) |
|
|
|
428 | (4) |
|
MLA in-text documentation |
|
|
432 | (7) |
|
|
|
439 | (1) |
|
|
|
439 | (2) |
|
|
|
|
|
|
441 | (8) |
|
|
|
449 | (1) |
|
|
|
450 | (5) |
|
|
|
455 | (2) |
|
|
|
457 | (10) |
|
Sample research paper, MLA style |
|
|
467 | (10) |
|
|
|
477 | (44) |
|
|
|
477 | (3) |
|
APA in-text documentation |
|
|
480 | (6) |
|
|
|
486 | (1) |
|
|
|
487 | (2) |
|
|
|
|
|
|
489 | (7) |
|
Article in a Journal with DOI |
|
|
496 | (1) |
|
|
|
497 | (4) |
|
|
|
501 | (1) |
|
Article in a Database with DOI |
|
|
502 | (6) |
|
Sample research paper, APA style |
|
|
508 | (13) |
|
|
|
521 | (36) |
|
|
|
523 | (11) |
|
Considering the rhetorical situation |
|
|
523 | (1) |
|
|
|
524 | (4) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
528 | (5) |
|
|
|
533 | (1) |
|
|
|
534 | (12) |
|
|
|
534 | (1) |
|
|
|
|
|
535 | (2) |
|
|
|
|
|
537 | (1) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Considering the rhetorical situation |
|
|
538 | (1) |
|
|
|
539 | (1) |
|
|
|
540 | (6) |
|
|
|
546 | (11) |
|
Considering the rhetorical situation |
|
|
546 | (2) |
|
|
|
548 | (1) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
549 | (4) |
|
|
|
|
A clear organizational structure |
|
|
|
An explicit navigation system |
|
|
|
|
|
|
|
|
|
|
|
553 | (1) |
|
|
|
554 | (3) |
|
|
|
557 | |
|
|
|
559 | (38) |
|
|
|
560 | (4) |
|
|
|
|
|
564 | (7) |
|
|
|
The Secondhand Bookseller |
|
|
571 | (6) |
|
|
|
|
|
577 | (6) |
|
|
|
The Canary-Colored Caravan of Death |
|
|
583 | (14) |
|
|
|
|
|
597 | (37) |
|
Parallel Worlds: The Surprising Similarities (and Differences) of Country-and-Western and Rap |
|
|
598 | (6) |
|
|
|
Lurid Numbers on Glossy Pages! (Magazines Exploit What Sells) |
|
|
604 | (6) |
|
|
|
|
|
610 | (4) |
|
|
|
Classic Nuance: Simon Hall at Indiana University |
|
|
614 | (8) |
|
|
|
Changing the Face of Poverty |
|
|
622 | (12) |
|
|
|
|
|
634 | (31) |
|
|
|
635 | (6) |
|
|
|
|
|
641 | (8) |
|
|
|
First U.S. Count Finds 1 in 200 Kids Are Vegetarian |
|
|
649 | (4) |
|
|
|
Multitasking Can Make You Lose ... Um ... Focus |
|
|
653 | (5) |
|
|
|
|
|
658 | (7) |
|
|
|
|
|
665 | (53) |
|
What's the Matter with Kids Today? |
|
|
666 | (5) |
|
|
|
|
|
671 | (6) |
|
|
|
|
|
677 | (7) |
|
|
|
|
|
684 | (7) |
|
|
|
Anti-Intellectualism: Why We Hate the Smart Kids |
|
|
691 | (6) |
|
|
|
|
|
697 | (21) |
|
|
|
|
|
718 | (28) |
|
No Keyboard? And You Call This a BlackBerry? |
|
|
719 | (6) |
|
|
|
Playing God, the Home Game |
|
|
725 | (7) |
|
|
|
The End of Life As She Knew It |
|
|
732 | (5) |
|
|
|
007 Is Back, and He's Brooding |
|
|
737 | (5) |
|
|
|
Caught in the Ayatollah's Web |
|
|
742 | (4) |
|
|
|
|
|
746 | (55) |
|
Fantasy, Mystery, and Ambiguity |
|
|
747 | (7) |
|
|
|
``Enjoy Illusions, Lad, and Let the Rocks Be Rocks'': Le Guin's A Wizard of Earthsea |
|
|
754 | (7) |
|
|
|
The Invention of Autobiography: Augustine's Confessions |
|
|
761 | (6) |
|
|
|
Language and Literature from a Pueblo Indian Perspective |
|
|
767 | (14) |
|
|
|
``One of us ...'': Concepts of the Private and the Public in ``A Rose for Emily'' |
|
|
781 | (6) |
|
|
|
|
|
|
|
|
787 | (10) |
|
|
|
|
|
797 | (1) |
|
|
|
|
|
798 | (1) |
|
|
|
|
|
799 | (2) |
|
|
|
|
|
801 | (36) |
|
|
|
802 | (8) |
|
|
|
The March of the Altar Boy Army |
|
|
810 | (9) |
|
|
|
|
|
819 | (7) |
|
|
|
|
|
826 | (6) |
|
|
|
|
|
832 | (5) |
|
|
|
|
|
837 | (31) |
|
Jimmy Santiago Baca: Poetry as Lifesaver |
|
|
838 | (4) |
|
|
|
Camp Leads a Drumbeat for a Marching Band's Style |
|
|
842 | (5) |
|
|
|
Writing Home: High Street |
|
|
847 | (6) |
|
|
|
|
|
853 | (7) |
|
|
|
Johnny Depp: Unlikely Superstar |
|
|
860 | (8) |
|
|
|
|
|
868 | (34) |
|
Don't Make English Official---Ban It Instead |
|
|
869 | (4) |
|
|
|
The Singer Solution to World Poverty |
|
|
873 | (8) |
|
|
|
A Modest Proposal to Improve Forest Management: State Forest Block Grants |
|
|
881 | (4) |
|
|
|
You Say You Want a Resolution? |
|
|
885 | (5) |
|
|
|
Training the Next Teachers for America: A Proposal for Reconceptualizing Teach for America |
|
|
890 | (12) |
|
|
|
|
|
902 | (31) |
|
|
|
903 | (7) |
|
|
|
If You Are What You Eat, Then What Am I? |
|
|
910 | (6) |
|
|
|
How It Feels to Be Colored Me |
|
|
916 | (6) |
|
|
|
|
|
922 | (7) |
|
|
|
|
|
929 | (4) |
|
|
|
|
|
933 | |
|
|
|
934 | (4) |
|
|
|
Of Value and Values: Warren Buffett and the American Dream |
|
|
938 | (8) |
|
|
|
Eviction: The Day They Came for Addie Polk's House |
|
|
946 | (12) |
|
|
|
|
|
958 | (3) |
|
|
|
Is Google Making Us Stupid? |
|
|
961 | |
|
|
| Acknowledgments |
|
1 | (1) |
| Glossary / Index |
|
1 | |
| Directory to MLA Style |
|
|
|
|
|
|
|