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| Foreword |
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Martine Hennard Dutheil de la Rochere |
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| Preface |
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SECTION 1 NEW MEDIA LITERACY |
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Hyperread, New Literacy, E-text |
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1 | (16) |
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Hyperread. Repurposing Children's Literature and Digital Storytelling |
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Cyber-Salons, Participatory Culture |
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17 | (16) |
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Salon des Fees. Cyber Salon: Re-Coding the Commodified Fairy Tale |
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33 | (16) |
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Imagining the Fairy Tale: Production Design in Neil Jordan's The Company of Wolves and Ridley Scott's Legend |
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49 | (18) |
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Having a Ball. Intertextuality and the Performance of Feminine Identity in Maguy Marin's Dance Work, Cinderella |
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SECTION 2 EMERGING GENRES |
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67 | (16) |
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King Rat to Coraline: Faerie and Fairy Tale in British Urban Fantasy |
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83 | (24) |
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Steampunk: Technofantasies in a Neo-Victorian Retrofuture |
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107 | (19) |
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Postmodern Fantasies of Salvation. Interfacing Forensic Crime Fiction and Fairy Tale in Tim Burton's Corpse Bride Ingrida Povidisa |
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Intermedial Text/Image. Graphic Narrative |
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126 | (19) |
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The Intermedial/Inter-Authorial Dynamics of Text/Image in Rikki Ducornet's The One Marvellous Thing decorated |
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T. Motley Michelle Ryan-Sautour |
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Guro-Kawaii (Grotesque-Cute) Manga/Art |
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145 | (18) |
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Re-envisioning of Fairy Tales in Contemporary Japanese Art. The Post-Feminist Aesthetics of the Grotesque-Cute Guro-Kawaii |
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The Interaction of Literature and Criticism. Feminist Imagination, Challenging the Canon |
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163 | (18) |
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Reclaiming the Lost Code: Feminist Imaginations of the Fairy-Tale Genesis. Olga Broumas's and Nicole Cooley's Revisions |
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Anti-Fairy Tale, Revisiting Blue Beard |
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181 | (21) |
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Anti-Fairy Tale and the Demythologising Business in Jane Campion's The Piano |
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Critical Musicology. Revisiting Beauty and the Beast |
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202 | (20) |
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Monsters Beneath the Skin: Angela Carter's "The Courtship of Mr. Lyon" as Palimpsest in Snow Patrol's "Absolute Gravity" |
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Cult Fairy-Tale Romance. Revisiting the Animal-Groom Tale |
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222 | (15) |
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Bella and her Beastly Choices: Exploring the Fairy Tale in the Twilight Phenomenon |
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Metamorphic Pornographic Fantasy. Revisiting Shakespeare |
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237 | (14) |
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From Shakespeare to Carter: Metamorphic Interplay in Angela Carter's Pornographic Fantasy: "Ouverture and Incidental Music for a Midsummer Night's Dream" |
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SECTION 4 RE-IMAGINING THE BODY |
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Body-Theatrical Performance |
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251 | (25) |
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Postmodern Fantasies of Corporeality: Identity and Visual Agency in Postmodern Anatomy Theatres |
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276 | (20) |
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Monstrous Skins and Hybrid Identities in Catherynne M. Valente's The Orphan's Tales |
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296 | (20) |
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Cyborg Children, Illuminous Rabbits, Snowman: Margaret Atwood's Oryx and Crake and The Year of the Flood as Speculative Fiction |
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Re-fashioning Embodiments |
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316 | (14) |
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Fairy Tale Fashionista: Angela Carter Dresses Wolf-Alice |
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SECTION 5 CREATING FICTIONAL REALITIES |
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Ludic Simulations in the Virtual Reality of Computer Games |
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330 | (22) |
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Adventure Games in the Faerian Machine: Fairy Tales in Ludic Environments |
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Virtual FairyLands in Trans/Post-humanist Science Fiction |
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352 | (15) |
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"... where we can dream ourselves into being" Science-fictional Fairylands as Transitional Sites to Post- or Trans-humanity |
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Inventing a Fictitious Fairy Tale |
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367 | (16) |
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Fictitious Fairy-Stories. Writing a Fictitious Character in Lord of the Rings |
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Between Psychopathology and Fantasy |
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383 | (20) |
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"Cover Your Eyes and Count to a Hundred": Freud's Uncanny and Guillermo del Toro's Pan's Labyrinth |
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SECTION 6 NARRATOLOGICAL NOVELTIES |
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403 | (78) |
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Transmedial Narratology, Representations of Race and Gender |
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A Transmedial Narratological Reading of Racialized and Colonial Sexual Fantasies in the Libertarian Feminist Graphic Novel, Alan Moore and Melinda Gebbie's Lost Girls |
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Neo-Surrealism, Feminist Stylistics |
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421 | (21) |
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(Re-)reading (Post-)Surrealism Through Dorothea Tanning's Chasm: The Femme-enfant Tears Through the Text |
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Affective Narratology and the Emotional Politics of Reading |
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442 | (18) |
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Dancing in Worn Slippers: Narration, Affect and Subversion in Jeanette Winterson's "Story of the Twelve Dancing Princesses" |
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460 | (21) |
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A Corpusemiotical Interpretation of a Postmodern Alice Tale. Embodied Nonsense in Terry Gilliam's Tideland |
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| List of Contributors |
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481 | (8) |
| Index |
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489 | |