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Women and Deafness: Double Visions  

Edited by (Ohio State University USA), Edited by
Women and Deafness: Double Visions
Suurem pilt 
Formaat: Paperback / softback, 312 pages, kõrgus x laius x paksus: 226x150x20 mm, kaal: 431 g
Ilmumisaeg: 31-Oct-2015
Kirjastus: Gallaudet University Press
ISBN-10: 1563686171
ISBN-13: 9781563686177
Hind: 33,80 EUR* (Tavahind: 42,25 EUR)
* hind on lõplik, st. muud allahindlused enam ei rakendu

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Teised formaadid:-Hardback (Hind: 40,08 EUR) - 15-Oct-2006

Teised raamatud teemal:-Sign languages, Braille & other linguistic communication - (Hetkel poes: 1 nimetust)
-Dictionaries - (Hetkel poes: 20 nimetust)
-Gender studies: women - (Hetkel poes: 8 nimetust)



A collection of 14 scholars bridge two dynamic fields, Women’s Studies and Deaf Studies, with various chapters on deaf women photographers, analysis of films with deaf women characters, the significance of deaf beauty pageants, and more.


This new collection bridges two dynamic academic fields: Women’s Studies and Deaf Studies. The 14 contributors to this interdisciplinary volume apply research and methodological approaches from sociology, ethnography, literary/film studies, history, rhetoric, education, and public health to open heretofore unexplored territory.
 
       Part One: In and Out of the Community addresses female dynamics within deaf schools; Helen Keller’s identity as a deaf woman; deaf women’s role in Deaf organizations; and whether or not the inequity in education and employment opportunities for deaf women is bias against gender or disability. Part Two: (Women’s) Authority and Shaping Deafness explores the life of 19th-century teacher Marcelina Ruis Y Fernandez; the influence of single, hearing female instructors in deaf education; the extent of women’s authority over oralist educational dictates during the 1900s; and a deaf daughter’s relationship with her hearing mother in the late 20th century.
 
       Part Three: Reading Deaf Women considers two deaf sisters’ exceptional creative freedom from 1885 to 1920; the depictions of deaf or mute women in two popular films; a Deaf woman’s account of blending the public-private, deaf-hearing, and religious-secular worlds; how five Deaf female ASL teachers define “gender,” “feminism,” “sex,” and “patriarchy” in ASL and English; and 20th-century American Deaf beauty pageants that emphasize physicality while denying Deaf identity, yet also challenge mainstream notions of “the perfect body.”


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