Eros Ideologies: Writings on Art, Spirituality, and the Decolonial [Kõva köide]

  • Formaat: Hardback, 304 pages, kõrgus x laius: 229x152 mm, kaal: 703 g, 49
  • Ilmumisaeg: 25-Oct-2019
  • Kirjastus: Duke University Press
  • ISBN-10: 0822369214
  • ISBN-13: 9780822369219
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  • Formaat: Hardback, 304 pages, kõrgus x laius: 229x152 mm, kaal: 703 g, 49
  • Ilmumisaeg: 25-Oct-2019
  • Kirjastus: Duke University Press
  • ISBN-10: 0822369214
  • ISBN-13: 9780822369219
In Eros Ideologies Laura E. Pérez explores the decolonial through Western and non-Western thought concerning personal and social well-being. Drawing upon Jungian, people of color, and spiritual psychology, alongside non-Western spiritual philosophies of the interdependence of all life-forms, she writes of the decolonial as an ongoing project rooted in love as an ideology to frame respectful coexistence of social and cultural diversity. In readings of art that includes self-portraits by Frida Kahlo, Ana Mendieta, and Yreina D. Cervántez, the drawings and paintings of Chilean American artist Liliana Wilson, and Favianna Rodriguez's screen-printed images, Pérez identifies art as one of the most valuable laboratories for creating, imagining, and experiencing new forms of decolonial thought. Such art expresses what Pérez calls eros ideologies: understandings of social and natural reality that foreground the centrality of respect and care of self and others as the basis for a more democratic and responsible present and future. Employing a range of writing styles and voices—from the poetic to the scholarly—Pérez shows how art can point to more just and loving ways of being.


Laura E. Pérez analyzes Latina art to explore a new notion of decolonial thought and love based on the integration of body, mind, and spirit that offers a means to creating a more democratic and just present and future.
List of Illustrations
xi
Preface xv
Acknowledgments xxi
1 The Social Body of Love: Crafting Decolonial Methodologies
1(16)
2 Eros Ideologies and Methodology of the Oppressed
17(7)
3 Long Nguyen: Flesh of the Inscrutable
24(3)
4 Hidden Avant-Gardes: Contemporary U.S. Latina/o Art
27(7)
5 Freedom and Gender in Ester Hernandez's Libertad
34(6)
6 `Ginas in the Atelier
40(12)
7 The Poetry of Embodiment: Series and Variation in Linda Arreola's Vaguely Chicana
52(4)
8 Art and Museums
56(14)
9 The@-Erotics in Alex Donis's My Cathedral
70(7)
10 Con o sin permiso (With or without Permission): Chicana Badgirls: Las hociconas
77(5)
11 Maestrapeace: Picturing the Power of Women's Histories of Creativity
82(9)
12 Decolonizing Self-Portraits of Frida Kahlo, Ana Mendieta, and Yreina D. Cervantez
91(21)
13 Undead Darwinism and the Fault Lines of Neocolonialism in Latina/o Art Worlds
112(14)
14 The Inviolate Erotic in the Paintings of Liliana Wilson
126(7)
15 The Performance of Spirituality and Visionary Politics in the Work of Gloria Anzaldua
133(14)
16 Daughters Shaking Earth
147(8)
17 Fashioning Decolonial Optics: Days of the Dead Walking Altars and Calavera Fashion Shows in Latina/o Los Angeles
155(19)
18 On Jean Pierre Larochette and Yael Lurie's Water Songs
174(5)
19 Prayers for the Planet: Reweaving the Natural and the Social: Consuelo Jimenez Underwood's Welcome to Flower-Landia
179(13)
20 "Undocu-Nation," Creativity, Integrity
192(9)
21 Writing with Crooked Lines
201(10)
Notes 211(34)
References 245(18)
Index 263
Laura E. Perez is Professor of Ethnic Studies at the University of California, Berkeley, and the author of Chicana Art: The Politics of Spiritual and Aesthetic Altarities, also published by Duke University Press.

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