Kaitsmaks meie kliente ning töötajaid on meie Tartu kauplus suletud kuni olukorra rahunemiseni. E-pood on avatud ning pakkide saatmine jätkub tavapärasel viisil.

Al Schmitt On The Record: The Magic Behind The Music [Raamat]

  • Formaat: Hardback, 232 pages, kõrgus x laius x paksus: 229x152x21 mm, kaal: 517 g, 51 Halftones, black and white, Contains 1 Hardback and 1 Digital online
  • Tüüp: Raamat
  • Sari: Music Pro Guides
  • Ilmumisaeg: 01-Sep-2018
  • Kirjastus: Hal Leonard Corporation
  • Žanrid: Rock, Populaarne, Pop
  • Keel: Inglise
  • ISBN-10: 1495061051
  • ISBN-13: 9781495061059
  • Formaat: Hardback, 232 pages, kõrgus x laius x paksus: 229x152x21 mm, kaal: 517 g, 51 Halftones, black and white, Contains 1 Hardback and 1 Digital online
  • Tüüp: Raamat
  • Sari: Music Pro Guides
  • Ilmumisaeg: 01-Sep-2018
  • Kirjastus: Hal Leonard Corporation
  • Žanrid: Rock, Populaarne, Pop
  • Keel: Inglise
  • ISBN-10: 1495061051
  • ISBN-13: 9781495061059
Ever wonder what goes into the creation of some of the best music ever recorded? Ever wonder how someone becomes an iconic professional who is universally admired and respected? Al Schmitt on the Record: The Magic Behind the Music reveals answers to those questions and more.THIn this memoir of one of the most respected engineers of all time you'll see how a very young boy a mentored by his uncle Harry who owned Apex Recording Studio in New York a progressed through the recording world in its infancy under the mentorship of Tom Dowd in its heyday becoming one of the all-time great recording engineers. And now today Al continues as an unstoppable force at the top of the recording world with his name on mega-hits from the likes of Paul McCartney to Lady Gaga and Diana Krall to Dylan. Al's credits include a veritable who's who of the music world.THReading the compelling accounts of Al's life in the studio you'll see how he has been able to stay at the top of his game since the '50s and you'll experience what is was like behind the scenes and in-the-studio during of many of his historic impactful recordings. Schmitt also shares many of the recording techniques and creative approaches that have set him apart including his approach to microphones effects and processors and he even shares setup diagrams from many of his highly-lauded recording sessions!THU
Foreword ix
Sir Paul McCartney
Acknowledgments xi
One But I'm Not Qualified, Mr. Ellington!
1(4)
Two The Beginning: Early Days, New York, New York
5(8)
Three Learning from the Greats
13(20)
Four The West Coast Calls: Los Angeles in the Sixties and Seventies
33(12)
Five Like Riding a Bike
45(38)
Six Mixing: Philosophically and Pragmatically
83(10)
Seven Practicalities: A Day in the Life
93(8)
Eight Artists, Friends, and Mentors: What I've Learned
101(38)
Nine Life's Been Good to Me So Far: Life Lessons and the Secrets to My Success
139(16)
Ten Some Closing Thoughts
155(4)
Appendix A Working with Al 159(36)
Appendix B Recording Session Layout Diagrams 195(8)
Appendix C Selected Discography: The Essentials 203(2)
Notes 205(6)
Index 211
AL SCHMITT (Los Angeles) Still in very high demand, Al Schmitt has worked with the best and the brightest in the recording industry, including Frank Sinatra, Barbra Streisand, Neil Young, Bob Dylan, Usher and Dr. Dre, to name a few. He has recorded and mixed over 150 gold and platinum records and has gone on to receive 20+ Grammys and 2 Latin Grammys for engineering albums by such artists as Steely Dan, Toto, Natalie Cole, Quincy Jones, Diana Krall, Luis Miguel, Ray Charles, Chick Corea, DeeDee Bridgewater and Paul McCartney. Included on his long list of awards and recognitions, Schmitt was inducted into to the TEC Awards Hall of Fame in 1997 and he was awarded the NARAS Award for Lifetime Achievement in 2006. In 2015, Al received a star on the Hollywood Walk of Fame in front of the Capitol Records building- the first engineer to be so honoured! MAUREEN DRONEY (Los Angeles) The Recording Academy's Managing Director/Producers and Engineers Wing, Maureen Droney, is a former recording engineer for artists including George Benson, Whitney Houston, Herbie Hancock, John Hiatt, and Carlos Santana. Prior to joining The Recording Academy, Droney oversaw the House of Blues Studios in Los Angeles and Memphis, and East Iris Studios in Nashville. She is the former Los Angeles Editor of Mix magazine, author of the textbook, MixMasters: Platinum Engineers Share Their Secrets for Success, and co-author of The Pensado Papers, about the rise of the audio industry web phenomenon, Pensado's Place,