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Congregational Worship and Music-Evoked Affect: Diwa in Song [Kõva köide]

  • Formaat: Hardback, 184 pages, kõrgus x laius: 234x156 mm, kaal: 453 g, 2 Tables, black and white; 1 Halftones, black and white; 1 Illustrations, black and white
  • Sari: Congregational Music Studies Series
  • Ilmumisaeg: 03-Jul-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032145919
  • ISBN-13: 9781032145914
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  • Formaat: Hardback, 184 pages, kõrgus x laius: 234x156 mm, kaal: 453 g, 2 Tables, black and white; 1 Halftones, black and white; 1 Illustrations, black and white
  • Sari: Congregational Music Studies Series
  • Ilmumisaeg: 03-Jul-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032145919
  • ISBN-13: 9781032145914

This book examines the reciprocal relationship between theology and congregational singing through the experience of emotion. Exploring the link between emotion and music, it covers the intersection of psychological theory, theology, and lived experience.



This book examines the reciprocal relationship between theology and congregational singing through the experience of emotion. Exploring the link between emotion and music, it covers the intersection of psychological theory, theology, and lived experience. The chapters draw on an in-depth case study of two Filipino Baptist churches with strong singing traditions. Douglas Bachorik considers what kinds of emotions are experienced, the effect on participants, and how lived experience fits with prevailing emotion models. The book concludes with practical considerations on the role of music-evoked affect in shaping belief.

Arvustused

Dr. Bachoriks book is a refreshing and insightful angle into music evoked emotions which focuses on the rich context of congregational singing in the Philippines. His book expands the scope of music and emotion research into worship, social relations, and lived experience and successfully brings perspectives from multiple disciplinary viewpoints to the discussion of what people experience when engaged in participatory musical activities.

- Tuomas Eerola, Professor of Music Cognition, Durham University, UK

A meticulously researched and highly contextualized case study of emotional responses to congregational singing in two Filipino congregations. The churches, similar in theological foundation, differ in their musical worship choices. Dr. Bachorik explores these differences and draws some salient conclusions."

- David R. Ledgerwood, Professor, Maranatha Baptist University, USA

Bachoriks research on music-evoked affect experienced by the congregant-participant through the application of music emotion theory, theology, and phenomenological experience of Filipino diwa, probes and disentangles the web of interacting forces and offers data and culturally sensitive insight and context. It is a highly recommended reference for graduate students in Asian music studies, ethnomusicology, anthropology, intercultural studies, and worship leadership.

- Joel Magus Navarro, Professor, Singapore Bible College and St.Paul University Manila

Bachorik provides a groundbreaking application of the concept of diwa in analyzing the role of the congregation as active participants in church music-making. I recommend this seminal work to scholars of church music, particularly those interested in understanding music as experienced within the realms of worship and theology.

- Arwin Q. Tan, Associate Professor, College of Music, University of the Philippines

This seminal study of the role that music (and congregational singing in particular) plays in worship is worthy of our attention. An initial inquiry into the attitudes Filipino congregations have concerning the effect of music on the personhood of the believer and the power it has to change the human spirit, the book explores the aesthetics, meaning, and usage of singing in two different Filipino Baptist congregations, seeking to weave a theological position behind the phenomenon. Bachoriks work suggests a path toward a deeper dive into the Philippine languages, indigenous constructs of personhood, and how they are structured, overlaid, and incorporated into the Christian framework.

- Elena Rivera Mirano, Professor Emeritus, College of Arts and Letters, University of the Philippines

Dr. Bachoriks thorough research over years of field experience yields unique and thoughtful insight on how the church expresses what it believes. He provides the tools for analyzing the complex and often contentious balance between worship theology and music practice.

- Philip Gingery, Assistant Pastor and Minister of Music, Bible Baptist Church (West Chester, PA), USA

Debates about the relationship (desired, dictated, experienced) between words and music theology and emotion - fill the story of Christianity. This detailed, insightfully researched discussion is a must-read for anyone involved in understanding the subtlety of this world. Using very effective qualitative research methods the author presents an in-depth study of two Filipino churches. Most beautifully he describes how music evoked emotion reaches the harmonising of the physical and spiritual at the heart of being human.

- June Boyce-Tillman MBE, Professor Emerita of Applied Music, University of Winchester, UK, and Extraordinary Professor, North-West University, South Africa

Acknowledgements
Chapter 1: Mahal Kita! Theology and Worship Love Each
Other
Chapter 2 Feelings, Nothing More Than Emotion and music in theory
and theology
Chapter 3 I Give to You, and You Give to Me. Reciprocity and
Diwa
Chapter 4 I think, therefore, I am. Theology gives to worship, part 1
Chapter 5 May the mind of Christ Theology gives to worship, part 2
Chapter
6 It Cant be Wrong When It Feels So Right. Worship gives to theology
Chapter 7 In My End Is My Beginning. Implications of diwa beyond the Pearl
of the Orient Appendix Analysis of Song Repertoire and Service Description
Index
Douglas Bachorik is the chair of the music department at Maranatha Baptist University (USA). He founded and directed for twenty-one years the Music Studies Program at Bob Jones Memorial Bible College and Seminary in the Philippines.