Embodied Philosophy in Dance: Gaga and Ohad Naharin's Movement Research Softcover reprint of the original 1st ed. 2016 [Pehme köide]

  • Formaat: Paperback / softback, 228 pages, kõrgus x laius x paksus: 210x148x13 mm, kaal: 3251 g, 10 Tables, color; 10 Illustrations, color; XVIII, 228 p. 10 illus. in color., 1 Paperback / softback
  • Sari: Performance Philosophy
  • Ilmumisaeg: 27-Jun-2018
  • Kirjastus: Palgrave Macmillan
  • ISBN-10: 1349956295
  • ISBN-13: 9781349956296
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  • Formaat: Paperback / softback, 228 pages, kõrgus x laius x paksus: 210x148x13 mm, kaal: 3251 g, 10 Tables, color; 10 Illustrations, color; XVIII, 228 p. 10 illus. in color., 1 Paperback / softback
  • Sari: Performance Philosophy
  • Ilmumisaeg: 27-Jun-2018
  • Kirjastus: Palgrave Macmillan
  • ISBN-10: 1349956295
  • ISBN-13: 9781349956296
Teised raamatud teemal:
Representing the first comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company. Considering the body as a means of expression, Embodied Philosophy in Dance deciphers forms of meaning in dance as a medium for perception and realization within the body. In doing so, the book addresses embodied philosophies of mind, hermeneutics, pragmatism, and social theories in order to illuminate the perceptual experience of dancing. It also reveals the interconnections between physical and mental processes of reasoning and explores the nature of physical intelligence.

Arvustused

"Katan's work offers the first book-length publication on the topic ... which provided insights into the genesis, in-class practice, and vocabulary of Gaga. ... Katan's Embodied Philosophy in Dance is a useful guide for dancers from all disciplines who want to increase their awareness in the studio. Moreover, this book is a recommended introductory reading for those who still underestimate the legitimacy of dance as a source of knowledge." (Melissa Melpignano, Dance Research Journal, Vol. 49 (2), August, 2017) "Katan-Schmid (Humboldt Univ. of Berlin, Germany) explores the idea that dance is more than a conveyor of philosophical meaning. ... This exhaustive investigation of Gaga will be useful to those seeking to delineate the inner workings of Gaga's physical, embodying process and how that process is manifested in performance. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals." (E. McPherson, Choice, Vol. 54 (9), May, 2017) "The book thus has relevance for both readers who specialize in one of the philosophical discourse methods and traditions incorporated as well as for dancers, dance makers, critics, and other readers who are used to describing and capturing a moving process and form like dance in words. It also provides a comprehensive resource for all philosophers of art who focus on artistic practice, performance, and stage- or studio-outward aspects of the art of which we are philosophizing." (Aili Bresnahan, Journal for Aesthetics and Art Criticism, 2017) "Katan-Schmid ... adds a much-needed, thorough exploration of Gaga, highlighting its philosophical, physical, mental, sensual, imaginative, and perceptual possibilities. ... Embodied Philosophy will be of interest to somatic practitioners and researchers, as well as dancers and choreographers. ... Without doubt, Embodied Philosophy will be invaluable for current and future Gaga dancers and educators and scholars mining the riches of Gaga." (Hiie Saumaa, Dance Chronicle, Vol. 40 (3), 2017)

Part I Embodied Philosophy in Dance: Introduction
1(40)
1 Dance and Philosophy: Phrasing an Entrance
3(6)
2 Dance as Embodied Philosophy
9(14)
3 Habitus, Embodied Knowledge, and Physical Intelligence
23(8)
4 Embodied Reflections
31(10)
Part II The Sensual Emphasis of Gaga
41(44)
5 "Float!"
43(6)
6 Enacting Perception
49(8)
7 Extending Perception
57(8)
8 Dancing Metaphors
65(12)
9 The Phenomenological Method of Gaga
77(8)
Part III The Mental Emphasis of Gaga
85(46)
10 "Connect Effort into Pleasure!"
87(6)
11 The Challenge of a Perceptual Gap between Body and Mind
93(12)
12 The Involvement of Psychology and Physicality
105(8)
13 Comprehending Emotions and Directing a Mood
113(10)
14 Intentionality and the Aesthetic Will
123(8)
Part IV Gaga: Physical Practice of Intelligence
131(40)
15 Multitasking Inquiries
133(6)
16 Decision Making
139(6)
17 The Intelligible Form
145(8)
18 Rhythm: Synchronization of Body and Mind
153(8)
19 The Physical Practice of Intelligence
161(10)
Part V The Moving Forms of Dancing Gaga
171(42)
20 Bellus
173(6)
21 The Dancing Body as a Means of Expression
179(8)
22 Understanding Expressions
187(12)
23 Moving Forms of Dance
199(14)
Works Cited 213(10)
Index 223
Einav Katan-Schmid is a research associate at the Cluster of Excellence, Image, Knowledge, Gestaltung: An Interdisciplinary Laboratory, at the Humboldt University of Berlin, Germany. Her work with the research group "Picture-Act and Body-Knowledge" integrates choreography and somatic practices with philosophies of embodiment. She has been practicing Gaga with the Batsheva Dance Company since 2003.

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