Acknowledgements |
|
viii | |
Introduction |
|
ix | |
|
Chapter 1 Why Is Lighting Important for Television and Video? |
|
|
1 | (11) |
|
|
3 | (3) |
|
|
6 | (6) |
|
Chapter 2 Human Vision, the Camera, and Exposure |
|
|
12 | (33) |
|
|
12 | (2) |
|
|
14 | (5) |
|
|
19 | (1) |
|
So What Happens If We Don't? |
|
|
20 | (1) |
|
Inside the Legal Video Signal |
|
|
21 | (9) |
|
|
30 | (5) |
|
|
35 | (6) |
|
|
41 | (1) |
|
|
41 | (4) |
|
Chapter 3 Volts, Amps, and Watts |
|
|
45 | (15) |
|
|
52 | (5) |
|
Power Tie-Ins and Contractor Connections |
|
|
57 | (1) |
|
|
57 | (3) |
|
Chapter 4 Lighting Instruments |
|
|
60 | (27) |
|
|
60 | (4) |
|
|
64 | (4) |
|
|
68 | (5) |
|
|
73 | (2) |
|
Ceramic Discharge Metal Halide |
|
|
75 | (1) |
|
|
76 | (1) |
|
|
76 | (4) |
|
|
80 | (3) |
|
|
83 | (1) |
|
|
84 | (2) |
|
Cookies and Snack Boxes Aren't for Lunch |
|
|
86 | (1) |
|
Chapter 5 Lighting Controls and Uses |
|
|
87 | (15) |
|
|
87 | (6) |
|
|
93 | (9) |
|
Chapter 6 Basic Lighting Techniques |
|
|
102 | (18) |
|
|
102 | (5) |
|
|
107 | (6) |
|
Lighting Jiu-Jitsu, or the Art of the Reflector |
|
|
113 | (1) |
|
Using a Kicker for Modeling |
|
|
114 | (1) |
|
|
115 | (2) |
|
|
117 | (3) |
|
Chapter 7 Interview Setups |
|
|
120 | (12) |
|
Basic Three-Point Interview Setup |
|
|
120 | (5) |
|
|
125 | (3) |
|
Simplifying the Soft Look |
|
|
128 | (3) |
|
|
131 | (1) |
|
Chapter 8 Solving Common Problems |
|
|
132 | (18) |
|
Hot Spots: Film Folks, Be Vigilant! |
|
|
132 | (2) |
|
|
134 | (4) |
|
Practicals and Light Sources in Frame |
|
|
138 | (2) |
|
Lighting Dark Complexions |
|
|
140 | (4) |
|
Too Much Light in All the Wrong Places! |
|
|
144 | (2) |
|
Different Color Temperatures in the Scene |
|
|
146 | (4) |
|
Chapter 9 Studio Lighting |
|
|
150 | (20) |
|
|
153 | (6) |
|
|
159 | (1) |
|
|
160 | (1) |
|
Designing a Lighting Plan With Flos or LEDs |
|
|
161 | (1) |
|
|
162 | (8) |
|
Chapter 10 Advanced Lighting Setups |
|
|
170 | (27) |
|
|
178 | (1) |
|
Lighting Darkness: Interiors |
|
|
179 | (4) |
|
Lighting Darkness: Exteriors |
|
|
183 | (8) |
|
Daytime Exterior Contrast Management |
|
|
191 | (3) |
|
|
194 | (3) |
|
Chapter 11 Lighting Low-Budget Locations |
|
|
197 | (14) |
|
|
198 | (1) |
|
Low-Budget Lighting Principles |
|
|
199 | (1) |
|
Low-Budget Lighting Process |
|
|
200 | (9) |
|
Using Light and Improvised Cheap Lighting |
|
|
209 | (2) |
|
Chapter 12 Specialized Lighting |
|
|
211 | (29) |
|
|
211 | (4) |
|
|
215 | (3) |
|
|
218 | (4) |
|
|
222 | (3) |
|
|
225 | (8) |
|
Church and Wedding Lighting |
|
|
233 | (5) |
|
|
238 | (2) |
|
Chapter 13 Imagination and Invention |
|
|
240 | (7) |
Appendix 1 Using a Light Meter for Video |
|
247 | (1) |
Light Meter Basics |
|
248 | (2) |
Appendix 2 Basic Primer in Signal Monitoring |
|
250 | (1) |
Waveform Monitor |
|
251 | (1) |
Vectorscope |
|
252 | (2) |
Appendix 3 Addresses of Manufacturers |
|
254 | (3) |
Glossary |
|
257 | (20) |
Index |
|
277 | |