Memes in Digital Culture: In Digital Culture [Pehme köide]

  • Formaat: Paperback, 216 pages, kõrgus x laius x paksus: 178x127x11 mm, kaal: 227 g, 23 figures; 23 Illustrations, unspecified
  • Sari: Memes in Digital Culture
  • Ilmumisaeg: 04-Oct-2013
  • Kirjastus: MIT Press
  • ISBN-10: 0262525437
  • ISBN-13: 9780262525435
Teised raamatud teemal:
  • Pehme köide
  • Hind: 13,00 EUR*
  • Tavahind: 17,14 EUR
  • Säästad 24%
  • Lisa soovinimekirja
  • Lisa ostukorvi
  • Kogus:
  • Tasuta tarne
  • Saadame välja 1 tööpäeva jooksul
  • Laos olemas 1 eks
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • soodushind kehtib ainult laos olevatele toodetele (tellimishind: 14,57 EUR)
  • Raamatukogudele
    • EBL
  • Formaat: Paperback, 216 pages, kõrgus x laius x paksus: 178x127x11 mm, kaal: 227 g, 23 figures; 23 Illustrations, unspecified
  • Sari: Memes in Digital Culture
  • Ilmumisaeg: 04-Oct-2013
  • Kirjastus: MIT Press
  • ISBN-10: 0262525437
  • ISBN-13: 9780262525435
Teised raamatud teemal:

In December 2012, the exuberant video "Gangnam Style" became the first YouTube clip to be viewed more than one billion times. Thousands of its viewers responded by creating and posting their own variations of the video--"Mitt Romney Style," "NASA Johnson Style," "Egyptian Style," and many others. "Gangnam Style" (and its attendant parodies, imitations, and derivations) is one of the most famous examples of an Internet meme: a piece of digital content that spreads quickly around the web in various iterations and becomes a shared cultural experience. In this book, Limor Shifman investigates Internet memes and what they tell us about digital culture.

Shifman discusses a series of well-known Internet memes -- including "Leave Britney Alone," the pepper-spraying cop, LOLCats, Scumbag Steve, and Occupy Wall Street's "We Are the 99 Percent." She offers a novel definition of Internet memes: digital content units with common characteristics, created with awareness of each other, and circulated, imitated, and transformed via the Internet by many users. She differentiates memes from virals; analyzes what makes memes and virals successful; describes popular meme genres; discusses memes as new modes of political participation in democratic and nondemocratic regimes; and examines memes as agents of globalization.

Memes, Shifman argues, encapsulate some of the most fundamental aspects of the Internet in general and of the participatory Web 2.0 culture in particular. Internet memes may be entertaining, but in this book Limor Shifman makes a compelling argument for taking them seriously.

Arvustused

Memes in Digital Culture accomplishes a great deal in a very efficient package. -Patrick Sharbaugh, Asiascape

Series Foreword vii
Acknowledgments ix
1 Introduction
1(8)
2 A Telegraphic Biography of a Conceptual Troublemaker
9(8)
3 When Memes Go Digital
17(20)
4 Defining Internet Memes
37(18)
5 Memes versus Virals
55(10)
6 Unpacking Viral and Memetic Success
65(34)
7 Meme Genres
99(20)
8 May the Excessive Force Be with You: Memes as Political Participation
119(32)
9 When Internet Memes Go Global
151(20)
10 Future Directions for Internet Meme Research
171(6)
Glossary 177(2)
Notes 179(10)
Further Readings 189(2)
Index 191
Limor Shifman is Senior Lecturer in the Department of Communication and Journalism at Hebrew University of Jerusalem.