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E-book: Portfolio of Villard de Honnecourt: A New Critical Edition and Color Facsimile (Paris, Bibliothèque nationale de France, MS Fr 19093) with a glossary by Stacey L. Hahn [Taylor & Francis e-book]

  • Format: 396 pages
  • Pub. Date: 03-Jul-2009
  • Publisher: Routledge
  • ISBN-13: 9781315237657
  • Taylor & Francis e-book
  • Price: 166,18 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Regular price: 237,40 €
  • Save 30%
  • Format: 396 pages
  • Pub. Date: 03-Jul-2009
  • Publisher: Routledge
  • ISBN-13: 9781315237657
This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.
List of Illustrations
ix
Foreword xvi
Nigel Hiscock
Acknowledgments xix
Preface xxii
Why a New Edition of the Villard Portfolio? xxiii
Approach to the Drawings xxiii
Approach to the Inscriptions and their Translations xxiv
The Illustrations xxiv
Sources xxiv
Villard and Me xxiv
Caveat Lector xxv
Place and Building Names xxv
The Portfolio
1(26)
What's in a Name?
1(1)
History of the Portfolio: Thirteenth to Seventeenth Centuries
2(1)
History of the Portfolio at the Abbey of Saint-Germain-des-Pres
2(1)
History of the Portfolio at the Bibliotheque nationale de France
3(1)
Physical Construction of the Portfolio: Cover
3(2)
Physical Construction of the Portfolio: Leaves
5(1)
Physical Construction of the Portfolio: Quires or Gatherings
6(1)
Losses of Leaves
6(4)
Villard's ``Preface''
10(1)
Hands in the Portfolio
11(3)
Hand I (Villard de Honnecourt)
11(1)
Hand II
12(1)
Hand III
12(1)
Hand IV
13(1)
Hand V
13(1)
Jehanne Martian
Hand VI
13(1)
J. Mancel
Hand VII
13(1)
Hand VIII
13(1)
Paginations
14(1)
Villard's Use of Language
14(1)
Villard's Abbreviations
15(1)
Villard's Technical Vocabulary: Architecture
16(3)
Church
16(1)
Plans
16(1)
Elevations
17(1)
Windows
18(1)
Other architectural terms
19(1)
Drawings Tools and Techniques Used
19(1)
Drawings Sequence
19(2)
Graphite preliminary drawing
20(1)
Lightly inked drawing
20(1)
Reinforced lines
20(1)
A Special Consideration
21(1)
Survival of the Portfolio
22(1)
Character and Purpose of the Portfolio
23(4)
The Individual Folios: Drawings and Inscriptions
27(188)
Introduction
27(1)
Organization of the Analyses
27(3)
Codicology
27(1)
Size
28(1)
Paginations
28(1)
Concordance
28(1)
Condition
28(1)
Drawings
28(1)
Transcriptions
28(1)
Translations
29(1)
Attribution
29(1)
Commentary
29(1)
Fol. 1r
30(5)
Fol. 1v
35(3)
Fol. 2r
38(2)
Fol. 2v
40(2)
Fol. 3r
42(1)
Fol. 3v
43(2)
Fol. 4r
45(2)
Fol. 4v
47(2)
Fol. 5r
49(2)
Fol. 5v
51(2)
Fol. 6r
53(2)
Fol. 6v
55(2)
Fol. 7r
57(2)
Fol. 7v
59(3)
Fol. 8r
62(3)
Fol. 8v
65(1)
Fol. 9r
66(4)
Fol. 9v
70(3)
Fol. 10r
73(2)
Fol. 10v
75(3)
Fol. 11r
78(2)
Fol. 11v
80(2)
Fol. 12r
82(2)
Fol. 12v
84(2)
Fol. 13r
86(2)
Fol. 13v
88(2)
Fol. 14r
90(1)
Fol. 14v
91(4)
Fol. 15r
95(3)
Fol. 15v
98(3)
Fol. 16r
101(3)
Fol. 16v
104(2)
Fol. 17r
106(3)
Fol. 17v
109(3)
Fol. 18r
112(4)
Fol. 18v
116(6)
Fol. 19r
122(5)
Fol. 19v
127(3)
Fol. 20r
130(10)
Fol. 20v
140(6)
Fol. 21r
146(6)
Fol. 21v
152(2)
Fol. 22r
154(2)
Fol. 22v
156(4)
Fol. 23r
160(3)
Fol. 23v
163(2)
Fol. 24r
165(2)
Fol. 24v
167(4)
Fol. 25r
171(1)
Fol. 25v
172(1)
Fol. 26r
173(2)
Fol. 26v
175(2)
Fol. 27r
177(2)
Fol. 27v
179(3)
Fol. 28r
182(2)
Fol. 28v
184(2)
Fol. 29r
186(2)
Fol. 29v
188(1)
Fol. 30r
189(5)
Fol. 30v
194(2)
Fol. 31r
196(2)
Fol. 31v
198(3)
Fol. 32r
201(8)
Fol. 32v
209(2)
Fol. 33r
211(2)
Fol. 33v
213(2)
Villard de Honnecourt: A Minimalist Biography
215(16)
Birthplace and Early Life
216(1)
Travels
217(1)
The Villard Myth
217(3)
Sites Visited by Villard
220(7)
Cambrai
220(1)
Chartres
220(1)
Hungary
220(2)
Laon
222(1)
Lausanne
222(1)
Meaux
223(1)
Reims
223(1)
Saint-Quentin?
224(2)
Soissons
226(1)
Vaucelles
226(1)
Other Sites?
227(1)
Villard's Aesthetics and Sources
227(2)
Who was Villard?
229(2)
Glossary 231(10)
Bibliography 241(14)
Iconographic Index of Drawings 255(4)
Index 259
Carl F. Barnes, Jr, is Professor Emeritus of Art History at Oakland University in Rochester, Michigan, USA, where he taught for 30 years. A graduate of Washington and Lee University (B.A., 1957) and Columbia University (M.A., 1959; Ph.D., 1967), Barnes has published extensively on the Cathedral of Sts. Gervase and Protase at Soissons, France, and on the Portfolio of Villard de Honnecourt. He maintains an Internet site (http://www.villardman.net) with extensive information about the portfolio, including Barnes bibliography of writings on the Villard portfolio from 1666 to the present. Barnes has served in a number of scholarly administrative positions, including terms as president of ICMA (The International Center of Medieval Art) and AVISTA (Association Villard de Honnecourt for the Study of Medieval Technology, Science, and Art).