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Actor's Work [Pehme köide]

  • Formaat: Paperback / softback, 726 pages, kõrgus x laius: 234x156 mm, kaal: 1100 g
  • Sari: Routledge Classics
  • Ilmumisaeg: 22-Sep-2016
  • Kirjastus: Routledge
  • ISBN-10: 113868838X
  • ISBN-13: 9781138688384
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  • Formaat: Paperback / softback, 726 pages, kõrgus x laius: 234x156 mm, kaal: 1100 g
  • Sari: Routledge Classics
  • Ilmumisaeg: 22-Sep-2016
  • Kirjastus: Routledge
  • ISBN-10: 113868838X
  • ISBN-13: 9781138688384
Teised raamatud teemal:

Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.

Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.

The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.

This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

Arvustused

'A lively new translation by Jean Benedetti Stanislavksi was provocative, controversial - and, asAn Actor's Work confirms, a genius' - The Times

'A volume that clearly communicates the entire system it should be made required reading. -The Guardian

'Getting the system straight from the horses mouth An Actor's Work should be a manual not just in drama school, but but on any course where students are taught to assess texts and arugments critically' - Times Literary Supplement

'A landmark achievement in Stanislavski studies essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Educational Supplement

'Benedetti, the author of several previous books on Stanislavski, has both improved and expanded upon the Hapgood editions, and the result is a longer yet much more readable text. ' Libray Journal

'The twin bibles of acting books, Stanislavsky's An Actor Prepares and Building a Character, have been recently re-translated into a single tome.' - American Theatre'A far more authentic Stanislavsky.' Laurence Senelick, Tufts University, Boston

'More complete, much more accurate, and more readable [ than the previous translation]. Richard Hornby, University of California, Riverside

'Benedetti has done an excellent job an elegantly presented and valuable volume This volume is essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Education

'Jean Benedetti's translation is fresh, immediate, highly readable, very witty, and, above all, accessible.' - Dramatics

'This volume is a must for theater collections. Essential.' CHOICE

Foreword To The Routledge Classics Edition ix
Introduction xiv
Declan Donnellan
Translator's Foreword xx
Jean Benedetti
Publisher's Acknowledgements xxix
An Actor's Work, Original Draft Preface [ Extracts] xxx
YEAR ONE EXPERIENCING
1(362)
An Actor's Work, Introduction
3(2)
1 Amateurism
5(12)
2 The Stage as Art and Stock-in-Trade
17(22)
3 Action, `if', `Given Circumstances'
39(24)
4 Imagination
63(27)
5 Concentration and Attention
90(35)
6 Muscular Release
125(16)
7 Bits and Tasks
141(18)
8 Belief and the Sense of Truth
159(45)
9 Emotion Memory
204(36)
10 Communication
240(30)
11 An Actor's Adaptations and Other Elements, Qualities, Aptitudes and Gifts
270(15)
12 Inner Psychological Drives
285(10)
13 Inner Psychological Drives in Action
295(10)
14 The Actor's Inner Creative State
305(14)
15 The Supertask, Throughaction
319(16)
16 The Subconscious and the Actor's Creative State
335(28)
YEAR TWO EMBODIMENT
363(278)
17 Transition to Physical Embodiment
365(4)
18 Physical Education
369(28)
19 Voice and Speech
397(79)
20 Perspective of the Actor and the Role
476(7)
21 Tempo-Rhythm
483(46)
22 Logic and Sequence
529(10)
23 Physical Characteristics
539(22)
24 The Finishing Touches
561(14)
25 Charisma
575(3)
26 Ethics and Discipline
578(28)
27 The External Creative State in Performance
606(2)
28 General Creative State in Performance
608(31)
29 The `System'
639(2)
Appendices 641(64)
Endnotes 705(8)
Glossary Of Key Terms 713(3)
Afterword 716
Anatoly Smeliansky
Konstantin Stanislavsky (1863-1938) was a Russian actor and theatre director. He was the co-founder (with Nemirovich-Danchenko) of the Moscow Art Theatre, which took the international theatre world by storm when he began producing the plays of Anton Chekhov in 1898.