Muutke küpsiste eelistusi

Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition [Pehme köide]

, (University of Toronto, Canada)
  • Formaat: Paperback / softback, 372 pages, kõrgus x laius: 280x210 mm, kaal: 930 g, 204 Line drawings, black and white
  • Ilmumisaeg: 17-Apr-2012
  • Kirjastus: Routledge
  • ISBN-10: 0415806666
  • ISBN-13: 9780415806664
  • Formaat: Paperback / softback, 372 pages, kõrgus x laius: 280x210 mm, kaal: 930 g, 204 Line drawings, black and white
  • Ilmumisaeg: 17-Apr-2012
  • Kirjastus: Routledge
  • ISBN-10: 0415806666
  • ISBN-13: 9780415806664

Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms.

The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.

Preface ix
PART I Principles of Harmony and Phrase Design
1(148)
1 A Review of Diatonic Harmony
3(29)
Designation of Pitch and Chords
3(4)
Tonal Functions
7(6)
Common Sequential Patterns
13(5)
Passing and Neighboring Chords
18(5)
Functions of Individual Chords
23(3)
Summary of Concepts and Terminology
26(1)
Suggested Assignments
27(5)
2 Expanding the Diatonic Palette
32(33)
Secondary Dominants and Diminished Seventh Chords
32(6)
Chromaticized Sequences
38(8)
Diatonic Modulation
46(15)
Modulation from an Initial Major Key
46(4)
A Summary Example: Bach, French Suite No. 5, Gavotte
50(2)
Modulation from an Initial Minor Key
52(5)
A Summary Example: Bach, French Suite No. 2, Menuet
57(4)
Suggested Assignments
61(4)
3 Phrase Design
65(40)
Phrase Design
65(9)
What is a phrase?
65(1)
Phrase Construction and Combination---Part 1 The Period
66(4)
Phrase Construction and Combination---Part 2 The Sentence
70(3)
Phrase Construction and Combination---Part 3 Larger Period Design
73(1)
Phrase Elision and Hypermeter
74(5)
Phrase Elision
74(4)
Hypermeter
78(1)
Phrase Expansion
79(4)
External Phrase Expansions
80(3)
Internal Phrase Expansions
83(10)
A Summary Analysis (Haydn)
93(4)
Suggested Assignments
97(8)
4 Further Expansion of the Harmonic Palette
105(44)
Modal Mixture
105(7)
Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth
112(6)
Analysis (Beethoven)
118(2)
Modulation
120(16)
Suggested Assignments
136(13)
PART II Analysis
149(202)
5 Binary and Rounded Binary Forms
151(45)
Binary Form
151(2)
Rounded Binary Form
153(3)
Haydn, Symphony No. 101 in D Major ("Clock"), III
156(20)
Beethoven, Piano Sonata in Ab Major, op. 26, II
176(6)
Brahms, Piano Sonata in F Minor, op. 5, III
182(11)
Suggested Assignments
193(3)
6 Classical Sonata Form
196(39)
Mozart, Piano Sonata in F Major, K. 332, I
197(14)
Beethoven, Piano Trio in C Minor, op. 1, no. 3, I
211(21)
Suggested Assignments
232(3)
7 Sonata Form in the Nineteenth Century
235(44)
Beethoven, Piano Sonata in F Minor, op. 57, I
236(22)
Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I
258(19)
Suggested Assignments
277(2)
8 Ternary Form
279(35)
Beethoven, Piano Sonata in D Major, op. 10, no. 3, II
279(10)
Schubert, Impromptu in Gb Major, op. 90, no. 3
289(11)
Brahms, Intermezzo in Bb Minor, op. 117, no. 2
300(12)
Suggested Assignments
312(2)
9 Rondo Form
314(37)
Rondo Form
314(2)
Mozart, Piano Sonata in Bb Major, K. 333, III
316(15)
Brahms, Violin Sonata in D Minor, op. 108, IV
331(18)
Suggested Assignments
349(2)
Appendix: Notes on Musical Reductions 351(5)
Notes 356(7)
Index of Musical Works 363(3)
Index of Names and Terms 366
David Beach has taught music theory for over forty years at Yale University, the Eastman School of Music, and the University of Toronto.

Ryan McClelland is Associate Professor of Music Theory at the University of Toronto.