Preface |
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ix | |
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PART I Principles of Harmony and Phrase Design |
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1 | (148) |
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1 A Review of Diatonic Harmony |
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3 | (29) |
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Designation of Pitch and Chords |
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3 | (4) |
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7 | (6) |
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Common Sequential Patterns |
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13 | (5) |
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Passing and Neighboring Chords |
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18 | (5) |
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Functions of Individual Chords |
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23 | (3) |
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Summary of Concepts and Terminology |
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26 | (1) |
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27 | (5) |
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2 Expanding the Diatonic Palette |
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32 | (33) |
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Secondary Dominants and Diminished Seventh Chords |
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32 | (6) |
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38 | (8) |
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46 | (15) |
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Modulation from an Initial Major Key |
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46 | (4) |
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A Summary Example: Bach, French Suite No. 5, Gavotte |
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50 | (2) |
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Modulation from an Initial Minor Key |
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52 | (5) |
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A Summary Example: Bach, French Suite No. 2, Menuet |
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57 | (4) |
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61 | (4) |
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65 | (40) |
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65 | (9) |
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65 | (1) |
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Phrase Construction and Combination---Part 1 The Period |
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66 | (4) |
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Phrase Construction and Combination---Part 2 The Sentence |
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70 | (3) |
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Phrase Construction and Combination---Part 3 Larger Period Design |
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73 | (1) |
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Phrase Elision and Hypermeter |
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74 | (5) |
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74 | (4) |
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78 | (1) |
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79 | (4) |
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External Phrase Expansions |
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80 | (3) |
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Internal Phrase Expansions |
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83 | (10) |
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A Summary Analysis (Haydn) |
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93 | (4) |
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97 | (8) |
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4 Further Expansion of the Harmonic Palette |
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105 | (44) |
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105 | (7) |
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Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth |
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112 | (6) |
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118 | (2) |
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120 | (16) |
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136 | (13) |
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149 | (202) |
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5 Binary and Rounded Binary Forms |
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151 | (45) |
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151 | (2) |
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153 | (3) |
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Haydn, Symphony No. 101 in D Major ("Clock"), III |
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156 | (20) |
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Beethoven, Piano Sonata in Ab Major, op. 26, II |
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176 | (6) |
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Brahms, Piano Sonata in F Minor, op. 5, III |
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182 | (11) |
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193 | (3) |
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196 | (39) |
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Mozart, Piano Sonata in F Major, K. 332, I |
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197 | (14) |
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Beethoven, Piano Trio in C Minor, op. 1, no. 3, I |
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211 | (21) |
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232 | (3) |
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7 Sonata Form in the Nineteenth Century |
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235 | (44) |
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Beethoven, Piano Sonata in F Minor, op. 57, I |
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236 | (22) |
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Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I |
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258 | (19) |
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277 | (2) |
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279 | (35) |
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Beethoven, Piano Sonata in D Major, op. 10, no. 3, II |
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279 | (10) |
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Schubert, Impromptu in Gb Major, op. 90, no. 3 |
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289 | (11) |
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Brahms, Intermezzo in Bb Minor, op. 117, no. 2 |
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300 | (12) |
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312 | (2) |
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314 | (37) |
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314 | (2) |
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Mozart, Piano Sonata in Bb Major, K. 333, III |
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316 | (15) |
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Brahms, Violin Sonata in D Minor, op. 108, IV |
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331 | (18) |
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349 | (2) |
Appendix: Notes on Musical Reductions |
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351 | (5) |
Notes |
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356 | (7) |
Index of Musical Works |
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363 | (3) |
Index of Names and Terms |
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366 | |