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E-raamat: Applied Theatre and Racial Justice: Care, Community, Change

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Applied Theatre and Racial Justice: Care, Community, Change documents and amplifies lessons from practitioners and scholars who use performance to create models of transformation, collective learning, and liberation.

The chapters and lively roundtable discussions center knowledge and cultural practices developed by Black, Indigenous, Asian, Latine, people of color, and/or people of the global majority, many of whom were doing this work long before applied theatre became an established field of academic study. Building upon frameworks such as Augusto Boal’s Theatre of the Oppressed, protest theatre, anti-racist theatre practices, and theatre for social change, the contributors grapple with applied theatre and racial justice from various perspectives as they work towards mitigating and healing the harm caused by racial injustice. These unique essays provide sample exercises, applicable principles, pedagogical tools, philosophical approaches, and models for art-making and research. The range of writing styles includes personal narratives, ethnographies, theatre histories, and case studies on topics such as Indigenous education, Hip Hop activism, anti-racist theatre, women’s health, artistic training, ritual practices, Black feminism, state and systemic violence, mental health, dance, and community organizing.

Applied Theatre and Racial Justice: Care, Community, Change, part of the Applied Theatre in Context series, is essential reading for students, educators, and theatre practitioners in community, academic, and professional settings who wish to apply performance strategies to imagine and create more supportive ways of being in the world. This interdisciplinary book engages with a broad range of related fields, including education, civic engagement, criminal justice, sociology, ecology, and gender, ethnicity, and race studies.



Applied Theatre and Racial Justice: Care, Community, Change documents and amplifies lessons from practitioners and scholars who use performance to create models of transformation, collective learning, and liberation.

Offering 1: Contemplating Liberatory Practices
1. Contemplative
Practices for Theatrical Interventions and Living
2. Cyphers and Verse: A
Hiphopography of bkSOUL
3. Activating the Ancestral Body: Embodied
Performance and Self-Development
4. Dance of the Orcas: Narrative Medicine
for Undrowning Offering 2: Changing the Center in Teaching and Learning
5.
Indigenous Youth: Performance, Identity, and Cultural Reclamation
6.
Liberating the Classroom: Academic Theatre and Calls for Change
7.
Transcultural Playwriting: What Happens When We Meet?
8. Changing the Center:
Utilizing Black Pedagogy to Prioritize Cultural Competency in Theatre
Training Offering 3: Building Community with Care
9. Anti-Racist Theatre: A
Directorial Practice of Healing in Fires in the Mirror
10. Role Play,
Embodiment, and Our Histories
11. Embodied Truth: Finding Ways to Move
Together
12. The Minor Aesthetics of Falling: Reframing Left-Behind
Children in Rural China Offering 4: Performing Black Feminisms
13. Embodying
the Headlines: Performing Sandra Bland
14. Performing Black Feminist
Abolition
15. Making Colors: A Black Queer Feminist Experiment in Solo
Performance Offering 5: Reckoning with History
16. Planting Seeds of
Freedom: Drama and Youth Activism in Mississippi 1964
17. The American
Slavery Project: Performance and Education
18. Building the Next Black Wall
Street: Michelle Brown-Burdex and the Tulsa Greenwood Summer Arts
Entrepreneur Camp
19. Chicagos Free Street Theater and The Radically
Ordinary Art of Showing Up Offering 6: Gathering Round the Table Roundtable
1. Contemplating Liberatory Practices Roundtable
2. Changing the Center in
Teaching and Learning Roundtable
3. Building Community with Care Roundtable
4. Performing Black Feminisms Roundtable
5. Reckoning with History
Lisa Biggs is an associate professor in the Department of Africana Studies/Rites and Reason Theatre at Brown University, U.S.A., where she teaches theatre and performance studies. She is an actor, playwright, and the recipient of the 2023 Lila A. Heston Award from the National Communications Association and the Errol Hill Award from the American Society for Theatre Research.

Eunice S. Ferreira is an associate professor in the Theater Department at Skidmore College, U.S.A., where she teaches Black theatre, theatre history, mixed race performance, translation, and theatre for social justice and change. She is a director, dramaturg, actor, and a leading scholar on theatre of Cabo Verde, West Africa.