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Asian Art History in the Twenty-First Century [Pehme köide]

  • Formaat: Paperback / softback, 272 pages, kõrgus x laius: 241x191 mm, kaal: 726 g, 73 b-w illus.
  • Sari: Clark Studies in the Visual Arts
  • Ilmumisaeg: 11-Mar-2008
  • Kirjastus: Yale University Press
  • ISBN-10: 0300125534
  • ISBN-13: 9780300125535
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  • Pehme köide
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  • Formaat: Paperback / softback, 272 pages, kõrgus x laius: 241x191 mm, kaal: 726 g, 73 b-w illus.
  • Sari: Clark Studies in the Visual Arts
  • Ilmumisaeg: 11-Mar-2008
  • Kirjastus: Yale University Press
  • ISBN-10: 0300125534
  • ISBN-13: 9780300125535
Teised raamatud teemal:
With essays by Frederick M. Asher, Melissa Chiu, John Clark, Gao Shiming, Yukio Lippit, Saloni Mathur, Kaja M. McGowan, Rana Mitter, Alexandra Munroe, Jerome Silbergeld, Kavita Singh, Nancy S. Steinhardt, Akira Takagishi, and Gennifer Weisenfeld Since its beginnings in the early 1900s, the study of Asian art has dramatically changed and has constantly been shaped by shifting world politics. Asian Art History in the Twenty-First Century explores the field of Asian art and its historiography, tensions, and possible future directions. It features essays by fourteen leading authors specializing in Chinese, East Asian, Indian, and Japanese art history. They consider what is meant by the term "Asian art"; how it is manifested in museums, exhibitions, and galleries; and how it should be understood in relation to shifting geopolitics. Among the many fascinating topics discussed are the Zen portrait in medieval Japan, the influence of Asian art on American art, and public art and memory of war in contemporary China. The authors also consider what new theoretical structures must be created to suit the realities of the twenty-first century and Asian art today.





Distributed for the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Introduction vii
Vishakha N. Desoi
Part One: Forming the Canons
The Shape of Indian Art History
3(12)
Frederick M. Asher
The East Asian Architectural Canon in the Twenty-First Century
15(25)
Nancy S. Steinhardt
Changing Views of Change: The Song-Yuan Transition in Chinese Painting Histories
40(24)
Jerome Silbergeld
Negative Verisimilitude: The Zen Portrait in Medieval Japan
64(32)
Yukio Lippit
Love, Death, and Shifting Patronage in Bali during the 1930s: Two Spatial Models Meet ``Face to Face'' on Painted Threads of Sound
96(27)
Kaja M. McGowan
Part Two: Institutions, Aesthetics, Politics
Aesthetics, Modernity, and Trauma: Public Art and Memory of War in Contemporary China
123(15)
Rana Mitter
A Twentieth-Century Dream with a Twenty-First-Century Outlook: Yashiro Yukio, a Japanese Historian of Western Art, and His Conception of Institutions for the Study of East Asian Art
138(11)
Akira Takagishi
Reincarnations of the Museum: The Museum in an Age of Religious Revivalism
149(20)
Soion Mathur
Kavita Singh
Micrology: The Micropolitics in Chinese Contemporary Art
169(12)
Gao Shirning
Part Three: New Histories, New Futures
Reinscribing Tradition in a Transnational Art World
181(14)
Gennifer Weisenfeld
American Art and the East: An Exhibition Proposal
195(16)
Alexandra Munroe
An Expanded Chinese Art History
211(18)
Melissa Chiu
Histories of the Asian ``New'': Biennales and Contemporary Asian Art
229(22)
John Clark
Contributors 251


Vishakha N. Desai is president of the Asia Society, New York.