Muutke küpsiste eelistusi

E-raamat: Avid Xpress Pro Editing Workshop

4.00/5 (3 hinnangut Goodreads-ist)
(Editor/Producer, provideocoalition.com, USA)
  • Formaat: 462 pages
  • Ilmumisaeg: 02-May-2013
  • Kirjastus: CMP Books
  • Keel: eng
  • ISBN-13: 9781136061820
Teised raamatud teemal:
  • Formaat - PDF+DRM
  • Hind: 76,69 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
Avid Xpress Pro Editing WorkshopSuurem pilt
  • Formaat: 462 pages
  • Ilmumisaeg: 02-May-2013
  • Kirjastus: CMP Books
  • Keel: eng
  • ISBN-13: 9781136061820
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

This book moves beyond the basics of "pushing the buttons"; explaining the most efficient and effective ways of using Xpress Pro to tell the story. Readers develop a working knowledge of the application with lessons and tutorials that cover every essential method and technique. An excellent resource for students and professional editors new to Xpress Pro, this book and downloadable resources combo provides valuable hands-on practice with an extended example that demonstrates the edit of an entire sequence. Project media and plug-ins are provided on the downloadable resources.

Arvustused

"A must have on the shelf closest to the Xpress Pro edit system... filled with recommendations based upon unique insights and extensive experiences." --Bob Turner, Video Systems Magazine

Introduction
1(15)
About this Book
1(1)
About Xpress Pro
2(1)
Scalable Architecture: The New Industry Standard
3(1)
Components of an Xpress Pro System
4(11)
Avid's Specifications
4(1)
Computer
5(1)
A Word about the Internet and CPU Tweaking
5(1)
Memory
6(1)
Video Card
6(2)
Sound Cards
8(1)
1394/FireWire Card
8(1)
Transcoders
9(1)
Avid Mojo
9(1)
Display(s)
9(1)
Video Monitors
10(1)
Speakers
10(1)
Waveform and Vectorscope
10(1)
Drives
10(1)
Keyboards
11(1)
Pointing Devices
12(1)
RS-422 Adapters
12(1)
Software
12(1)
The Operating System
13(1)
Your Xpress Pro Software
13(2)
Settings
15(50)
Why Customize Your Settings?
15(1)
What Can You Customize?
16(2)
Viewing the Settings Tab
18(1)
Trading Settings
18(2)
Sharing Settings En Masse
20(1)
Saving Multiple Settings Files
20(1)
Sharing Specific Files between Users
20(1)
Import a User Profile
21(1)
Creating Site Settings
21(1)
Customizing the Settings in the List
22(41)
Audio Setting
23(1)
Audio Project
23(4)
Bin Settings
27(1)
Capture Settings
27(7)
Correction Mode Settings
34(2)
Deck Configuration Settings
36(2)
Deck Preferences
38(1)
Export Settings
39(2)
Import Settings
41(1)
Interface
41(1)
Keyboard
42(4)
Media Creation
46(2)
PortServer
48(1)
Render
49(1)
Safe Colors
49(1)
Script
49(1)
Timeline
50(3)
Timeline View
53(6)
Trim
59(1)
Video Display
60(1)
Workspaces
61(2)
Conclusion
63(2)
Capturing
65(36)
Setting Up the Capture tool
65(1)
Opening the Capture Tool
65(1)
A Quick Tour of the Capture Tool
66(1)
The Recording Controls
66(16)
The Capture Button
66(1)
The Trashcan
66(1)
The Capture/Log Mode Button
67(1)
Logging Buttons
68(1)
The Deck Button
68(1)
The Video Input Tool (Optional: Mojo Only)
69(2)
The Audio Tool
71(4)
The Message Bar
75(1)
Name and Comments Boxes
75(1)
Choosing the Target Bin
76(1)
Selecting Media Resolution
76(1)
The Media Creation Dialog Box
77(1)
OMF/MXF Selection
78(1)
Selecting Target Drives
78(1)
Digitizing Tracks to Separate Drives
79(1)
The Drive Time-Remaining Display
80(1)
DV Capture Offset
80(2)
Deck and Tape Controls
82(8)
Selecting a Deck or Camera for Capture
82(1)
Identifying the Source Tape
82(2)
Configuring Your Deck or Camera
84(2)
Deleting Deck Configurations
86(1)
Delecting Decks through the Capture Tool
87(1)
Using Timecode
87(1)
The Marks Registers
88(2)
Methods of Capture
90(9)
Capturing Using Non-Timecode Source Materials
90(1)
Capturing Using Timecode Source Materials
90(5)
DV Scene Extraction
95(2)
Capturing Directly to the Timeline
97(1)
Patching Directly When Capturing to the Timeline
97(1)
Capturing across Timecode Breaks
98(1)
Logging
99(1)
Logging with the Capture Tool
99(1)
Logging the Correct Frame Code Mode
99(1)
Importing Logs
99(1)
Importing ALE Logs
100(1)
Using the Capture Tool
100(1)
Media Management
101(38)
Managing Projects
103(3)
Bin Management
106(3)
Creating Folders to Organize Bins
108(1)
Bin Navigation
108(1)
Moving Media between Bins
108(1)
Opening Other Projects' Bins
109(14)
Bin Settings
111(3)
Bin View
114(9)
Managing Drive Space and Deleting Media
123(15)
Consolidating
126(2)
Deleting Unused Media
128(1)
Survival of the Smallest
129(1)
Archiving
129(2)
Finding, Sorting, and Sifting Clips
131(3)
Sorting
134(1)
Sifting
135(3)
Conclusion
138(1)
Basic Editing
139(26)
Approaches to Nonlinear Editing
139(2)
The Nonlinear Advantage
140(1)
Xpress Pro Interface
141(24)
Nonlinear Workflow
141(1)
Desktop Real Estate
141(4)
Loading Footage
145(1)
Creating a Sequence
146(13)
Advanced Navigation
159(6)
The Timeline
165(32)
Timeline Navigation
166(1)
The Position Indicator
166(1)
Timeline Scroll
166(1)
Timeline Scale Bar
166(1)
Scaling the Timeline with the Keyboard
167(1)
Timeline Movement Controls
167(1)
A Tour of the Timeline
167(11)
The Toolbar
167(1)
Monitor (Speaker) Icon
168(1)
Audio Meters
168(1)
Audio Menu
168(2)
Toggle Digital Video Out (Non-Mojo Systems Only)
170(1)
The Track Selector Panel
171(7)
Customizing the Timeline
178(3)
Enlarging and Reducing Track Sizes
179(1)
Saving and Replacing Your Timeline Views
180(1)
Restoring Default Timeline Views
180(1)
Other Timeline Functions
181(2)
Finding Flash Frames
181(1)
Focus
182(1)
Video Quality
182(1)
Show Source/Record
183(1)
Editing with the Timeline
183(5)
Moving Individual Shots
185(1)
Moving Segments
185(2)
The Four-Screen Display
187(1)
Using Segment Mode Editing for Quick Deletion
187(1)
Maintaining Sync in the Timeline
188(4)
How Sync Is Lost
188(1)
The Rules of Maintaining Sync
188(1)
Sync Locks
189(1)
Sync Locks versus Sync Breaks
189(1)
Using Sync Locks
189(2)
Using Sync Locks with Segment Editing
191(1)
Sync Breaks
191(1)
Creating Sync Relationships Using Autosync
192(1)
Using Add Edit for Maintaining Sync
193(1)
The Add Edit Function
193(1)
Using Locators to Maintain Sync
194(3)
Trimming
197(20)
What Is Trimming?
197(1)
Using Trim Mode to Analyze Your Work
198(2)
Entering the Trim Mode
199(1)
Exiting Trim Mode
199(1)
The Trim Interface
200(2)
The Trim Loop
201(1)
Selecting Trim Sides
201(1)
Understanding How Trim Works
202(2)
Center Trim
202(1)
Trimming Single Sides of a Transition
203(1)
Maintaining Sync with Multiple Video Tracks
204(2)
Adding or Subtracting Frames
205(1)
Methods of Trimming
206(4)
Grabbing the Rollers
206(1)
Button Trimming
207(1)
Trimming by Numerical Entry
207(1)
Trimming on the Fly
207(1)
JKL Trim
208(2)
The Extend Function
210(1)
Advanced Trim Functions
211(1)
Dual-Directional Trimming
211(1)
Slipping and Sliding
212(2)
Slipping
212(1)
Sliding
213(1)
Adding Filler while Trimming
214(3)
Audio
217(28)
Tools of the Trade
218(1)
Audio Mix Tool
219(3)
Audio Tool
222(4)
Auto Gain or Rubber-banding
226(8)
EQ Tool
234(4)
AudioSuite Plug-ins
238(2)
Audio Craftsmanship
240(1)
Editing Dialog
240(2)
Editing Music
242(3)
Effects
245(54)
Effect Types
246(1)
Vertical versus Horizontal Effects
246(1)
Using the Effects Palette
247(2)
Applying Effects
247(1)
Removing Effects
248(1)
Real-Time Playback of Effects
249(1)
Using Mojo
250(1)
Transition Effects
250(1)
Beginning at Transition
250(1)
Ending at Transition
250(1)
Centered on Transition
251(1)
Custom
251(1)
Segment Effects
251(1)
Effect Editor Basics
251(3)
Optional Buttons in the Effect Editor
253(1)
Adjusting Parameters
254(7)
Common Parameters in Xpress Pro Effects
254(7)
Effect Templates
261(3)
Saving
261(1)
Applying Effect Templates from a Bin
262(2)
Saving an Effect Template with Source
264(1)
Timecode Navigation in Effects Mode
264(1)
Keyframes
264(5)
Adding Keyframes
265(1)
Selecting Multiple Keyframes
265(1)
Deleting Keyframes
266(1)
Moving Keyframes
266(1)
Copying and Pasting Keyframe Parameters
266(1)
Advanced Keyframing
266(2)
The Dual Split Button
268(1)
Building Vertical Effects
269(1)
Previsualization
269(1)
Real-Time Playback
270(9)
Your System's Performance with Effects
270(4)
Demystifying Real-Time Effect Playback
274(2)
Using ExpertRender
276(1)
Video Quality Toggle
277(1)
Maximum Video Streams
277(1)
The Laws of Rendering
278(1)
Motion Effects
279(6)
Motion Effects Interpolation
279(1)
Freeze Frames
280(1)
Motion Effects
281(1)
Using Fit-to-Fill Motion Effects
282(1)
Timewarp Effects
282(3)
Nested Effects or Submasters
285(9)
Step versus Expansion Nesting
287(1)
Step Nesting
287(4)
Expansion Nesting
291(2)
Nesting Order and Autonesting
293(1)
Autonesting
294(1)
Effect Priority
294(1)
3D Warp
294(4)
The 3D Axis
294(1)
Page Fold
295(1)
Balls
296(1)
Slats
296(1)
3D Modeling and Shading versus 3D Video Effects
296(1)
Promoting an Effect to 3D
296(2)
Experimenting with Effects
298(1)
The Title Tool
299(22)
Title Tools
301(4)
First Group of Text Tools
301(2)
Second Group of Text Tools
303(1)
Third Group of Text Tools
304(1)
Fourth Group of Text Tools
304(1)
Menus
305(3)
Object Menu
305(2)
Alignment Menu
307(1)
Factors of Consistency
308(5)
Styles
308(3)
Templates
311(1)
Typographic Craftsmanship
311(2)
Frequently Asked-For Functions
313(7)
Filling Text with Video
313(2)
Creating Title Builds
315(2)
Altering Titles
317(1)
Promoting Titles to 3D
317(1)
Exporting Titles
317(1)
Importing Text into Title tool
318(1)
Rolls
318(1)
Crawls
319(1)
Conclusion
320(1)
Importing with Xpress Pro
321(20)
Shot Logs
321(3)
Importing Images
324(10)
Preparing Still and Motion Graphics for Import
324(9)
Organizing Your Graphic Files
333(1)
Mixing Resolutions
333(1)
Single-Frame Import Duration
333(1)
Autodetect Sequential Files
333(1)
Saving Import Settings
334(1)
Drag-and-Drop Importing
335(1)
Importing Audio from a CD
335(1)
Importing Photoshop Graphics
335(1)
Import Issues
336(3)
Batch-Reimporting Graphics
336(2)
Importing QuickTime Files
338(1)
Importing OMF and AAF Files
339(1)
Fun with Imports
339(2)
Color Correction
341(38)
Color Correction Toolset
341(1)
The Color Corrector GUI
342(1)
Monitoring in CC Mode
343(6)
Color Correction Tool
349(19)
HSL Controls Subtab
349(2)
Behavior of the CC Controls
351(1)
Match Color Control
352(2)
Color Buckets
354(1)
Hue Offsets Subtab
355(4)
Match Color in the Hue Offset subtab
359(1)
Automatic Color Correction
360(1)
Curves Tab
361(6)
Color Correction Tool Buttons
367(1)
Now...Forget the Buttons
368(2)
Additional Color Correction Wisdom
370(2)
Applying the Same Correction to Multiple Segments
371(1)
Color Correction Tutorial
372(5)
More on the DVD
377(2)
Output
379(16)
Preparing for a Digital Cut
379(9)
Adding Bars and Tone
380(3)
Adding a Slate
383(1)
Render Effects
384(2)
Calibrating for Output
386(1)
Configure the Record Deck
386(2)
Three Methods of Digital Cut
388(2)
The Digital Cut Tool
390(5)
Software Only (Without Optional Mojo Interface)
390(3)
Digital Cut with Mojo
393(2)
Exporting with Xpress Pro
395(26)
Export Settings Templates
396(1)
What's a Codec?
397(2)
Using and Copying Codecs
398(1)
Exporting a Sequence
399(1)
QuickTime Movies
400(7)
Exporting a QuickTime Reference Movie
401(2)
Another Way of Exporting: Send To
403(1)
Exporting QuickTime Movies
404(3)
Other Exports
407(4)
Other Movie Formats
407(1)
Graphics
408(1)
Single-Frame Graphics
408(2)
Multiple-Frame Graphics
410(1)
Audio Files
411(1)
OMFI and AAF
412(3)
Exporting OMFI Files
412(1)
Exporting AAF Files
413(1)
Exporting OMFI and AAF Compositions and Media
413(2)
Using AvidLinks for OMFI and AAF Export
415(1)
Projects between Systems
415(2)
Projects and Bins to Avid DS
417(1)
Bins to Database Applications
418(1)
Make, Manage, and Move
418(3)
Appendix AVX Effects from A to Z
421(34)
3-Prong
423(7)
ColorFiX (Mac and PC)
424(1)
DirtFix (Mac and PC)
425(1)
FlickerFix (Mac and PC)
426(1)
SpeedRamP (Mac and PC)
427(3)
WaveScope (Mac and PC)
430(1)
Aston
430(1)
Pico plug-in (PC only)
430(1)
Boris
431(5)
Boris Continuum (Mac and PC)
431(2)
Boris FX (Mac and PC)
433(1)
Boris Graffiti (Mac and PC)
434(1)
Boris Red (Mac and PC)
435(1)
Chyron
436(1)
Lyric Plug-in (PC only)
436(1)
CLEAReffect
437(1)
dPlex (PC only)
438(1)
dVeloper (PC only)
438(2)
MAGNIFi (PC only)
439(1)
SpotLight (PC only)
439(1)
DigiEffects
440(1)
Digital Film Tools
440(3)
Composite Suite (Mac and PC)
440(2)
55MM (Mac and PC)
442(1)
Digital Film Lab (Mac and PC)
442(1)
zMatte (Mac and PC)
443(1)
GenArts
443(2)
Sapphire Plug-ins (Mac and PC)
443(2)
Inscriber
445(2)
Inscriber TitleMotion AVX (PC only)
445(2)
Pinnacle Systems
447(1)
TitleDeko Pro (PC only)
447(1)
Pixelan
448(1)
SpiceMaster (PC Only)
448(1)
Profound Effects
449(1)
Elastic Gasket (Mac and PC)
449(1)
Move (Mac and PC)
450(1)
RE:Vision Effects, Inc.
450(1)
ReelSmart Motion Blur (Mac and PC)
450(1)
ReelSmart Twixtor (Mac and PC)
451(1)
Stagetools
451(2)
MovingPicture (Mac and PC)
451(1)
MovingParts (Mac and PC)
452(1)
MovingCharts (PC only)
453(1)
Ultimatte
453(1)
Ultimatte AdvantEdge (Mac and PC)
453(1)
Zbig
454(1)
Zbig (PC Only)
Zbig Easy (PC Only)
454(1)
Index 455


Steve Hullfish produces and edits trailers, TV spots, promos and DVDs through his company, Verascope Pictures, which serves high-end clients: Universal Studios, NBC Television, HIT Entertainment, Jim Henson Entertainment, VeggieTales and others. His 22 years of producing and editing TV shows and spots have garnered many national awards, including a national Emmy as part of the editing team of the Oprah Winfrey Show. He has co-written three other books including Color Correction for Digital Video, Avid XpressPro On the Spot, and The Avid XpressPro Editing Workshop. He has also written for DV magazine.
Lisainfo e-raamatute kohta Lisainfo e-raamatute kohta
Püsilink: https://www.kriso.ee/db/97811360618202e.html
Märksõnad: