|
|
x | |
Acknowledgements |
|
xi | |
|
1 In Our Nature: the phenomenon of celebrity fandom |
|
|
1 | (18) |
|
Why studying consumers' fan relationships with celebrities |
|
|
1 | (4) |
|
Origin of my research journey into the world of celebrity fandom |
|
|
5 | (2) |
|
Overall aim(s) of this book's research journey into celebrity fandom |
|
|
7 | (2) |
|
Into the Wild (or the research's epistemological and methodological foundations) |
|
|
9 | (6) |
|
A brief road map for the next chapters of the book |
|
|
15 | (4) |
|
2 The Dangerous Lives of Fans: stereotypes and stigmas |
|
|
19 | (36) |
|
Creative industries, celebrities and fans in contemporary culture |
|
|
19 | (1) |
|
|
20 | (3) |
|
Fan or fanatic: what actually is a fan? |
|
|
23 | (2) |
|
Fans and fandom as subjects of academic research |
|
|
25 | (3) |
|
Approaching a taxonomy of fans |
|
|
28 | (23) |
|
The need for an alternative conceptualisation of fans |
|
|
51 | (4) |
|
3 The Book of Stars: consuming human brands |
|
|
55 | (37) |
|
|
55 | (1) |
|
The study of film in marketing |
|
|
56 | (3) |
|
The study of film in consumer research |
|
|
59 | (2) |
|
The study of film in film studies |
|
|
61 | (6) |
|
|
67 | (1) |
|
The study of film stars in marketing and consumer research |
|
|
68 | (2) |
|
The study of celebrities in media studies |
|
|
70 | (2) |
|
The study of film stars and actors in film studies |
|
|
72 | (14) |
|
Understanding a consumer's celebrity fandom through narrative transportation |
|
|
86 | (6) |
|
4 Confessions of a Jena Malone Fan |
|
|
92 | (36) |
|
A journey into the life of a fan |
|
|
92 | (1) |
|
How I met Jena Malone for the first time ... |
|
|
93 | (5) |
|
How and why my fan relationship with Jena Malone developed further |
|
|
98 | (5) |
|
How Pride & Prejudice strengthened my fan relationship with Jena Malone |
|
|
103 | (9) |
|
How a dream sparked my romantic emotional attachment to Jena Malone ... |
|
|
112 | (4) |
|
How my romantic emotional attachment to Jena Malone evolved further ... |
|
|
116 | (6) |
|
How my emotional relationship with Jena Malone actually `Saved!' me ... |
|
|
122 | (6) |
|
5 Catching Fire: the polysemic allure of celebrities |
|
|
128 | (20) |
|
|
128 | (2) |
|
|
130 | (2) |
|
The celebrity as a performer |
|
|
132 | (6) |
|
The celebrity as a `private' person |
|
|
138 | (2) |
|
The celebrity as a tangible possession |
|
|
140 | (3) |
|
The celebrity as a social link |
|
|
143 | (2) |
|
|
145 | (3) |
|
6 Lovesong: living everyday celebrity fandom |
|
|
148 | (21) |
|
|
148 | (2) |
|
Admiring the celebrity as a performer |
|
|
150 | (4) |
|
Adoring the celebrity as a `private' person |
|
|
154 | (6) |
|
Taking possession of the celebrity |
|
|
160 | (2) |
|
|
162 | (2) |
|
Living with the celebrity |
|
|
164 | (5) |
|
7 Sucker Punch(ed) or Saved? Celebrity fan takeaways |
|
|
169 | (20) |
|
|
169 | (2) |
|
Implications for using an autoethnographic methodology |
|
|
171 | (4) |
|
Implications for understanding film consumption |
|
|
175 | (2) |
|
Implications for understanding a celebrity's consumer appeal |
|
|
177 | (3) |
|
Implications for understanding celebrity fandom |
|
|
180 | (5) |
|
The Ruins or a few last words |
|
|
185 | (4) |
References |
|
189 | |