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E-raamat: China in the Age of Global Capitalism: Jia Zhangke's Filmic World [Taylor & Francis e-raamat]

  • Formaat: 210 pages, 54 Halftones, black and white; 54 Illustrations, black and white
  • Sari: China Perspectives
  • Ilmumisaeg: 30-Oct-2019
  • Kirjastus: Routledge
  • ISBN-13: 9780429351426
  • Taylor & Francis e-raamat
  • Hind: 189,26 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 270,37 €
  • Säästad 30%
  • Formaat: 210 pages, 54 Halftones, black and white; 54 Illustrations, black and white
  • Sari: China Perspectives
  • Ilmumisaeg: 30-Oct-2019
  • Kirjastus: Routledge
  • ISBN-13: 9780429351426

Jia Zhangke is praised as “the most internationally prominent and celebrated figure of the Six-Generation of Chinese filmmakers”. This book provides an examination the content and forms of Jia’s featured films and analyzes their merits and faults.

Jia’s films often narrate the lives of ordinary Chinese people against the backdrop of the political-economic changes. The author conducts an in-depth analysis of how this change have ferociously impinged upon the characters’ living conditions since China integrated itself with the world economy in the high tide of accelerated globalization since the 1970s. The author focuses on discussing the “politics of dignity” expressed by Jia’s allegorical renditions to explore the director’s political unconsciousness and cultural-political notions.

This book maps ten of Jia Zhangke’s films onto three major themes: Jia’s filmmaking and China in the market society; truth claims and political unconscious; “post-socialist modernity” in the age of globalization. This book will be of interest to students and scholars of Chinese film studies, as well as other disciplines, such as political science, sociology, anthropology, etc.

List of illustrations
vii
Acknowledgments ix
Introduction: a lyricist of China's "postsocialist modernity" in the age of neoliberal transformation 1(18)
PART I
1 Recording human affection within social transmutation: portrayal of early reform China in Platform (2000)
19(18)
2 Morality and love in post-revolutionary China: a pickpocket's being and nothingness in Xiao Wu (1997)
37(19)
3 Hedonism and nihilism in the consumerist wasteland: unknown Pleasures (2002) as a fable of drifters in a market society
56(19)
PART II
4 Postmodern paradise or postsocialist fantasy? New proletariat and the commodity world of alienation in The World (2004)
75(13)
5 Revolutionary realism or socialist realism? Chinese Goodmen in Jia Zhangke's Still Life (2006)
88(15)
6 Contradictions of contemporary China from an elite's perspective: sound and fury in A Touch of Sin (2013)
103(22)
PART III
7 Orchestrating workers' memories and Chinese national history: 24 City (2008) as a fake documentary
125(22)
8 A postmodern narrative of historical fragments and elitist historicism: on the fiction and reality in / Wish I Knew (2010)
147(23)
9 "China consciousness" in the age of globalization and its shortage: Mountains May Depart (2015) as a postmodern film
170(25)
Conclusion: The cultural politics of the "poetics of vanishing"
188(7)
References 195(10)
Appendix 205(2)
Index 207
Xiaoping Wang is Chair Professor of Chinese studies at Huaqiao University and adjunct professor of the Institute of Arts and Humanities at Shanghai Jiaotong University. His research interests include modern and contemporary Chinese literature, culture and critical theory.