Interviews with the director of Dont Look Back, The War Room, andZiggy Stardust and the Spiders from Mars
This wide-ranging and insightful collection of interviews with D. A. Pennebaker (b. 1925) spans the prolific career of this pioneer of observational cinema. From the 1950s to the present day, D. A. Pennebaker has made documentary films that have revealed the world of politics, celebrity culture, and the music industry. Following his early collaborations with Robert Drew on a number of works for television, his feature-length portrait of Bob Dylan on tour in England in 1965 (the landmark filmDont Look Back) established so-called direct cinema as a form capable of achieving broad theatrical release. WithMonterey Pop, Pennebaker inaugurated the popular mode of rock concert film (or "rockumentary"), a style of filmmaking he has expanded on through a number of films, includingZiggy Stardust and the Spiders from Mars and Depeche Mode: 101.
Pennebaker has always regarded collaboration as an integral part of his filmmaking methods. His long-running collaboration with Richard Leacock and subsequently his work with Chris Hegedus have enriched his approach and, in the process, have instituted collaboration as a working practice integral to American direct cinema. His other collaborations, particularly those with Jean-Luc Godard and Norman Mailer, resulted in innovative combinations of observational techniques and fictional aesthetics. Such films asThe War Room, which was about the 1992 Democratic primaries and was nominated for an Academy Award, and the 2009Kings of Pastry continue to explore the capacities of observational documentary. In 2012 Pennebaker was the first documentary filmmaker to be awarded an Academy Honorary Award by the Academy of Motion Picture Arts and Sciences.
The Filmmaking of D. A. Pennebaker |
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Chronology |
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xiii | |
Filmography |
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xv | |
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3 | (39) |
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Dont Look Back and Monterey Pop: Donn Alan Pennebaker |
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42 | (11) |
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Donn Looks Back: Cinema Verite with Dylan, Bowie |
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53 | (4) |
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57 | (3) |
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D. A. Pennebaker on the Filming of Dont Look Back |
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60 | (7) |
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1966 and All That: D. A. Pennebaker, Filmmaker |
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67 | (16) |
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Looking Back: D. A. Pennebaker Interviewed by John Bauldie |
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83 | (10) |
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Behind the Public Face of Power: Martha Ansara Interviews Chris Hegedus and D. A. Pennebaker |
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93 | (10) |
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The Burning Question: D. A. Pennebaker and Chris Hegedus |
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103 | (2) |
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Documentary Film Pioneer D. A. Pennebaker Looks Back ... and Forward |
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105 | (9) |
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I Film While Leaping from My Chair: D. A. Pennebaker on Bob Dylan, John Lennon, Cinema Verite, and Mary Poppins |
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114 | (11) |
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D. A. Pennebaker and Chris Hegedus: Engineering Nonfiction Cinema |
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125 | (24) |
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D. A. Pennebaker: At Eighty, Looking Back and Ahead |
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149 | (9) |
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D. A. Pennebaker Looks Back |
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158 | (10) |
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Interview with D. A. Pennebaker and Chris Hegedus |
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168 | (5) |
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Ninety Years of Cinematic Confections: An Interview with Chris Hegedus and D. A. Pennebaker |
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173 | (13) |
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D. A. Pennebaker: Interview |
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186 | (11) |
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197 | (14) |
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Additional Resources |
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211 | (2) |
Index |
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213 | |
Keith Beattie, Melbourne, Victoria, Australia, is a member of the Faculty of Arts and Education of Deakin University, Melbourne. He is the author of many books, most recently D. A. Pennebaker, and he is the editor of Albert and David Maysles: Interviews (University Press of Mississippi). |Trent Griffiths, Melbourne, Victoria, Australia, is a lecturer in the School of Communication and Creative Arts at Deakin University. He has published on documentary film and is completing doctoral research.