| Getting Started |
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xi | |
| About Classroom in a Book |
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xi | |
| Installing software in Adobe Creative Cloud |
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xii | |
| Hardware requirements |
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xii | |
| For Windows |
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xii | |
| For Mac OS |
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xiii | |
| Optimizing performance |
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xiv | |
| How to use these lessons |
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xiv | |
| Copying the lesson files and bonus chapters |
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xv | |
| Relinking the lesson files |
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xv | |
| Interpreting the frame rate of linked files |
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xvi | |
| Additional resources |
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xviii | |
| Adobe certification |
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xix | |
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1 Working In Adobe Creative Cloud |
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1 | (19) |
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The "planning to playback" video-production workflow |
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2 | (1) |
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2 | (1) |
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3 | (1) |
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3 | (1) |
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Overview of Creative Cloud |
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4 | (1) |
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Learning the role of each component |
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4 | (1) |
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Understanding the Creative Cloud user interface |
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5 | (1) |
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6 | (1) |
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Working with media files in video production |
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6 | (3) |
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Linking a project with media files |
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9 | (6) |
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Real-time playback and editing |
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15 | (1) |
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15 | (1) |
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16 | (1) |
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17 | (1) |
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Mercury Performance System |
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17 | (3) |
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2 Organizing The Media Files For Your Project |
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20 | (30) |
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22 | (1) |
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Naming and managing your project and media files |
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22 | (1) |
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Navigating and previewing media |
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22 | (4) |
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26 | (1) |
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Adding metadata to your media |
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26 | (1) |
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27 | (2) |
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Starting a new A/V script in Adobe Story |
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29 | (5) |
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Collaborating with others on your script |
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34 | (1) |
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Planning and managing your production with Adobe Story |
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35 | (2) |
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37 | (1) |
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Ingesting media and working with metadata in Prelude |
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37 | (3) |
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40 | (1) |
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41 | (1) |
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41 | (3) |
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Adding time-based comments |
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44 | (2) |
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Sending your project to Adobe Premiere Pro |
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46 | (4) |
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50 | (88) |
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52 | (1) |
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52 | (2) |
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Creating a new project in Adobe Premiere Pro |
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54 | (2) |
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Understanding the Adobe Premiere Pro user interface |
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56 | (3) |
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Importing footage and other media using the Media Browser |
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59 | (2) |
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Understanding the Project panel |
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61 | (1) |
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62 | (2) |
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64 | (1) |
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Importing assets as a bin |
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64 | (1) |
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65 | (2) |
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67 | (1) |
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Listening to your footage |
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68 | (6) |
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Viewing your B-roll footage |
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74 | (3) |
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77 | (2) |
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79 | (1) |
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80 | (1) |
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80 | (3) |
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83 | (1) |
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Relinking media with Link & Locate |
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84 | (4) |
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Creating the first sequence |
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88 | (3) |
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91 | (1) |
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Adding a marker to a clip |
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91 | (3) |
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Adding a marker to a sequence |
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94 | (1) |
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95 | (1) |
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Preparing to edit in the Timeline |
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95 | (1) |
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The components of the Timeline |
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96 | (1) |
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Muting and locking tracks |
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97 | (1) |
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98 | (4) |
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102 | (6) |
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Reordering clips on the Timeline |
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108 | (3) |
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Using new audio enhancements |
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111 | (1) |
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112 | (1) |
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Snapping between edit points |
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112 | (1) |
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Snapping clips into a sequence |
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112 | (3) |
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Snapping clips within a sequence |
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115 | (11) |
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126 | (1) |
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126 | (4) |
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130 | (1) |
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131 | (1) |
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131 | (2) |
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133 | (1) |
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Finishing your rough edit |
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134 | (4) |
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4 Advanced Editing Techniques |
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Download this lesson and its project files from the Lesson & Update Files tab on your Account page at www.peachpit.com. See the "Getting Started" section for more details |
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5 Creating Basic Motion Graphics And Visual Effects |
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138 | (112) |
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140 | (1) |
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140 | (1) |
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Preserving your rough edit in Adobe Premiere Pro |
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140 | (3) |
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143 | (1) |
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Creating a new project in After Effects |
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144 | (1) |
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144 | (1) |
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The Global Performance Cache |
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145 | (2) |
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Understanding the After Effects user interface |
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147 | (3) |
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Creating folders in After Effects |
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150 | (1) |
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Using Dynamic Link: from Adobe Premiere Pro to After Effects |
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151 | (6) |
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Creating a motion graphic with After Effects |
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157 | (1) |
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157 | (2) |
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159 | (1) |
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159 | (1) |
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160 | (1) |
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RAM Previewing your timelapse |
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160 | (1) |
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Final changes to timelapse |
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161 | (1) |
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Updating a dynamically linkedcomposition |
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162 | (2) |
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164 | (1) |
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Making a new image in Illustrator |
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164 | (3) |
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Overview of the Illustrator interface |
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167 | (1) |
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Making the lower third background |
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168 | (1) |
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Making the background shape |
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168 | (9) |
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177 | (8) |
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Duplicating layers in Illustrator |
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185 | (5) |
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Importing a lower third background to After Effects |
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190 | (1) |
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Creating a new composition |
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191 | (1) |
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Creating the lower third template composition |
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191 | (2) |
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193 | (2) |
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Applying the Drop Shadow effect |
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195 | (2) |
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197 | (5) |
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Optional exercise: parenting |
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202 | (2) |
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204 | (1) |
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Moving the null into place |
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205 | (1) |
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206 | (1) |
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Moving and scaling the group |
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207 | (2) |
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209 | (3) |
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212 | (5) |
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217 | (2) |
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Verifying updates to a nested composition |
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219 | (1) |
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Animating text in After Effects |
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220 | (1) |
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220 | (2) |
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222 | (1) |
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Understanding and applying motion blur |
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223 | (1) |
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Applying motion blur to text layers |
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223 | (3) |
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Working with animation presets in After Effects |
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226 | (4) |
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Finalizing lower third graphics |
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230 | (5) |
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Using Dynamic Link: from After Effects to Adobe Premiere Pro |
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235 | (1) |
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Importing After Effects compositions in Adobe Premiere Pro |
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236 | (3) |
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Replacing clips in your Adobe Premiere Pro sequence |
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239 | (6) |
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245 | (5) |
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6 Advanced Still And Motion Graphics Techniques |
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Download this lesson and its project files from the Lesson & Update Files tab on your Account page at www.peachpit.com. See the "Getting Started" section for more details |
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250 | (44) |
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252 | (1) |
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Making your final edit sequence in Adobe Premiere Pro |
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252 | (2) |
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254 | (1) |
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Understanding audio tools in Adobe Premiere Pro and Adobe Audition |
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255 | (1) |
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Changing your workspace in Adobe Premiere Pro |
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256 | (2) |
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Verifying your preferences |
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258 | (1) |
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259 | (1) |
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260 | (2) |
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Adobe Premiere Pro effects |
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262 | (4) |
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Audio clip editing in Adobe Premiere Pro |
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266 | (1) |
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Automating volume with keyframes |
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266 | (4) |
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Adjusting volume with the Audio Clip Mixer |
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270 | (2) |
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Audio clip editing in Adobe Audition |
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272 | (1) |
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Examining clips for distractions |
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272 | (1) |
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Sending audio clips from Adobe Premiere Pro to Adobe Audition for cleanup |
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272 | (2) |
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Understanding the Spectral Frequency Display |
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274 | (1) |
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Removing transient sounds using the Spectral Frequency Display |
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275 | (1) |
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Removing background noise from your audio |
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276 | (4) |
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Multitrack mixing and finishing in Adobe Audition |
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280 | (6) |
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Audio track editing in Adobe Audition |
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286 | (3) |
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Creating the final audio mix |
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289 | (1) |
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Sending your final audio mix back to Adobe Premiere Pro |
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289 | (5) |
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294 | (42) |
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296 | (1) |
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296 | (2) |
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The basics of color correction |
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298 | (1) |
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Using color-correction techniques in Adobe Premiere Pro |
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299 | (1) |
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Setting up for color correction |
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300 | (1) |
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301 | (1) |
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Using the Three-Way Color Corrector |
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302 | (13) |
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Integrating color corrections to RED footage |
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315 | (7) |
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322 | (1) |
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Adjustment layers in Adobe Premiere Pro |
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323 | (2) |
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325 | (2) |
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Creating a custom Look in Adobe SpeedGrade |
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327 | (2) |
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Applying your custom Look in Adobe Premiere Pro |
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329 | (7) |
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9 Output For The Web And Creative Cloud |
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336 | (32) |
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338 | (1) |
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338 | (1) |
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338 | (3) |
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Exporting the final output with Adobe Premiere Pro |
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341 | (2) |
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Understanding compression and other factors for exporting files |
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343 | (2) |
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About Adobe Media Encoder |
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345 | (1) |
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345 | (4) |
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349 | (1) |
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Encoding video for web and mobile |
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350 | (5) |
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Introducing Flash Professional |
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355 | (1) |
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Creating interactivity with Flash Professional |
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355 | (3) |
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Uploading and sharing your project using Creative Cloud |
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358 | (1) |
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Uploading your work to Creative Cloud |
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358 | (3) |
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361 | (1) |
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Linking Behance with your online social networks |
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361 | (2) |
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Posting an image to Behance |
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363 | (5) |
| Index |
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368 | |
