Muutke küpsiste eelistusi
  • Formaat - PDF+DRM
  • Hind: 59,79 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Raamatukogudele

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes indepth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literarycritical analysis, including ecocriticism, new materialism, affect theory, and humananimal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.
Introduction: Moving Nature

PART ONE: NATURES AGENCIES

1. The Literary Seismograph: Earthquakes in European Literature and Thought

2. Fear of the Forest: Cultural Xylophobia from Pliny to Proulx

3. Shakespeares Vital Parts: Animal, Vegetable, and Meteorological Actors on
the Shakespearean Stage

PART TWO: ANIMAL AFFECTS

4. Baleful Light: Literary Encounters with the Gaze of Animals

5. Taxonomy and Wonder: Old World Bestiaries and New World Marvels

6. The Lower Deep: Fathoming the Abyss in Moby-Dick

Epilogue

Index
Philip Armstrong is a Professor of English at Te Whare Wnanga o Waitaha/University of Canterbury in Aotearoa New Zealand. He is the author of Shakespeares Visual Regime (2000), Shakespeare in Psychoanalysis (Routledge 2001), What Animals Mean in the Literature of Modernity (Routledge 2008), A New Zealand Book of Beasts (cowritten with Annie Potts and Deidre Brown, 2013), Sheep (2016), and two books of poetry.