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E-raamat: Embodying Mexico: Tourism, Nationalism, and Performance [Oxford Scholarship Online e-raamatud]

(Senior Lecturer in Performing Arts, University of Winchester)
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Embodying Mexico: Tourism, Nationalism, and PerformanceSuurem pilt
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Wiley OnlineRohkem infot Oxford Scholarship Online e-raamatute kohta
Raamatu kodulehekülg: http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780195340365.001.0001/acprof-9780195340365
Embodying Mexico examines two performative icons of Mexicanness--the Dance of the Old Men and Night of the Dead of Lake Pátzcuaro--in numerous manifestations, including film, theater, tourist guides, advertisements, and souvenirs. Covering a ninety-year period from the postrevolutionary era to the present day, Hellier-Tinoco's analysis is thoroughly grounded in Mexican politics and history, and simultaneously incorporates choreographic, musicological, and dramaturgical analysis.

Exploring multiple contexts in Mexico, the USA, and Europe, Embodying Mexico expands and enriches our understanding of complex processes of creating national icons, performance repertoires, and tourist attractions, drawing on wide-ranging ethnographic, archival, and participatory experience. An extensive companion website illustrates the author's arguments through audio and video.
Acknowledgments vii
About the Companion Website www.oup.com/us/embodyingmexico xi
Part I Setting the Scene: Many Mexicos
Introduction
3(4)
1 Beyond Your Expectations: Twenty-First-Century Mexico
7(27)
2 Discursive Communities: Performism, Nationalism, and Tourism
34(19)
Part II Tracing Ninety Years of Performism
3 Forging the Nation: The Postrevolutionary Years
53(15)
4 Appropriation and Incorporation: From Island Village to Capital City
68(21)
5 Destination Lake Patzcuaro: Creating a Tourist Attraction with an Island and Night of the Dead
89(11)
6 Authentic Mexican Dances: In the Palace of Fine Arts and Across the National Border
100(20)
7 Films, Visual Images, and Folklorico: Belonging, Difference, and Bodies
120(24)
8 Experiencing Night of the Dead: Festivals, Contests, and Souvenirs
144(23)
9 Disseminating The Old Men: Mexico City, Europe, the World
167(8)
10 Keeping It Local: Reappropriation, Migration, and the Zacan Festival
175(22)
Part III Embodiment, Photographs, and Economics
11 In the Body: Indigenous Corporeality, Work, and Interpretation
197(22)
12 Capturing Bodies: Postcards, Advertising, and the World's Fair
219(19)
13 Celebrating and Consuming Bodies: Economic and Symbolic Production
238(21)
Epilogue Embodied Connections in the Twenty-First Century 259(4)
Appendix 1 The Dance of the Old Men: Choreology and Music 263(4)
Appendix 2 Interviews, Personal Communication, and Institutional Support 267(4)
Appendix 3 Governmental Institutions and Departments 271(2)
Notes 273(20)
References 293(26)
Index 319
Ruth Hellier-Tinoco is a professor in the Departments of Music and Theater/Dance at the University of California, Santa Barbara. Her research engages the fields of performance studies, ethnomusicology, dance anthropology, theater studies, Latin American history, and community arts.
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