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Enlightenment Orientalism: Resisting the Rise of the Novel [Kõva köide]

  • Formaat: Hardback, 360 pages, kõrgus x laius x paksus: 24x16x3 mm, kaal: 680 g
  • Ilmumisaeg: 08-Dec-2011
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226024482
  • ISBN-13: 9780226024486
  • Formaat: Hardback, 360 pages, kõrgus x laius x paksus: 24x16x3 mm, kaal: 680 g
  • Ilmumisaeg: 08-Dec-2011
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226024482
  • ISBN-13: 9780226024486

Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel.

More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, Enlightenment Orientalism is sure to be welcomed as a landmark work in eighteenth-century studies.

Arvustused

"Without question, Enlightenment Orientalism is an illuminating, persuasive, and provocative revaluation of eighteenth-century fiction." (Robert Markley, University of Illinois at Urbana-Champaign)"

List of Figures
ix
Acknowledgments xi
Introduction: Enlightenment Orientalism 1(32)
Part One Pseudoethnographies
1 Fiction/Translation/Transculturation: Marana, Behn, Galland, Defoe
33(43)
2 Oriental Singularity: Montesquieu, Goldsmith, Hamilton
76(39)
Part Two Transcultural Allegories
3 Discoveries of New Worlds, Talking Animals, and Remote Nations: Fontenelle, Bidpai, Swift, Voltaire
115(45)
4 Libertine Orientalism: Prevost, Crebillon, Diderot
160(42)
5 The Oriental Tale as Transcultural Allegory: Manley, Haywood, Sheridan, Smollett
202(42)
Conclusion: Sindbad and Scheherezade, or Benjamin and Joyce 244(11)
Notes 255(46)
Bibliography 301(28)
Index 329
Srinivas Aravamudan is professor of English, Romance studies, and in the literature program at Duke University.