Muutke küpsiste eelistusi

E-raamat: Expressive Abstracts in Acrylic: 55 Innovative Projects, Inspiration and Mixed-Media Techniques

  • Formaat: PDF+DRM
  • Ilmumisaeg: 31-Mar-2021
  • Kirjastus: Search Press Ltd
  • Keel: eng
  • ISBN-13: 9781781268025
  • Formaat - PDF+DRM
  • Hind: 10,71 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: PDF+DRM
  • Ilmumisaeg: 31-Mar-2021
  • Kirjastus: Search Press Ltd
  • Keel: eng
  • ISBN-13: 9781781268025

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

55 expressive abstract projects to paint with tons of inspirational ideas and techniques to use.

Discover the joys of painting abstracts in acrylics with experienced artist and tutor Anita Horskens. In this visually exciting, inspirational book, Anita teaches you about the method of abstraction, and the paints, paper and other materials you need to create stunning paintings. There is detailed guidance on the techniques for adding texture, collage, composition, colour, line, shape and pattern to your work, and 55 clear and accessible projects to put your skills and ideas into practice. This highly practical book will build confidence in your painting and allow you to express yourself through the visual language and style of abstract painting.

Arvustused

Anita Horskens is a freelance, lecturer and tutor, who runs her own painting school in Bavaria. Her new book, Expressive Abstracts in Acrylic, is a practical guide to finding freedom and expression through the medium of acrylic paint. Anita shows you how to abstract your subject, and offers detailed information on texture, collage, composition, colour, line and pattern. There are also 55 projects for you to work through. * Leisure Painter * It seems now to be traditional that books on abstract painting are project based and this useful guide is no exception. The main reason, I suspect, is that its very hard to teach the creative aspect of the topic. The basic principle is that you extract or abstract the essence of your subject and portray it in a way that tells the viewer how you felt about it and what it was like to be there in the moment. How far you take this is entirely up to you there may be quite a few recognisable shapes and forms, or perhaps none at all. You may be wishing to express a mood rather than a sense of place, for instance.





All this is rather esoteric, but its something to consider before embarking on the process. What you can teach, of course, is techniques and thats what this guide aims to do in the fifty-five featured projects. Youll have the opportunity to experiment with colour, contrast, glazing, composition, negative shapes and paint pouring as well as exploring materials and surfaces. Theres a lot to get to grips with and the simple exercises that are presented give you plenty of examples to work with as well as ways to add your own personal touch the instructions are concise and allow for plenty of interpretation, which is, after all, the name of the game in this field.





There are other guides that offer a similar approach, but this one is about as comprehensive as it gets. -- Henry Malt * Artbookreview.net * I love this colourful and glossy book, such a pleasure to browse through. Lots of clear info about paints, paper and materials as well as the encouragement to experiment in many different ways.





Excellent value for money. I highly recommend this book. -- Gwenda Culkin * Amazon * At last an art book with large, clear photographs. Without wishing to sound arrogant, there wasnt really any method I havent tried, but Ive been an abstract artist for years. So Im surprised at how different some of the work appears. I shall keep this book by my side for inspiration, just flicking through the pages pleased me.

If you want inspiration, guidance, advice, and the joy of seeing a fabulous artists work then buy this book. It stands way above all the other books on this subject, and I own a lot.





Not one complaint. Whaaat? -- J. M. Beuford Willis * Amazon * Abstract painting is as much a state of mind as a technique. It's an invented language, which the viewer is invited to interpret in order to understand both what the artist saw and we ourselves feel. To write a book about it is, therefore, something of a tall order and it is perhaps not surprising that most authors shy away from the creative and concentrate on the technical. This is not an invalid approach, but does run the risk of doing something equivalent to musical noodling, where outcomes can be unpredictable, albeit they might produce worthwhile results. If you fancy a noodle, this is no bad place to start. The 55 projects explore an impressive range of tools and application techniques and the results are really not too shabby. Actually, if you just want to explore the possibilities of acrylic media and mediums, you should find plenty to enjoy here.  -- Henry Malt * The Artist * Fabulous book for the abstract painter. Easy to understand and projects shown have clear instructions plus a list of materials as most are using mixed media. It is a delight to have a book like this as I find there are very few books on abstract painting. Well done Anita Hörskens! -- Gill Fraser * Amazon Customer Review *

Foreword 7(1)
Abstraction 8(1)
Abstraction of Real Objects 8(2)
Art Informel 10(1)
Lessons And Exercises 11(1)
Underpainting 11(1)
Materials 12(1)
Paints 13(1)
Pastes and Gels 13(1)
Painting Surfaces 13(1)
Tools 13(1)
Texture
14(16)
Manually Designing the Surface
15(1)
Additives and Fillers
16(1)
Practice
16(1)
Techniques for Applying Colour on a Dry Texture
17(1)
Glaze on a Coarse, Sandy Texture
18(2)
Texture on Paper Collage
20(2)
Tactile and Engraved Lines on Texture
22(2)
Engraving on Texture
24(2)
Bronze Gilding on Texture
26(2)
Multi-layers of Texture
28(2)
Collage
30(16)
Practice
31(1)
Stimuli
32(1)
Practice
33(1)
Chinese Paper on Paint Texture
34(2)
Collage on Crackle Paste
36(2)
Glaze on Different Papers
38(2)
Chinese Paper on Layers of Colour
40(2)
Glaze on Paper Collage
42(2)
Twine under Chinese Paper
44(2)
Picture Composition
46(16)
Choice Of Format
47(1)
Rules Of Composition
48(1)
Golden Section
48(1)
Diagonal Composition
49(1)
Points of Entry and Exit
50(1)
Practice
51(1)
Instructions
51(1)
Vertical Thirds
52(2)
Joining Spaces through Engraving
54(2)
Joining Spaces through Pattern
56(2)
Joining Spaces through Drawing
58(2)
Loose Division of Space through Outlines
60(2)
Colour
62(2)
The Colour Wheel
63(1)
Definition of Terms
63(1)
Primary Colours
63(1)
Secondary Colours
63(1)
Tertiary Colours
63(1)
Further Gradations of Colour
63(1)
Practice
64(1)
Interaction
64(16)
Variations
65(1)
Practice
65(1)
Red-Orange-White Gradation
66(2)
Blue-Green-White Textures with the Spatula
68(2)
Subtle Complementary Contrast
70(2)
Accented Complementary Contrast
72(2)
Complementary Contrast in the Golden Section
74(2)
Vibrant Complementary Contrast
76(2)
Monochrome Painting with Cyan
78(2)
Space
80(22)
Definition of Terms
81(1)
Practice
81(1)
Variations
81(1)
Painting Techniques
81(1)
Pastose Painting Styles
81(2)
Glaze
83(1)
Wet-in-Wet Technique
84(1)
Splatter or Spray Technique
84(1)
Granulation Technique
85(1)
Lifting-off Technique
85(1)
Impasto with a Brush and a Hard Rubber Roller
86(2)
Pouring on Underpainting
88(2)
Pouring on Collage and Texture
90(2)
Pouring on Texture
92(2)
Pouring on Opaque Underpainting
94(2)
Glaze and Impasto on Texture
96(2)
Impasto with a Spatula on a Glazed Underpainting
98(2)
Rolled Textural Application
100(2)
Line
102(22)
The Art Of Drawing Lines
103(1)
Practice
103(1)
Exercises
104(1)
Functionality
105(1)
Variations
105(1)
Tactility
106(1)
Variations
106(1)
Sgraffito
106(1)
Extrusion Technique
107(1)
Linear Overlays
108(2)
Splattered Line on Collage
110(2)
Shining Silver Contours
112(2)
Charcoal Drawing on Rolled Paint
114(2)
Combining Engraving and Tactility
116(2)
Stylized Pencil Drawing
118(2)
Narrative Pencil Scribblings
120(2)
Block Stripes versus Free Line
122(2)
Form
124(18)
Definition of Terms
125(1)
Variations
125(1)
Overlapping Free Forms
126(2)
Impasto and Glaze on an Underpainting
128(2)
Positive and Negative Stencil
130(2)
Negative Form through Glazing
132(2)
Free Forms in the Golden Section
134(2)
Large and Small Forms
136(2)
Freely Poured Forms
138(2)
Circles in a Negative Stencil
140(2)
Pattern
142(1)
Stimuli
143(1)
Practice
143(1)
Stamps
144(1)
Stimuli
144(1)
Practice
144(1)
Stencils
145(1)
Linear Pattern on Collage
146(2)
Circular Pattern
148(2)
Sprayed Stencils Pattern
150(2)
Freehand Pattern with a Spatula
152(2)
Pattern on Texture
154(2)
Collage of a Paper Stencil
156(2)
Reflecting
158(1)
Composition
158(1)
Colour Philosophy
158(1)
Visual Depth
158(1)
Suggestions
158(1)
About The Author 159
Anita Hörskens lives and works as a freelance artist and runs her own painting school in Pfaffenhofen an der Ilm in Bavaria. She has worked as a trainer and speaker in the field of artists supplies since 1994. She leads seminars in all standard painting and drawing techniques, and offers painting holidays, portfolio preparation courses and creative seminars for companies. As the author of numerous acrylic textbooks, she has also lectured at various specialist academies since 2004, with a focus on Experimental Mixed Techniques with Acrylic. In her blog, she regularly reports on News from the Studio: www.hoerskens.blogspot.de





Her website can be visited at www.hoerskens.de.