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E-raamat: From Fingers to Digits

(University of Sussex), (De Montfort University)
  • Formaat: EPUB+DRM
  • Sari: Leonardo
  • Ilmumisaeg: 16-Jul-2019
  • Kirjastus: MIT Press
  • Keel: eng
  • ISBN-13: 9780262352109
  • Formaat - EPUB+DRM
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  • Formaat: EPUB+DRM
  • Sari: Leonardo
  • Ilmumisaeg: 16-Jul-2019
  • Kirjastus: MIT Press
  • Keel: eng
  • ISBN-13: 9780262352109

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Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence.

Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence.

In From Fingers to Digits, a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies—photography and film—have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not? Is writing a computer program equivalent to painting with a brush?

Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.

Series Foreword ix
I
1 Introduction
3(20)
II
2 A Taxonomy of Computer Art
23(38)
3 Explaining the Ineffable
61(30)
4 Art Appreciation and Creative Skills
91(16)
5 Can Evolutionary Art Provide Radical Novelty?
107(20)
6 Collingwood, Emotion, and Computer Art
127(28)
7 The Gothic and Computer Art
155(28)
III
8 Computer Art and the Art World
183(14)
9 Formal Ways of Making Art: Code as an Answer to a Dream
197(12)
10 Programming as Art
209(14)
11 Diversities of Interaction
223(18)
12 Correspondences: Uniting Image and Sound
241(10)
13 Diversities of Engagement
251(14)
IV
14 Conversations with Computer Artists
265(100)
Aaron Marcus
271(11)
Harold Cohen
282(10)
Manfred Mohr
292(9)
Paul Brown
301(8)
Roman Verostko
309(12)
Julie Freeman
321(9)
Alex May
330(6)
Kate Sicchio
336(7)
Andrew Brown
343(5)
Mark Fell
348(8)
Alex McLean
356(9)
Index 365