Muutke küpsiste eelistusi

E-raamat: Greek Theatre Production

  • Formaat: PDF+DRM
  • Sari: Routledge Revivals
  • Ilmumisaeg: 01-Dec-2025
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040758304
  • Formaat - PDF+DRM
  • Hind: 72,79 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Raamatukogudele
  • Formaat: PDF+DRM
  • Sari: Routledge Revivals
  • Ilmumisaeg: 01-Dec-2025
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040758304

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Greek Theatre Production, first published in 1956, is based on an expert knowledge of Greek plays and monuments. In this second edition from 1970, Professor Webster made additions and corrections to bring it up to date.

Scenery, staging and costumes are the three main topics. These are treated chronologically within geographical areas, and evidence is given for local productions of drama throughout the Greek-speaking world from the sixth century B.C. to the Roman period. The survival of local pre-dramatic performances, which may have affected local dramatic costume, is examined here.

A final chapter collects the local evidence into a continuous story, tracing the history of staging, scenery and costumes from the earliest times, and gives full weight to the dominating influence of Athens during the fifth and fourth centuries B.C., and the international character of Hellenistic production. A catalogue lists over 250 of the most important monuments, of which about 40 are illustrated and includes many which would not have been found in the usual textbooks at the time.



This book first published in 1956 and updated in 1970, is based on an expert knowledge of Greek plays and monuments. Scenery, staging and costumes are the three main topics. These are treated chronologically within geographical areas, and evidence is given for local productions of drama throughout the Greek-speaking world.

Arvustused

Reviews for the original edition:

His study, though primarily a book for the specialist and certainly a book which every specialist will want to have, is also full of interest for the general reader. The Listener

He shows an admirably sharp eye for detail and is always ready to pronounce decisively upon conflicting claims. His principal fresh contribution is a very thorough examination of the masks used for tragedy and comedy and an impressive catalogue of monuments, which is indispensable to any methodical study of the subject. The Times Literary Supplement

Preface to Second Edition. Acknowledgements. Introduction.
1. Athens
2.
Sicily and Italy
3. Mainland Greece
4. The Islands
5. Asia and Africa
6.
Conclusion. Addenda and Corrigenda. Concordance. List of Monuments. Index.
T. B. L. (Thomas Bertram Lonsdale) Webster (19051974) was a British archaeologist and classicist, particularly interested in Greek comedy. He started his career as Hulme Professor of Greek at Manchester University, where he remained for seventeen years. He then moved on to the chair of Greek at University College London, where he established the London Institute of Classical Studies. His final position was at Stanford University where he was Professor of Classics, Emeritus.