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Henry V and the Earliest English Carols: 14131440 [Kõva köide]

  • Formaat: Hardback, 230 pages, kõrgus x laius: 234x156 mm, kaal: 520 g, 37 Line drawings, black and white; 9 Halftones, black and white; 46 Illustrations, black and white
  • Ilmumisaeg: 19-Jun-2018
  • Kirjastus: Routledge
  • ISBN-10: 1472421922
  • ISBN-13: 9781472421920
  • Formaat: Hardback, 230 pages, kõrgus x laius: 234x156 mm, kaal: 520 g, 37 Line drawings, black and white; 9 Halftones, black and white; 46 Illustrations, black and white
  • Ilmumisaeg: 19-Jun-2018
  • Kirjastus: Routledge
  • ISBN-10: 1472421922
  • ISBN-13: 9781472421920

As a distinctive and attractive musical repertory, the 100-odd English carols of the fifteenth century have always had a ready audience. But some of the key viewpoints about them date back to the late 1920s, when Richard L. Greene first defined the poetic form; and little has been published about them since the burst of activity around 1950, when a new manuscript was found and when John Stevens published his still definitive edition of all the music, both giving rise to substantial publications by major scholars in both music and literature. This book offers a new survey of the repertory with a firmer focus on the form and its history. Fresh examination of the manuscripts and of the styles of the music they contain leads to new proposals about their dates, origins and purposes. Placing them in the context of the massive growth of scholarly research on other fifteenth-century music over the past fifty years gives rise to several fresh angles on the music.

Acknowledgements ix
Abbreviations x
Notes on musical examples and text citations xii
Musical examples and figures xiii
1 `Straightforward songs'
1(4)
2 The musical repertory
5(7)
3 Definitions and terminology: carol, burden, refrain, chorus, verse
12(7)
4 The musical form and virelai forms in general
19(14)
5 Burdens and double burdens
33(10)
6 Fauxbourdon
43(9)
7 Metre and rhythm
52(4)
8 The main poetry sources
56(4)
9 The earliest English poems in carol form
60(8)
10 Monophony for the carol
68(8)
11 Add. MS 5666
76(4)
12 Awareness of the carol, 1: 1600--1890
80(8)
13 Composers
88(4)
14 Social context, 1: The Royal Court and Political Propaganda
92(12)
15 Social context, 2: Orality and the Polyphonic Carol
104(7)
16 Social context, 3: The Notion of Communal Song
111(3)
17 Awareness of the carol, 2: 1891--1901
114(6)
18 The date and origin of Ritson
120(14)
19 The date and origin of Egerton
134(15)
20 The date and origin of Trinity
149(5)
21 The date and origin of Selden
154(7)
22 Chronology
161(6)
23 The later carols
167(2)
24 Binchois, Dufay and the contenance angloise
169(10)
25 Awareness of the carol, 3: 1902--2017
179(4)
26 `Blessid Inglond ful of melody'
183(2)
Bibliography 185(11)
General Index 196(5)
Index of carols 201(3)
Index of other songs and poems 204(2)
Index of manuscripts 206
David Fallows taught at the University of Manchester for thirty-five years until his retirement in 2011. He is author of Dufay (1982), Josquin (2009), several critical editions and many articles about the 'long' fifteenth century from Zachara da Teramo to Henry VIII some of them reissued in two Variorum volumes of his essays published by Ashgate (1996 and 2010).