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E-raamat: Indie TV: Industry, Aesthetics and Medium Specificity [Taylor & Francis e-raamat]

Edited by (University of Liverpool, UK), Edited by (University of Exeter, UK)
  • Formaat: 372 pages, 1 Tables, black and white; 1 Line drawings, black and white; 34 Halftones, black and white; 35 Illustrations, black and white
  • Ilmumisaeg: 27-Mar-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003134619
  • Taylor & Francis e-raamat
  • Hind: 147,72 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 211,02 €
  • Säästad 30%
  • Formaat: 372 pages, 1 Tables, black and white; 1 Line drawings, black and white; 34 Halftones, black and white; 35 Illustrations, black and white
  • Ilmumisaeg: 27-Mar-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003134619
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways.

The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the 21st Century.

This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies and Media Studies.
List of Figures
x
List of Tables
xiii
List of Contributors
xiv
Acknowledgements xviii
Introduction 1(19)
James Lyons
Yannis Tzioumakis
Prologue: Hollywood and Television before Media Convergence 20(17)
Tino Balio
PART 1 Indie Film and Television: Historical Relationships
37(42)
1 Indie (Film on) TV: A Tale of Two Very Close Friends
39(20)
Yannis Tzioumakis
2 Same Word, Different Medium: The Evolution of Indie TV since the 2000s
59(20)
Alisa Pcrren
PART 2 Indie Film and Television: Industrial Continuities
79(56)
3 (Re-)Branding Sundance: Entering the Indie TV Market
81(17)
Sarah E.S. Sinwell
4 Packaging the `Purest' Form of Indie TV: Michael Sugar, Talent Management and Indie-Auteur Clients
98(19)
Andrew Stubbs
5 `The Things that Keep Us up at Night': Blumhouse Television and Indie Horror's Small Screen Dispersal
117(18)
Tom Fallows
PART 3 Filmmakers' Migration from Indie Film to TV (and back)
135(54)
6 From Brick to Breaking Bad: `Quality' Television Style, Authorship and `Cinematic' Status
137(18)
Geoff King
7 Mumblecore's Second Act: Millennial Indie Moviemaking's Migration to Television
155(17)
Maria San Filippo
8 Apocalyptic Visions and Commercial Constraints: Gregg Araki's Negotiation of Emerging Modes of Indie TV Authorship
172(17)
Anthony P. McIntyre
PART 4 Indie TV: Aesthetic and Institutional Trajectories
189(74)
9 Prestige TV, Comedy, and the Indie Aesthetic
191(17)
Michael Z. Newman
10 Netflix, Race, and Cinephilia: Master of None and Indie TV
208(21)
Meenasarani Murugan
11 `It May Be Where the Future of Independent Production Is Happening': Netflix and Indie Aesthetics in GLOW
229(19)
Cat Mahoney
12 Affect, Tabloid Reality TV, and Indie Cinema
248(15)
Justin Wyatt
PART 5 Indie TV and Regional Sensibilities
263(36)
13 Fargo (2014-20): Indie Cinema, Midwest Mobsters, and Indie TV
265(17)
Cynthia Baron
14 Gender, Family, and Therapeutic Regionalism in One Mississippi
282(17)
Julia Leycia
Diane Negra
PART 6 Indie TV and Alternative Practices
299(55)
15 Indie TV in the Streaming Era
301(17)
Aymar Jean Christian
16 Web Series as Indie TV: Intersectional Identities and Intersecting Media
318(17)
Elana Levine
17 `A Decade of Distinction': A&E IndieFilms and the Channelling of Documentary
335(19)
James Lyons
Index 354
James Lyons is Associate Professor in Screen Studies at the University of Exeter. He is the author or co-editor of six books, including Documentary, Performance and Risk (2020), Miami Vice (2010) and Quality Popular Television (2003).

Yannis Tzioumakis is Reader in Film and Media Industries at the University of Liverpool. He is the author and editor of eleven books, most recently United Artists (2020). He also co-edits the Routledge Hollywood Centenary and the Cinema and Youth Cultures book series.