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Licensing and Access to Content in the European Union: Regulation between Copyright and Competition Law [Kõva köide]

  • Formaat: Hardback, 304 pages, kõrgus x laius x paksus: 234x156x21 mm, kaal: 570 g, Worked examples or Exercises; 1 Tables, black and white; 7 Line drawings, black and white
  • Sari: Cambridge Intellectual Property and Information Law
  • Ilmumisaeg: 23-May-2019
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108475779
  • ISBN-13: 9781108475778
Teised raamatud teemal:
Licensing and Access to Content in the European Union: Regulation between Copyright and Competition LawSuurem pilt
  • Formaat: Hardback, 304 pages, kõrgus x laius x paksus: 234x156x21 mm, kaal: 570 g, Worked examples or Exercises; 1 Tables, black and white; 7 Line drawings, black and white
  • Sari: Cambridge Intellectual Property and Information Law
  • Ilmumisaeg: 23-May-2019
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108475779
  • ISBN-13: 9781108475778
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781108475778.html
Märksõnad:
Schwemer investigates the regulation of the audiovisual and music sectors, two online markets that have been subject to scrutiny by the European institution, and offers a guide to the evolving landscape for multi-territorial access and licensing of copyrighted works. It will appeal to legal scholars, students, practitioners, and policy-makers.

Copyright is territorial, but the same cannot be said of the internet, whose borderless nature has changed the way we consume copyright-protected material. Nevertheless, territorial segmentation of online content remains a reality in the 28 member states of the European Union. Licensing and access practices do not reflect this digital reality, in which end-users demand ubiquitous access to content. For this reason, the territorial nature of copyright and traditional business models based on national exploitation prevent the completion of the Digital Single Market. Sebastian Felix Schwemer provides a unique analysis of the dynamic licensing and access arrangements for audiovisual works and music and shows how they are being addressed by sector regulation and competition law in the Digital Single Market. His analysis, which includes case law of the Court of Justice, the Commission's competition proceedings, and various legislative tools, reveals the overlapping nature of legislative and non-legislative regulatory solutions.

Arvustused

'This book will appeal to anyone interested in the development of EU copyright policy, EU cross-border copyright licensing and access to copyright works, and in particular those with an interest in music and audio-visual works it also offers practical solutions that would also be of interest to policy makers, regulators, practitioners and copyright holders.' Hayleigh Bosher, The IPKat (https://ipkitten.blogspot.com/) 'Until now it has been a great challenge to have an accurate overview of the applicable law in this area. That will be remedied by this book. It gives a very special educational, easy to read and useful overview of the area, which of course will be of great value to anyone dealing with this area practically. Also on a more theoretical level, the book is valuable because of its independent reflections and forensic analyses. There is no doubt the book will be of great value to anyone who deals with this subject at EU level.' Morten Rosenmeier, UfR Online

Muu info

Explores the complex European regulatory landscape for multi-territorial access to and licensing of copyrighted works such as music and audiovisual works.
List of Figures and Tables
viii
Preface ix
Acknowledgements xi
List of Abbreviations
xii
Table of Cases
xiv
Table of Legislation
xvii
1 Introduction
1(27)
1.1 Background
1(4)
1.2 Scope of This Book
5(6)
1.3 Towards a Digital Single Market
11(5)
1.4 Traditional and New Modes of Governance in the ETJ
16(9)
1.4.1 Analysing the Framework for Licensing and Access
16(1)
1.4.2 Different Modes of Regulating
17(8)
1.5 Outline
25(3)
2 Market and Economics Context
28(47)
2.1 Underlying Concepts: Exclusivity, Contractual Freedom and Territoriality
28(4)
2.2 An Intertwined Relationship: Multi-Territorial Licensing and Cross-Border Access
32(5)
2.3 The Age of Access and Its Business Models
37(5)
2.4 Online Licensing of Copyright-Protected Works
42(31)
2.4.1 Licensing by Collective Management Organisations
42(1)
2.4.1.1 Intermediaries as a Solution to Market Failure
42(14)
2.4.1.2 Multi-Territorial Mono-Repertoire Licensing and the Disaggregation of Repertoire
56(2)
2.4.1.3 Re-Aggregation and (Some) Direct Licensing?
58(3)
2.4.2 Licensing Arrangements of Audiovisual Works
61(1)
2.4.2.1 A Minor Role for Intermediaries
62(1)
2.4.2.2 Territorial Dimensions in the Licensing of Audiovisual Works
63(5)
2.4.3 Industry-Led Arrangements, Operational Aspects and Standards
68(5)
2.5 Summary
73(2)
3 Licensing and Access from a Competition Law Perspective
75(46)
3.1 Licensor-Licensor Relationship: Model Contracts and Territorial Restrictions
78(16)
3.1.1 Barcelona and Santiago Agreements
81(2)
3.1.2 Simulcasting Agreement
83(3)
3.1.3 CISAC Saga (2000-2013)
86(8)
3.2 licensor-Licensee Relationship: Licensing Contracts and Territorial Restrictions
94(23)
3.2.1 Football Association Premier League and Murphy
96(1)
3.2.2.1 Factual Background and Issues at Stake
96(2)
3.2.1.2 Free Movement and Competition Law Aspects
98(4)
3.2.1.3 (Absolute) Territorial Exclusivity after Premier League and Murphy
102(7)
3.2.2 Application of Premier League and Murphy
109(1)
3.2.2.1 Background of the Pay TV Investigation
109(2)
3.2.2.2 Implications of the Investigation
111(6)
3.3 Summary
117(4)
4 Multi-Territorial Licensing from a Legislative Perspective
121(56)
4.1 Regulating via Soft Law
123(10)
4.1.1 Background of the Online Music Recommendation
123(3)
4.1.2 Competition for Rights Holders
126(2)
4.1.3 Criticism and Reactions in the Marketplace
128(5)
4.2 Legislative Intervention and Codification
133(37)
4.2.1 Background of Directive 2014/26/EU
133(4)
4.2.2 Scope of Directive 2014/26/EU
137(8)
4.2.3 Administrative Part: Governance and Transparency Framework (Title II)
145(1)
4.2.3.1 General Licensing Provisions
146(1)
4.2.3.2 General Provisions of the Governance and Transparency Framework
147(1)
4.2.4 Multi-Territorial Licensing Framework (Title III)
148(1)
4.2.4.1 Considered Policy Options
149(3)
4.2.4.2 The European Licensing Passport
152(2)
4.2.4.3 The Mechanism of the Passport Model
154(6)
4.2.5 Criticism and Discussion
160(10)
4.3 Proposal for a Directive on Copyright in the Digital Single Market
170(2)
4.4 Summary
172(5)
5 Cross-Border Access from a Legislative Perspective
177(41)
5.1 Status Quo and Contractual Arrangements
180(5)
5.2 Cross-Border Portability Regulation
185(16)
5.2.1 Scope of Regulation (EU) 2017/1128
186(3)
5.2.2 Legal Mechanisms for the `Common Approach'
189(5)
5.2.3 Discussion of the Portability Regulation
194(7)
5.3 Geo-Blocking Regulation (EU) 2018/302 and Its Copyright Interface
201(9)
5.3.1 Scope of the Geo-Blocking Regulation
202(2)
5.3.2 Access to Interfaces versus Access to Goods or Services
204(6)
5.4 Looking over the Fence: Cross-Border TV and Radio Broadcasts
210(5)
5.4.1 Consultation on SatCab Directive in 2015
210(3)
5.4.2 Proposal for a Regulation on Online Transmissions of Broadcasting Organisations
213(2)
5.5 Summary
215(3)
6 The Regulatory System: Challenges and Solutions
218(39)
6.1 Mapping the Regulatory Landscape
218(12)
6.2 The EU's Double Approach
230(13)
6.2.1 Ex Ante or Ex Post Regulation?
230(1)
6.2.1.1 Using Competition Law to Ensure Access to Works
231(3)
6.2.1.2 Quasi-Regulatory Interventions via Competition Law
234(3)
6.2.2 The Interplay at an Institutional Level
237(1)
6.2.2.1 Intra-Institutional Interplay at the European Commission
237(3)
6.2.2.2 The Role of the Court of Justice
240(2)
6.2.3 Summary
242(1)
6.3 Reconciling the Analogue Territorial with the Digital Borderless World
243(11)
6.3.1 Introduction of a Unitary Copyright Title
245(2)
6.3.2 A Country of Origin Principle for the Digital Content World
247(3)
6.3.3 Towards a Consumer Perspective in Access to Copyright-Protected Works
250(4)
6.4 Concluding Remarks
254(3)
eferences 257(21)
Index 278
Sebastian Felix Schwemer is an industrial postdoctoral researcher at the Centre for Information and Innovation Law (CIIR) at the University of Copenhagen. His research interests are at the intersection of regulation, technology and society and he is frequently speaking on related issues.