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E-raamat: Mahler's Symphonic World: Music for the Age of Uncertainty

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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 14-Jan-2025
  • Kirjastus: University of Chicago Press
  • Keel: eng
  • ISBN-13: 9780226836034
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 14-Jan-2025
  • Kirjastus: University of Chicago Press
  • Keel: eng
  • ISBN-13: 9780226836034
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A new analysis of Mahlers symphonies, placing each within the context of his musical way of being in and experiencing the world.

Between 1888 and 1909 Gustav Mahler completed nine symphonies and the orchestral song cycle Das Lied von der Erde; his tenth symphony was left incomplete at his death in 1911. Mahlers Symphonic World provocatively suggests that over his lifetime, the composer pursued a single vision and a single, ideal symphony that strived to capture his personal outlook on human existence. Writing at the turn of the twentieth century, when all trust in firm philosophical and spiritual foundations had evaporated, Mahlers music reflected a deep preoccupation with human suffering and transience and a search for sources of possible consolation.

In Karol Bergers reading, each of the symphonies follows a similar trajectory, with an opening quest leading to the final unveiling of a transcendent, consolatory vision. By juxtaposing single movementsthe opening Allegros, the middle movements, the Finalesacross different works, Berger traces recurring plotlines and imagery and discloses the works multiple interrelationships as well as their cohesiveness around a central idea. Ultimately, Mahlers Symphonic World locates Mahlers music within the matrix of intellectual currents that defined his epoch and offers a revelatory picture of his musical way of being in the world.

Arvustused

Deploying a brilliant range of literary and philosophical sources in tandem with innovative analyses of all that is most striking in Mahlers symphonic world, Karol Berger grants the composer his greatest reach as a cultural force during a time when the once reassuring foundations of reason were rapidly giving way to the existential alarms of modernity. The books creatively designed structure stems from the imaginative supposition that Mahler composed one ideal symphony, emanating from resonant features shared by the movement types of his real symphonies. * Scott Burnham, Graduate Center, City University of New York * Bergers book provides important suggestions for a new reading of Mahlers compositional world. By analyzing his symphonies not work by work but rather through comparisons of individual movements of the same kind, Berger clearly brings into focus their role in either fulfilling the Viennese symphonic norms, expanding them, or altogether exploding them. This immensely insightful treatise opens up challenging new perspectives that will be of great importance for future researchnot only into the dimensions of Mahlers symphonic oeuvre but also in the multifaceted history of symphony in the late nineteenth and early twentieth centuries. * Peter Revers, University of Music and Performing Arts Graz * "Karol Bergers new Mahlers Symphonic World: Music for the Age of Uncertainty thrives on the authors singular breadth of perspective. The outcome is nothing if not a 'fresh attempt': a philosophical-analytical study yielding an exigent message. . . . I find this reading of Mahlerthe man, the composerboth credible and moving. In fact, it is essential."   -- Joseph Horowitz * The American Scholar *

Preface

Prologue: The Lesson of Mahler

1. Cycles: The Norm and Its Extensions

2. Allegro: The March of the World The First: Art before Art
The Second: Building and Breaking
The Third: The Rite of Summer
The Fourth: Neoclassicism and Exhaustion
The Fifth: The Tentative Triumph
The Sixth: The Programmatic Temptation
The Seventh: The Intransitive Anticipation
The Ninth: The Amalgamation of Forms
The Tenth: Music and Autobiography
 
3. Andante: The Respite The Funeral March The First: Jewishness in
Music The Dance-Based Andante The Second: Remembrance of Musics Past
The Third: The Dance of the jeunes filles en fleurs The Serenade The Sixth:
Night Music I
The Seventh: Night Music II and III
 
4. Scherzo: The Run of the World The First: Danse à la campagne and
Danse à la ville
The Second: An Outsider Looks In
The Third: Animals Listen
The Fourth: Dancing till We Drop
The Fifth: La Valse
The Sixth: The Invention of Cubism
The Seventh: Night Music IV
The Ninth: The Development of Cubism
The Rondo-Burleske of the Ninth: The Wild Chase
Postscript: The Tenth
 
5. Finale: In Search of Consolation The Allegro-Finale The First: The
Breakthrough
The Sixth: The Unmotivated Catastrophe The Rondo-Finale The Fifth: The
Taking Back of the Ninth
The Seventh: On the Nuremberg Meadow The Adagio-Finale The Third: Love
Descending
The Ninth: On the Heights The Vocal Finale The Second: The Taking Up of
the Ninth
The Fourth: Finding the Solution
 
6. The Vocal Cycles The Eighth Symphony I. Hymnus: Veni, creator
spiritus
II. Schlußszene aus Faust Das Lied von der Erde I. Das Trinklied vom
Jammer der Erde
II. Der Einsame im Herbst
III. Von der Jugend
IV. Von der Schönheit
V. Der Trunkene im Frühling
VI. Der Abschied
 
7. Symphonies for the Age of Uncertainty The Sense of an Ending
How Poor a Yea-Sayer Was Mahler?
The Worldview Music
  Epilogue: The Lesson of Proust
Acknowledgments
Symphonic Works
Chronology
Notes
Bibliography
Index
Karol Berger is the Osgood Hooker Professor in Fine Arts, Emeritus in the Department of Music at Stanford University. He is an award-winning author of a number of books, most recently Bachs Cycle, Mozarts Arrow: An Essay on the Origins of Musical Modernity and Beyond Reason: Wagner contra Nietzsche.
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