This book frames mannerism as an inescapable stage in the creative process. The mannerist phase is usually an adolescent stage of language, preceding the consolidation of thought. It is that period, as fertile as it is anguished, in which each author engages in a dialogue with his or her past, reinterpreting or completely transforming it. The mannerist phase is that period when architects design spaces, not yet knowing what it means to design places.
The mannerist condition can be short-lived or protracted until it becomes systemic. In all cases, it is a period of research experienced by architects who are also intellectuals, that is, architects who operate between the practice of making and the elaboration of a personal design philosophy, within a perspective in which history, theory and criticism are intertwined. In this sense, the mannerist condition can also be defined as the style of the academic thought.
The book explores the work of many authors, analyzing their relationship to history and how they managed to emerge from its shadow. Of interest to academics, scholars and students exploring the theory of architecture, this book offers an unconventional, transtemporal reading of mannerism, where facts, events, and images belonging to different times and spaces are juxtaposed to generate a series of temporal paradoxes.
This book frames mannerism as an inescapable stage in the creative process. The mannerist phase is usually an adolescent stage of language, preceding the consolidation of thought. It is that period when architects design spaces, not yet knowing what it means to design places.
Foreword by Paolo Portoghesi
Introduction
An Inquiry into Mannerism Book Organization Acknowledgements
Part I. Maniera, Mannerism, and Other Manias
1. Maniera vs. Agency
Good and Bad Manners All about the Author
2. Enigma and Ambiguity
Mechanisms of Production Seven Forms of Ambiguity
3. Variation and Haecceity
Obsession With Possibilities
4. Imitation and Referentiality
Bringing the Past Back into Play Reasoned Copy Non-Referential
5. The Erudite and the Untamed
Revolution The Wonder and the Monster Green Renewal
Part II. Adolescent Architecture
6. The Mannerist Phase
From Decorum to Vertigo Architecture and Conspiracy Between Refinement
and Awkwardness
7. Postmodern Mannerism
The VSB Perspective Between Ecstasy and Orthodoxy Academic Architecture
8. Chunky, Bizarre, Sophisticated
The Peter Pan Syndrome
Part III. Mannerism as a Method
9. Voluptuous Stillness
Elasticity, or Adaptability Disrupted Rationalism
10. Mute Façades, or Theatrical Backdrops
Architecture as Sign
11. Parallel and Continuous Interior
The Black Lodge Bridge-figures and Other Spatial Structures Alternative
Realities and Atomization
Conclusions
Paolo Portoghesi, The Idea of Mannerism
Lina Malfona, an architect with a PhD in Architectural Design, is Associate Professor in Architecture at the University of Pisa, where she established the research lab Polit(t)ico. The founder of the firm Malfona Petrini Architecture, she has designed and constructed an archipelago of buildings in the countryside north of Rome, and her work is part of the permanent collection of the MAXXI Museum of Rome. She recently taught as a visiting professor at Cornell University, and pursued her research thanks to a Visiting Scholarship from the Canadian Centre for Architecture (CCA), a Library Grant from the Getty Research Institute and a Fulbright grant at IFA (NYU), among others. Among her books, the most recent ones are: Unfinished. Sul non finito (2022), La condizione manierista (2021), Residentialism. A Suburban Archipelago (2021), Building the Landscape (2018). Her writings have been published in Domus, Log and The Journal of Architecture, among others.
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