Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theatre history to 1642, covering not only plays and early performance history, but of topics relating to cultural history, as well as manuscript studies and the history of printing.
Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as well as manuscript studies and the history of printing.
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Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theatre history to 1642, covering not only plays and early performance history, but of topics relating to cultural history, as well as manuscript studies and the history of printing.
Articles
Thierry and Theodoret: Censorship, Allegory and Plausible Deniability
Richard Dutton
In rugged verse vile matters to contain: The Devils Charter as
Antipasquinade
James Mardock
The Origins of Repertory in English Drama, or, How to Find Needles in
Haystacks
Laurie Johnson
Not like the Others: The Three Lords and Ladies of London and the Queens Men
Repertory
Erin Kelly
Was Christopher Marlowe a Capitalist?: The Croxton Play of the Sacrament, The
Jew of Malta, and Stories of Economic Change
Bradley Ryner
The Wars of Cyrus: Date and Authorship, and Why They Matter
Michael J. Hirrel
Gone and Loste: Tracing Philip Henslowes 1598 Theatrical Inventories
Anouska Lester
Q1 Hamlet and its Compilers
Brian Vickers
Authorship Attributions in the Fletcher Canon
Darren Freebury-Jones
Reviews
Harry R. McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft
in the Theatre, New York: Cambridge University Press,
2022.
Valerie Billing
Noémie Ndiaye, Scripts of Blackness: Early Modern Performance Culture and the
Making of Race, RaceB4Race: Critical Race Studies of the Premodern,
Philadelphia: University of Pennsylvania Press,
2022.
Dennis Britton
Darren Freebury-Jones, Shakespeares Tutor: The influence of Thomas Kyd,
Manchester: Manchester University Press,
2022.
Christopher Crosbie
Mark Kaethler, Thomas Middleton and the Plural Politics of Jacobean Drama,
Berlin: De Gruyter,
2021.
David Nicol
Caroline Bicks, Cognition and Girlhood in Shakespeares World: Rethinking
Female Adolescence, Cambridge: Cambridge University Press,
2021.
Bethany Packard
Urvashi Chakravarty, Fictions of Consent: Slavery, Servitude, and Free
Service in Early Modern England, Philadelphia: University of Pennsylvania
Press,
2022.
Elizabeth Rivlin
Emma Lipton, Cultures of Witnessing: Law and the York Plays, Philadelphia:
University of Pennsylvania Press,
2022.
Jeffrey G. Stoyanoff
S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Heather Anne Hirschfeld is distinguished professor of the humanities in the Department of English at the University of Tennessee.
Edward Gieskes is professor of English at the University of South Carolina.
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