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E-raamat: Merce Cunningham: The Modernizing of Modern Dance

  • Formaat: PDF+DRM
  • Ilmumisaeg: 02-Aug-2004
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781135889098
  • Formaat - PDF+DRM
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 02-Aug-2004
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781135889098

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Merce Cunningham and the Modernizing of Modern Dance is a complete study of the life and work of this seminal choreographer/dancer. More than just a biography, Copeland explores Cunningham's life story against a backdrop of an entire century of developments in American art. Copeland traces his own experience of Cunningham's dances-from the turbulent late '60s through the experimental works of the '80s and '90s-showing how Cunningham moved dance away from the highly emotional, subjective work of Martha Graham to a return to a new kind of classicism. This book places Cunningham in the forefront of an artistic revolution, a revolution that has its parallels in music (John Cage, and the minimalist composers who followed him), painting (Jasper Johns, Robert Rauschenberg), theater (the happenings of the '60s), and dance itself (the Judson School of dancers). An iconclastic and highly readable analysis, this book will be enjoyed by all those interested in the development of the American arts in the 20th century.

Arvustused

"Copeland's book about the sixty-year career of Merce Cunningham is also a brilliant sixty-year history of theater, dance, art, music and intellectual movements in America. . . ." -- Sally Sommer, Professor of American Dance Studies at Florida State University. "Examines the trajectory of Merce The Choreographer and places him just where I think he belongs--as a global artist of the twentieth century moving in all directions into the twenty-first." -- Valda Setterfield, Member of the Merce Cunningham Dance Company, 1964-1974 "Copeland's book will bring joy to Cunningham partisans." -- Allan Ulrich, Dance Magazine

Acknowledgments xi
Introduction 1(24)
From Graham to Cunningham: An Unsentimental Education
25(28)
Portrait of the Artist as a Jung Man
53(16)
Beyond the Ethos of Abstract Expressionism
69(16)
The Limitations of Instinct
85(12)
Contemporary Classicism: Rediscovering Ballet
97(24)
Primitive Mysteries
121(24)
The Sound of Perceptual Freedom
145(20)
Cunningham, Cage, and Collage
165(18)
Dancing for the Digital Age
183(22)
Rethinking the Thinking Body: The Gaze of Upright Posture
205(24)
Modernism, Postmodernism, and Cunningham
229(18)
Fatal Abstraction: Merce Cunningham in the Age of Identity Politics
247(16)
Dancing in the Aftermath of 9/11
263(24)
Bibliography 287(8)
Index 295


Roger Copeland is Professor of Theater and Dance at Oberlin College. He is coeditor of the widely used anthology What is Dance? His essays about dance, theater, and film have appeared in The New York Times, The NewRepublic, The Village Voice, and many other publications including The Encyclopedia of Dance and Ballet.