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Michael Nyman: Collected Writings [Kõva köide]

  • Formaat: Hardback, 396 pages, kõrgus x laius: 234x156 mm, kaal: 884 g
  • Ilmumisaeg: 28-Jul-2013
  • Kirjastus: Routledge
  • ISBN-10: 1409464695
  • ISBN-13: 9781409464693
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  • Formaat: Hardback, 396 pages, kõrgus x laius: 234x156 mm, kaal: 884 g
  • Ilmumisaeg: 28-Jul-2013
  • Kirjastus: Routledge
  • ISBN-10: 1409464695
  • ISBN-13: 9781409464693
For over three decades Michael Nyman's music has succeeded in reaching beyond the small community of contemporary music aficionados to a much wider range of listeners. An important element in unlocking the key to Nyman's success lies in his writings about music, which preoccupied him for over a decade from the late 1960s to the early 1980s. During this time Nyman produced over 100 articles, covering almost every conceivable musical style and genre - from the Early Music revival and the West's interest in 'world' music, or from John Cage and minimalism to rock and pop. Nyman initiated a number of landmark moments in the course of late twentieth-century music along the way: he was one of the first to critique the distinction between the European avant-garde and the American experimental movement; he was the first to coin the term 'minimalism' in relation to the music of (then largely unknown) Steve Reich and Terry Riley, and later Philip Glass; the first to seriously engage with the music of the English experimental tradition and the importance of Cornelius Cardew, and to identify the importance of Art Colleges in nurturing and developing a radical alternative to modernism; and one of the first writers to grasp the significance of post-minimalists such as Brian Eno and Harold Budd, and to realize how these elements could be brought together into a new aesthetic vision for his own creative endeavours, which was formulated during the late 1970s and early 80s. Much of what transformed and defined Nyman's musical character may be found within the pages of this volume of his writings, comprehensively edited and annotated for the first time, and including previously unpublished material from Nyman's second interview with Steve Reich in 1976. There is also much here to engage the minds of those who are interested in pre-twentieth century music, from Early and Baroque music (Handel and Purcell in particular) to innovative features in Haydn, spatial elements in Berlioz, or Bruckner and Mahler's symphonic works.

Arvustused

... some of the best journalism of the time. One of the most attractive features of this collection of reviews and critical essays from the years between 1968 and 1982 is Nyman's unstuffy appreciation of all that he found authentic - Birtwistle and Maxwell Davies as much as Cardew or Reich. Nyman's writings offer a fresh and fascinating portrait of a musical world whose consequences remain salient today. The Musical Times

List of Music Examples ix
Foreword xi
Michael Nyman
Preface xv
Acknowledgements xvii
Introduction 1(26)
Early Music, Baroque Musicology and Ethnomusicology
6(1)
Musical Modernism and the Avant-Garde
7(4)
Quotation
11(2)
Experimental Music
13(6)
Minimalist Music
19(3)
Conclusion
22(5)
Part 1 Reviews, Criticisms And Short Prose Writings
Section 1 1968-1969
27(60)
'Blocks of Granite' (The Spectator, 12 July 1968, p. 63)
27(1)
'The Sound of Music' (The Spectator, 9 August 1968, pp. 201-2)
28(3)
'Enter Birtwistle' (The Spectator, 30 August 1968, p. 299)
31(2)
'New Favourites' (The Spectator, 13 September 1968, pp. 367-8)
33(2)
'Shawms and Rackets' (The Spectator, 27 September 1968, pp. 440-41)
35(1)
'Alexander Goehr's Naboth's Vineyard' (Tempo, 86, Autumn 1968, pp. 14-15)
36(2)
'Harrison Birtwistle's Punch and Judy' (The Listener, 10 October 1968, p. 481)
38(3)
'Minimal Music' (The Spectator, 11 October 1968, pp. 518-19)
41(2)
'Chaconnes' (The Listener, 7 November 1968, p. 620)
43(4)
'About Time Too' (The Spectator, 6 December 1968, pp. 809-10)
47(2)
'Now You See It, Now You Don't' (The Spectator, 13 December 1968, pp. 850-51)
49(3)
'Is This a Record?' (The Spectator, 3 January 1969, pp. 19-20)
52(2)
'Play Group' (The Spectator, 17 January 1969, pp. 84-5)
54(1)
'Work Projects' (The Spectator, 7 February 1969, pp. 181-2)
55(2)
'Demolition Squad' (The Spectator, 14 February 1969, pp. 217-18)
57(2)
'French Polish' (The Spectator, 14 March 1969, p. 346)
59(2)
'Two New Works by Birtwistle' (Tempo, 88, Spring 1969, pp. 47-50)
61(3)
'Not Being Done' (The Spectator, 25 April 1969, p. 553)
64(2)
'This Way Madness' (The Spectator, 9 May 1969, pp. 626-7)
66(1)
'Boulez in the Labyrinth' (The Spectator, 16 May 1969, pp. 658-9)
67(3)
'Skip and Run' (The Spectator, 28 June 1969, p. 860)
70(2)
'Hands Off' (The Spectator, 12 July 1969, pp. 50-51)
72(1)
'Patchwork' (The Spectator, 26 July 1969, pp. 116-17)
73(2)
'Mr Birtwistle is Out' (Music and Musicians, 18, September 1969, pp. 27, 78)
75(2)
'Purcell in his Cups' (Music and Musicians, 18, October 1969, p. 30)
77(1)
'Brass Tacks' (The Spectator, 1 November 1969, p. 613)
78(1)
'With Reference to Birtwistle's Medusa' (The Listener, 13 November 1969, p. 676)
79(3)
'Scratch & Co' (The Spectator, 13 December 1969, p. 845)
82(2)
'Drums & Symbols' (The Spectator, 20 December 1969, p. 877)
84(3)
Section 2 1970-1971
87(48)
'Old Master' (The Spectator, 3 January 1970, pp. 23-4)
87(2)
'Food of Love' (The Spectator, 10 January 1970, p. 53)
89(1)
'Six to One' (The Spectator, 17 January 1970, pp. 85-6)
90(2)
'Ancient Monument' (The Spectator, 7 February 1970, p. 186)
92(1)
'Flowerpot Men' (The Spectator, 14 March 1970, p. 346)
93(2)
'Stockhausen and David Bedford' (The Listener, 30 April 1970, p. 593)
95(3)
'Birtwistle's Rituals' (The Listener, 27 August 1970, p. 285)
98(2)
'Satiety' (New Statesman, 2 October 1970, p. 429)
100(2)
'Anachronisms' (New Statesman, 30 October 1970, pp. 574-5)
102(1)
'Big Screen Opera' (New Statesman, 19 February 1971, p. 249)
103(2)
'Sign Language' (New Statesman, 26 February 1971, p. 282)
105(2)
'Boulez's Law' (New Statesman, 2 April 1971, pp. 466-7)
107(2)
'Stockhausen - The Musician, The Machine' (Vogue Magazine, 15 April 1971, pp. 82-3)
109(5)
'Interconnections' (New Statesman, 16 April 1971, pp. 539-40)
114(1)
'Stockhausen Kommt' (Time Out, 18 April-2 May 1971, p. 23)
115(2)
'Panethnic' (New Statesman, 30 April 1971, p. 607)
117(2)
'Steve Reich, Phil Glass' (Musical Times, 112/1539, May 1971, pp. 463-4)
119(1)
'Stockhausen' (New Statesman, 7 May 1971, p. 646)
120(2)
'Towards Interpretation' (New Statesman, 25 June 1971, pp. 889-90)
122(2)
'Stravarese' (New Statesman, 9 July 1971, p. 60)
124(1)
'Uncommercial' (New Statesman, 20 August 1971, p. 248)
125(1)
'Melody Rides Again' (Music and Musicians, 20, October 1971, pp. 26-8)
126(5)
'Disciplinarians' (New Statesman, 29 October 1971, p. 599)
131(2)
'Dart's Epitaph' (New Statesman, 17 December 1971, p. 872)
133(2)
Section 3 1972-1977
135(42)
'Learning from Scratch' (New Statesman, 28 January 1972, pp. 122-3)
135(1)
'Causerie' (New Statesman, 10 March 1972, p. 324)
136(1)
'Circle Complete' (New Statesman, 31 March 1972, p. 434)
137(2)
'Christian Wolff' (Music and Musicians, 20, April 1972, p. 8)
139(2)
'The Experimental Tradition' (Art and Artists, October 1972, pp. 44-8)
141(7)
'As the Titanic Went Down' (Music and Musicians, 21, December 1972, pp. 10-14)
148(4)
'Last Week's Broadcast Music' (The Listener, 22 February 1973, pp. 252-3) [ Morton Feldman]
152(2)
'Last Week's Broadcast Music' (The Listener, 19 April 1973, pp. 521-2) [ Electronic Music]
154(1)
'Last Week's Broadcast Music' (The Listener, 3 May 1973, pp. 593-4) [ Robert Simpson]
155(2)
'Last Week's Broadcast Music' (The Listener, 23 August 1973, p. 258) [ Harrison Birtwistle]
157(1)
'Last Week's Broadcast Music' (The Listener, 13 September 1973, p. 354) [ Anton Bruckner]
158(2)
'Americana' (The Listener, 31 October 1974, pp. 578-9)
160(2)
'Tippett at 70' (The Listener, 16 January 1975, pp. 84-5)
162(2)
'Peak District' (The Listener, 9 October 1975, p. 480)
164(2)
'Bare Essentials' (The Listener, 9 December 1976, p. 763)
166(2)
'Mexican Discovery' (The Listener, 21 April 1977, pp. 520-21)
168(2)
'Lindbergh's Flight' (The Listener, 2 June 1977, pp. 722-3)
170
Part II Articles, Essays, Interviews And Longer Prose Pieces
'Towards (a definition of) experimental music' (Chapter 1 of Experimental Music: Cage and Beyond (First Edition, Studio Vista, 1974; Second Edition, CUP 1999))
177(26)
'Tim Souster's Night Out at the Proms' (Tempo, 94, Autumn 1970, pp. 20-24)
203(5)
'John Cage in Paris' (New Statesman, 6 November 1970, p. 617)
208(3)
'Steve Reich: an interview with Michael Nyman' (Musical Times, 112, March 1971, pp. 229-31)
211(3)
'Harrison Birtwistle' (London Magazine, 11, October/November 1971, pp. 118-22)
214(3)
'Cornelius Cardew's The Great Learning' (London Magazine, 11, December 1971/January 1972, pp. 130-35)
217(5)
'SR - Mysteries of the Phase' (Music and Musicians, 20, February 1972, pp. 20-21)
222(3)
'Cage and Satie' (Musical Times, 114, December 1973, pp. 1227-9)
225(6)
'Cage/Cardew' (Tempo, 107, December 1973, pp. 32-8)
231(8)
'The Experimental Scene' (Music and Musicians, 22, January 1974, pp. 14-16)
239(3)
'Experimental Music and the American Vernacular Tradition' (in the First American Music Conference (Keele University, 1975), pp. 149-52)
242(8)
'Gavin Bryars 1971 Michael Nyman 1975' (in Soundings 9, June 1975)
250(5)
'Music' (Studio International, 191, January/February 1976, pp. 64-5) [ Glass]
255(3)
'Music' (Studio International, 191, March/April 1976, pp. 186-8) [ Obscure Records]
258(3)
'Music' (Studio International, 191, May/June 1976, pp. 282-4) [ Fine Art Departments]
261(5)
'Music' (Studio International, 192, July/August 1976, pp. 71-2) [ Glass and Budd]
266(4)
'Music' (Studio International, 192, September/October 1976, pp. 192-4) [ John Cage]
270(6)
'Hearing/Seeing' (Studio International, 192, November/December 1976, pp. 233-43)
276(29)
'George Brecht: Interview by Michael Nyman' (Studio International, 192, November/December 1976, pp. 256-66)
305(21)
'Steve Reich: Interview' (Studio International, 192, November/December 1976, pp. 300-07)
326(7)
'Music' (Studio International, 193, January/February 1977, pp. 6-8) [ The music of Hobbs and White]
333(3)
'Music' (Studio International, 193, March/April 1977, pp. 134-5) [ Pop Music]
336(4)
'Against Intellectual Complexity in Music' (October, 13, Summer 1980, pp. 81-9)
340(8)
'Nam June Paik, Composer' (in John G. Hanhardt (ed.) Nam June Paik (Whitney Museum of Art, 1982), pp. 79-90)
348(11)
Appendix Michael Nyman's Collected Writings in Chronological Order (1968-1982) 359(4)
Index 363
Pwyll ap Siôn is Senior Lecturer at the University of Bangor and the author of The Music of Michael Nyman: Texts, Contexts and Intertexts (Ashgate 2007). He is joint editor of the Ashgate Research Companion to Minimalist and Postminimalist Music (2013) and he regularly contributes reviews for The Gramophone magazine.