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E-raamat: Netflix at the Nexus: Content, Practice, and Production in the Age of Streaming Television

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  • Ilmumisaeg: 14-Jan-2020
  • Kirjastus: Peter Lang Publishing Inc
  • Keel: eng
  • ISBN-13: 9781433161889
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 14-Jan-2020
  • Kirjastus: Peter Lang Publishing Inc
  • Keel: eng
  • ISBN-13: 9781433161889
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Netflix’s meteoric rise as an online content provider has been well documented and much debated in the popular press and in academic circles as an industry disrupter, while also blamed for ending TV’s "Golden Age." For academic researchers, Netflix exists at the nexus of multiple fields: Internet research, information studies, media studies, and television and has an impact on the creation of culture and how individuals relate to the media they consume. This collection examines Netflix’s broad impact on technology and television from multiple perspectives, including the interface, the content, and user experiences. Through chapters from leading international scholars in television and internet studies, this book provides a transnational perspective on Netflix's changing role in the media landscape. As a whole, this collection provides a comprehensive consideration of the impact of streaming television.



This book provides a transnational perspective on Netflix's changing role in the media landscape through chapters from leading international scholars in television and internet studies.

List of Illustrations and Tables
ix
Acknowledgments xi
Introduction: Netflix at the Nexus 1(10)
Amber M. Buck
Theo Plothe
Section I Platform
11(68)
Chapter 1 TV IV's New Audience: Netflix's Business Model and Model Spectators
13(16)
Jana Zundel
Chapter 2 Netflix, Imagined Affordances, and the Illusion of Control
29(18)
Annette Markham
Simona Stavrova
Max Schluter
Chapter 3 The Emergence of Netflix and the New Digital Economic Geography of Hollywood
47(18)
Luis F. Alvarez Leon
Chapter 4 Lovemarked Distribution and Consumers' Behavior: Netflix Communities Versus Piracy Users' Conduct
65(14)
Gabriele Prosperi
Section II Content
79(82)
Chapter 5 Netflix and TV-as-Film: A Case Study of Stranger Things and The OA
81(16)
Ana Cabral Martins
Chapter 6 At the Fringes of TV: Liminality and Privilege in Netflix's Original Scripted Dramedy Series
97(16)
Jessica Ford
Chapter 7 Programming Gendered Content: Industry, Post-feminism, and Netflix's Serialized Exposition of Jessica Jones
113(16)
Jason A. Smith
Briana L. Pocratsky
Marissa Kiss
Christian Rafael Suero
Chapter 8 Netflix: Culturally Transformative and Equally Accessible
129(18)
Kimberly Fain
Chapter 9 From ViKi to Netflix: Crossing Borders and Meshing Cultures
147(14)
Oranit Klein Shagrir
Section III Viewer Practices
161(78)
Chapter 10 Transforming Media Production in an Era of "Binge-Watching": Netflix's Cinematic Long-Form Serial Programming and Reception
163(16)
Sheri Chinen Biesen
Chapter 11 Binge-Watching the Algorithmic Catalog: Making Sense of Netflix in the Aftermath of the Italian Launch
179(18)
Fabio Giglietto
Chiara Checcaglini
Giada Marino
Leila Mazzoli
Chapter 12 The Netflix Experience: A User-focused Approach to the Netflix Recommendation Algorithm
197(16)
Daniela Varela Martinez
Anne Kaun
Chapter 13 Do Spoilers Matter?: Asynchronous Viewing Habits on Netflix and Twitter
213(10)
Theo Plothe
Amber M. Buck
Chapter 14 "Are You Still Watching?": Audiovisual Consumption on Digital Platforms and Practices Related to the Routines of Netflix Users
223(16)
Vanessa Amalia D. Valiati
Contributors 239
Theo Plothe is Assistant Professor of Journalism and Mass Communication at Savannah State University. He received a PhD in communication from American University, and his work has been published in G|A|M|E and Kinephanos Journal.



Amber M. Buck is Assistant Professor of English at the University of Alabama. She received a PhD in English and writing studies from the University of Illinois, Urbana-Champaign, and her work has been published in Research in the Teaching of English and Computers and Composition.