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E-raamat: Performing Difference: Representations of 'The Other' in Film and Theatre

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  • Formaat: PDF+DRM
  • Ilmumisaeg: 24-Dec-2008
  • Kirjastus: University Press of America
  • Keel: eng
  • ISBN-13: 9780761842675
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 24-Dec-2008
  • Kirjastus: University Press of America
  • Keel: eng
  • ISBN-13: 9780761842675
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Performing Difference is a compilation of seventeen essays from some of the leading scholars in history, criticism, film, and theater studies. Each author examines the portrayal of groups and individuals that have been traditionally marginalized or excluded from dominant historical narratives. As a meeting point of several fields of study, this book is organized around three meta-themes: race, gender, and genocide. Included are analyses of films and theatrical productions from the United States, as well as essays on cinema from Southern and Central America, Europe, and the Middle East. Topically, the contributing authors write about the depiction of race, ethnicities, gender and sexual orientation, and genocides. This volume assesses how the performing arts have aided in the social construction of the "other" in differing contexts. Its fundamental premise is that performance is powerful, and its unifying thesis is that the arts remain a major forum for advancing a more nuanced and humane vision of social outcasts, not only in the realm of national imaginations, but in social relations as well.
Introduction v
SECTION I. RACE AND ETHNICITY
``A Conscience for Hollywood? The `Social Issue' Films of Twentieth Century Fox, 1947-1950''
3(14)
Jonathan C. Friedman
``Grounding Race: Powder and the Shifting Terrain of Whiteness''
17(21)
Dalton Anthony Jones
``Shylock: Shakespeare's Sympathetic `Other'''
38(23)
Paul Pfeiffer
``The `New Marginality:' Representations of the Favela in Recent Brazilian Cinema''
61(15)
Tia Malkin-Fontecchio
``Liminal Spaces in Fatih Akin's Gegen die Wand/Head On: Orientalism vs. Globalization''
76(13)
Margarete Landwehr
``Fantasies of Loss: Melancholia and Ethnicity in Israeli Cinema''
89(24)
Raz Yosef
``Cinematic Asian Representation in Hollywood''
113(31)
Jun Xing
``Passing: A Reading on a Jewish Woman's Identity''
144(11)
Bonnie Morris
SECTION II. GENDER AND SEXUAL ORIENTATION
```This Manifest Indignity:' Hollywood's Portrayal of the Gender Integration of the Armed Forces in the World War II Era''
155(17)
Melissa Ziobro
``Batting for the Other Team: Masculinity, Homosexuality, and Sports in Contemporary Drama and Film''
172(14)
John M. Clum
``Mestiza Feminisms and Julie Taymor's Frida''
186(14)
Geetha Ramanathan
``The Problematic Ethnic and Sexual Discourses of Eytan Fox's The Bubble''
200(13)
Jonathan C. Friedman
SECTION III. THE HOLOCAUST, WAR, AND GENOCIDE
``Time and Representation: Generic Transformations and Historicist Interpretations of Holocaust Films''
213(11)
Ilan Avisar
``The Bystander and the `Other' in Holocaust Films''
224(13)
John J. Michalczyk
Susan A. Michalczyk
``Fiend, Foe and Friend: The German Image in American World War II Films''
237(20)
Christopher Thomas
``Representations of Genocide in Recent Films''
257(7)
Edward C. Hanes
``Genocide and Redemption in the Modern Western''
264(19)
William L. Hewitt
Conclusion 283(4)
Index 287(14)
Biographies of Contributing Authors 301
Jonathan Friedman is director of Holocaust and Genocide Studies and associate professor of history at West Chester University. He has worked as a historian at both the United States Holocaust Memorial Museum in Washington, D.C. and the Survivors of the Shoah Visual History Foundation. He is the author of four books: most recently The Literary, Cultural, and Historical Significance of the 1937 Biblical Stage Play, The Eternal Road (2004), and Rainbow Jews: Gay and Jewish Identity in the Performing Arts (2007).