Muutke küpsiste eelistusi

Poetry in the Clinic: Towards a Lyrical Medicine [Kõva köide]

  • Formaat: Hardback, 294 pages, kõrgus x laius: 234x156 mm, kaal: 700 g, 2 Line drawings, black and white; 1 Halftones, black and white; 3 Illustrations, black and white
  • Sari: Routledge Advances in the Medical Humanities
  • Ilmumisaeg: 31-Dec-2021
  • Kirjastus: Routledge
  • ISBN-10: 1032047240
  • ISBN-13: 9781032047249
  • Formaat: Hardback, 294 pages, kõrgus x laius: 234x156 mm, kaal: 700 g, 2 Line drawings, black and white; 1 Halftones, black and white; 3 Illustrations, black and white
  • Sari: Routledge Advances in the Medical Humanities
  • Ilmumisaeg: 31-Dec-2021
  • Kirjastus: Routledge
  • ISBN-10: 1032047240
  • ISBN-13: 9781032047249
This book explores previously unexamined overlaps between the poetic imagination and the medical mind. It shows how appreciation of poetry can help us to engage with medicine in more intense ways based on de-familiarising old habits and bringing poetic forms of close reading to the clinic.

Bleakley and Neilson carry out an extensive critical examination of the well-established practices of narrative medicine to show that non-narrative, lyrical poetry does different kind of work, previously unexamined, such as place eclipsing time. They articulate a groundbreaking lyrical medicine that promotes aesthetic, ethical and political practices as well as noting the often-concealed metaphor cache of biomedicine. Demonstrating that ambiguity is a key resource in both poetry and medicine, the authors anatomise poetic and medical practices as forms of extended and situated cognition, grounded in close readings of singular contexts. They illustrate structural correspondences between poetic diction and clinical thinking, such as use of sound and metaphor.

This provocative examination of the meaningful overlap between poetic and clinical work is an essential read for researchers and practitioners interested in extending the reach of medical and health humanities, narrative medicine, medical education and English literature.
List of figures
xv
Preface xvii
Our credo xvii
Our organising principles xix
Our disorganising principles xxi
An apology to readers and a lifeline xxii
Acknowledgements xxv
PART I Setting out to alter the narrative
1(96)
1 In difference (and not deference) to narrative medicine
3(20)
Prolegomena
3(3)
Clearing out the interruptions to poetry
6(5)
Where "plot" collapses into field and soil
11(4)
Summary of argument
15(2)
Creativity as medical and poetic devices
17(6)
2 The imperialism of narrative
23(20)
Disclaimer
23(1)
A spotted (potted and spotty, non-chronological --- read: poetic) history of generic narrative medicine
24(6)
Whose tale is it? I told you a story but you narrativised it back!
30(4)
Critiques of narrativism's imperialism
34(3)
With what shall we identify? The problem of false identification
37(6)
3 What's the story behind narrative medicine? The shared epistemologies of narrative medicine and biomedicine
43(19)
Is narrative medicine a handmaiden to biomedicine? Historically speaking, how could it not be?
43(8)
The scientific aspirations inherent to Narrative Medicine's interpretive tool
51(6)
Russian formalism aspires to science, I.A. Richards in its wake, Narrative Medicine in Richards's wake
57(5)
4 Is narrative medicine just another story biomedicine tells before we go to sleep?
62(23)
Problems of definition: narrative as Procrustes's bed
62(10)
Patients' narratives as reconstructions and translations
72(3)
Steal the story?
75(3)
A psychoanalytic muddle
78(3)
Is Narrative Medicine ever wrong?
81(1)
Hey, Godot's here again! But in name only
82(3)
5 What can Russian Formalism do for us lately? And other unapplications
85(12)
Defamiliarisation redux
85(1)
Slow jamming the medical interview, Russian Formalism style
86(9)
We have escaped Narrative Medicine's reach
95(2)
PART II Theorising lyrical medicine
97(188)
6 Re-visioning diagnostic reasoning, or stepping out from the skull
99(19)
Clinical reasoning: a dialogue
99(1)
The undercut edges give an apple-core appearance
100(2)
King Offa is the Dyke
102(3)
Wine, urine and ashes
105(2)
From tic to tick (or vice versa)
107(2)
How language thinks the doctor
109(2)
The Will and the Well
111(1)
The Art of Memory or super-mnemonics
112(2)
Affordance
114(4)
7 Out from the skull and into the world
118(18)
Reclaiming biomedicine from the narrativists: abduction
118(4)
Externalism, the "new realism", or enactivism
122(5)
Object-Oriented Ontology
127(1)
Somehow everything fell into place
128(1)
Sylvia Plath's Object-Oriented Ontology
129(7)
8 Celebrating lyric poetry, beauty, and medical moods
136(31)
Celebrating lyric poetry
136(2)
Character, achieved by approaching subjects "slantwise"
138(4)
Intensity, depth, and brevity with focus on particulars
142(6)
Epiphany or sudden insight
148(5)
Metaphors as vehicles of expression
153(2)
Subjectivity and confession --- stressing emotion, mood and passion, or embrace of affect
155(4)
Tolerance of ambiguity embracing empathy
159(1)
Beauty or form (qualities)
159(4)
Orientation to here-and-now space and place rather than there-and-then time
163(4)
9 Poeticising with a medical imagination: what medicine can do for poetry
167(22)
Where reductive biomedicine is information not wisdom, and where it fails to feed poetry
167(4)
Chapped hands sift greasy suds: the domestic interior of community medicine
171(2)
Irrigating an otherwise arid EBM to see if it flowers
173(1)
Generating new metaphors
174(3)
Two cultures, or one culture in two minds?
177(1)
The sensual diction of the consultation: a carnal hermeneutics
178(3)
A fire inside
181(3)
Danielle Ofri's offering
184(2)
Cat's milk needs topping up
186(3)
10 Diagnosing with the poetic imagination: what poetry can do for medicine
189(26)
Medicine breathing the airs of poetry
189(3)
Hello to the soil of the fields. Welcome roots
192(3)
Knocking at the door
195(2)
Marriages between poetry and medicine: let us not admit impediments?
197(4)
Back to iatroversalio: splicing medicine and poetry
201(10)
Kindling the poetic imaginations of medical students
211(4)
11 Kinds of ambiguity in clinical work
215(19)
How to resist cutting the Gordian Knot
215(1)
Clinical reasoning is social and efflorescent (bursting forth and flowering)
216(2)
The jarring harmony of things
218(3)
Pinning ambiguity down as it slips away --- a lost cause?
221(4)
Friendly fire and black suns
225(1)
Ambiguity is not an absolute good: unproductive vs productive ambiguity
226(1)
Seven levels to chaos
227(3)
A riposte to Empson's scheme
230(4)
12 General change and the poetry uselessness red book
234(9)
More or less useless?
234(1)
Poetry-thought for the medical masses
235(3)
A manual for poetry-thought in medicine? Why, yes. Our general case for this
238(2)
Beginning the ambiguine
240(3)
13 Tactical ambiguity spelunking amidst Canadian physician-poets
243(17)
Informed consent for poets
243(1)
First-type ambiguities arise when a detail is effective in several ways at once
244(4)
In second type ambiguities two or more alternative meanings are fully resolved into one
248(1)
An ambiguity of the third type, considered as a verbal matter, occurs when two ideas, which are connected only by being both relevant in the context, can be given in one word simultaneously
249(2)
An ambiguity of the fourth type occurs when two or more meanings of a statement do not agree among themselves, but combine to make clear a more complicated state of mind in the author
251(2)
An ambiguity of the fifth type occurs when the author is discovering his idea in the act of writing, or not holding it all in his mind at once
253(1)
An ambiguity of the sixth type occurs when a statement says nothing, by tautology, by contradiction, or by irrelevant statements; so that the reader is forced to invent statements of his own and they are liable to conflict with one another
254(3)
An example of the seventh type of ambiguity occurs when the two meanings of the word, the two values of the ambiguity, are the two opposite meanings defined by the context, so that the total effect is to show a fundamental division in the writer's mind
257(3)
14 Practitioner-poets do the footwork
260(25)
Bahar Orang
260(1)
So you feel dangerous: poetry as method, abolition medicine, and Palestine solidarity
260(6)
Monica Kidd
266(3)
Caroline Wellbery
269(1)
Marta Arnaldi
270(2)
Allan Peterkin
272(1)
To a young doctor
272(1)
Quentin Eichbaum
273(2)
Megan EL Brown and Martina Kelly
275(10)
Appendix 1: Links to poems 285(2)
Index 287
Alan Bleakley is Life Emeritus Professor of Medical Education and Medical Humanities at Plymouth Peninsula School of Medicine, UK. He is a widely published poet, psychologist, and psychotherapist, and has written many academic books, most recently Medical Education, Politics and Social Justice: The Contradiction Cure (Routledge 2021).

Shane Neilson is a poet and medical doctor who practices in Guelph, Ontario, Canada. He has written several books of poetry and poetry criticism. In 2022, he will publish You May Not Take the Sad and Angry Consolations and Saving.