| Preface |
|
| About this Book and DVD |
|
| Introduction - 10 Ingredients for Dishing Up Successful Images |
|
1 | (1) |
|
|
|
2 | (1) |
|
|
|
2 | (1) |
|
|
|
3 | (1) |
|
|
|
4 | (1) |
|
|
|
4 | (1) |
|
|
|
5 | (1) |
|
|
|
6 | (1) |
|
Check Your Camera Settings |
|
|
7 | (1) |
|
|
|
7 | (1) |
|
|
|
8 | (1) |
|
|
|
9 | (24) |
|
|
|
10 | (1) |
|
Auto Focus vs. Manual Focus |
|
|
11 | (1) |
|
Be Sensitive to Your Image Sensor |
|
|
12 | (1) |
|
|
|
13 | (1) |
|
Your Eyes vs. Your Camera's ``Eye'' |
|
|
14 | (1) |
|
Brightness Values and the +/- Exposure Compensation Control |
|
|
15 | (1) |
|
Control What Your Exposure Meter ``Sees'' |
|
|
16 | (1) |
|
|
|
17 | (1) |
|
|
|
18 | (1) |
|
Cooling Off and Warming Up Images |
|
|
19 | (1) |
|
sRGB vs. Adobe RGB and RAW vs. sRAW |
|
|
20 | (1) |
|
|
|
21 | (1) |
|
|
|
22 | (1) |
|
|
|
23 | (1) |
|
|
|
24 | (1) |
|
|
|
25 | (1) |
|
Full-Frame Image Sensor Advantage |
|
|
26 | (1) |
|
|
|
27 | (1) |
|
|
|
28 | (1) |
|
Check Out Your Camera's Software |
|
|
29 | (1) |
|
Recovering ``Lost'' Files |
|
|
30 | (1) |
|
Cameras Don't Take Pictures, People Do |
|
|
31 | (1) |
|
The Camera Looks Both Ways |
|
|
32 | (1) |
|
Landscape and Scenic Photography |
|
|
33 | (40) |
|
|
|
34 | (1) |
|
|
|
35 | (1) |
|
|
|
36 | (1) |
|
Establish a Sense of Place |
|
|
37 | (1) |
|
Think in Three Dimensions |
|
|
38 | (1) |
|
Watch the Edges and Know Your Boundaries |
|
|
39 | (1) |
|
|
|
40 | (1) |
|
|
|
41 | (1) |
|
|
|
42 | (1) |
|
Shooting Sunrises and Sunsets |
|
|
43 | (1) |
|
More Tips on Sunrise and Sunset Shots |
|
|
44 | (1) |
|
|
|
45 | (1) |
|
When It's Hazy, Hot and Humid |
|
|
46 | (1) |
|
|
|
47 | (1) |
|
|
|
48 | (1) |
|
|
|
49 | (1) |
|
|
|
50 | (1) |
|
|
|
51 | (1) |
|
Compose for a Cover or E-Card |
|
|
52 | (1) |
|
|
|
53 | (1) |
|
|
|
54 | (1) |
|
|
|
55 | (1) |
|
Shooting on Overcast Days |
|
|
56 | (1) |
|
|
|
57 | (1) |
|
|
|
58 | (1) |
|
Using ND Graduated Filters |
|
|
59 | (1) |
|
|
|
60 | (1) |
|
Check Out a Postcard Stand and Get a Guide |
|
|
61 | (1) |
|
|
|
62 | (1) |
|
|
|
63 | (1) |
|
|
|
64 | (1) |
|
|
|
65 | (1) |
|
|
|
66 | (1) |
|
|
|
67 | (1) |
|
|
|
68 | (1) |
|
Always Look Up, Down and Back - and be Careful! |
|
|
69 | (1) |
|
|
|
70 | (1) |
|
|
|
71 | (1) |
|
|
|
72 | (1) |
|
|
|
73 | (32) |
|
Fun Facts for Better People Pictures |
|
|
74 | (1) |
|
Drag the Shutter to Create a Sense of Motion |
|
|
75 | (1) |
|
Fine-Tune Flash Exposures with Exposure Compensation |
|
|
76 | (1) |
|
Nice Nighttime Shots Using the Night Portrait Mode |
|
|
77 | (1) |
|
Make Pictures, Don't Just Take Pictures |
|
|
78 | (1) |
|
Position the Subject in the Foreground |
|
|
79 | (1) |
|
|
|
80 | (1) |
|
Wonderful Window Light Pictures |
|
|
81 | (1) |
|
Daylight Fill-in Flash Photos |
|
|
82 | (1) |
|
|
|
83 | (1) |
|
Soften the Light with a Diffuser |
|
|
84 | (1) |
|
Fill in Shadows with a Reflector |
|
|
85 | (1) |
|
|
|
86 | (1) |
|
|
|
87 | (1) |
|
|
|
88 | (1) |
|
|
|
89 | (1) |
|
|
|
90 | (1) |
|
Get Up Close and Personal |
|
|
91 | (1) |
|
Add Catch Light to the Subject's Eyes |
|
|
92 | (1) |
|
|
|
93 | (1) |
|
|
|
94 | (1) |
|
Pan to Create a Sense of Action |
|
|
95 | (1) |
|
|
|
96 | (1) |
|
|
|
97 | (1) |
|
Evaluate Shooting at Eye Level |
|
|
98 | (1) |
|
|
|
99 | (1) |
|
When You Hand Over Your Camera |
|
|
100 | (1) |
|
|
|
101 | (1) |
|
|
|
102 | (1) |
|
|
|
103 | (1) |
|
Create the Dis-Equilibrium Effect |
|
|
104 | (1) |
|
|
|
105 | (24) |
|
|
|
106 | (1) |
|
|
|
107 | (1) |
|
|
|
108 | (1) |
|
Shoot for the Peak of Action |
|
|
109 | (1) |
|
When Bracketing is a Good Idea |
|
|
110 | (1) |
|
|
|
111 | (1) |
|
Place the Subject Off-Center |
|
|
112 | (1) |
|
|
|
113 | (1) |
|
My Favorite Wildlife Telephoto Zoom Lens |
|
|
114 | (1) |
|
My Favorite Wildlife Wide-Angle Zoom Lens |
|
|
115 | (1) |
|
|
|
116 | (1) |
|
|
|
117 | (1) |
|
|
|
118 | (1) |
|
Don't Cheap Out on a Telephoto Lens |
|
|
119 | (1) |
|
Shoot Sharper Pictures with a High Frame Rate |
|
|
120 | (1) |
|
Expose for the Highlights |
|
|
121 | (1) |
|
|
|
122 | (1) |
|
|
|
123 | (1) |
|
|
|
124 | (1) |
|
|
|
125 | (1) |
|
|
|
126 | (1) |
|
|
|
127 | (1) |
|
|
|
128 | (1) |
|
|
|
129 | (12) |
|
|
|
130 | (1) |
|
|
|
131 | (1) |
|
|
|
132 | (1) |
|
|
|
133 | (1) |
|
Add Creative Control with a Ring Light |
|
|
134 | (1) |
|
Retouching When Using a Ring Light |
|
|
135 | (1) |
|
|
|
136 | (1) |
|
|
|
137 | (1) |
|
Shoot a Sequence, Tell a Story |
|
|
138 | (1) |
|
|
|
139 | (2) |
|
|
|
141 | (20) |
|
Digital SLRs vs. Compact Cameras |
|
|
142 | (1) |
|
|
|
143 | (1) |
|
|
|
144 | (1) |
|
Remote Flash Operation with Wireless Transmitters |
|
|
145 | (1) |
|
|
|
146 | (1) |
|
|
|
147 | (1) |
|
|
|
148 | (1) |
|
|
|
149 | (1) |
|
|
|
150 | (1) |
|
|
|
151 | (1) |
|
|
|
152 | (1) |
|
|
|
153 | (1) |
|
|
|
154 | (1) |
|
Studio Accessory Flash Unit Set Up |
|
|
155 | (1) |
|
My On-Location Light Controller and Tote |
|
|
156 | (1) |
|
|
|
157 | (1) |
|
|
|
158 | (1) |
|
Test All Your Gear and Bring Back Up Gear |
|
|
159 | (2) |
|
Home and On-Location Digital Darkrooms |
|
|
161 | (12) |
|
Computer - The Heart of the Digital Darkroom |
|
|
162 | (1) |
|
Monitor - Where Your Creative Vision Develops |
|
|
163 | (1) |
|
Software - Applications to Awaken the Artist Within |
|
|
164 | (1) |
|
Accessories Hard Drives - Your Key to Image Survival |
|
|
165 | (1) |
|
Printers - How to Show and Share Your Work |
|
|
166 | (1) |
|
Wacom® Tablet - Paint with Precision |
|
|
167 | (1) |
|
Card Readers - Movin' Images from Card to Computer |
|
|
168 | (1) |
|
Power Backup - Prevent a Blackout |
|
|
169 | (1) |
|
Field Setup - Digital Photos on the Go |
|
|
170 | (1) |
|
|
|
171 | (2) |
|
Top Digital Darkroom Ideas |
|
|
173 | (32) |
|
Always Envision the End-Result |
|
|
174 | (1) |
|
Don't Be So Quick to Delete |
|
|
175 | (1) |
|
|
|
176 | (1) |
|
|
|
177 | (1) |
|
Boost Contrast, Saturation and Sharpness |
|
|
178 | (1) |
|
|
|
179 | (1) |
|
|
|
180 | (1) |
|
Create the Panning Effect |
|
|
181 | (1) |
|
Simulate Using a Long Lens |
|
|
182 | (1) |
|
|
|
183 | (1) |
|
|
|
184 | (1) |
|
Add a Digital Graduated Filter |
|
|
185 | (1) |
|
|
|
186 | (1) |
|
Correct for Lens Distortion |
|
|
187 | (1) |
|
Make Your Subject Stand Out |
|
|
188 | (1) |
|
Create a Nice Note Paper Image |
|
|
189 | (1) |
|
|
|
190 | (1) |
|
|
|
191 | (1) |
|
|
|
192 | (1) |
|
|
|
193 | (1) |
|
|
|
194 | (1) |
|
|
|
195 | (1) |
|
|
|
196 | (1) |
|
|
|
197 | (1) |
|
|
|
198 | (1) |
|
|
|
199 | (1) |
|
|
|
200 | (1) |
|
|
|
201 | (1) |
|
Never Stop Playing with HDR |
|
|
202 | (1) |
|
|
|
203 | (2) |
|
Cool Web Sites for Great Info |
|
|
205 | (14) |
|
Rick Sammon www.ricksammon.com |
|
|
206 | (1) |
|
Canon Digital Learning Center www.usa.canon.com/dlc |
|
|
207 | (1) |
|
onOne software www.ononesoftware.com |
|
|
208 | (1) |
|
Westcott www.fjwestcott.com |
|
|
209 | (1) |
|
|
|
210 | (1) |
|
NikSoftware www.niksoftware.com |
|
|
211 | (1) |
|
|
|
212 | (1) |
|
KelbyTraining www.kelbytraining.com |
|
|
213 | (1) |
|
ExOfficio www.exofficio.com |
|
|
214 | (1) |
|
Layers www.layersmagazine.com |
|
|
215 | (1) |
|
PCPhoto www.pcphotomag.com |
|
|
216 | (1) |
|
DoubleExposure www.doubleexposure.com |
|
|
217 | (1) |
|
|
|
218 | (1) |
|
With a Little Help from My Friends |
|
|
219 | (20) |
|
Parts Can Create a New Whole |
|
|
220 | (1) |
|
|
|
221 | (1) |
|
|
|
222 | (1) |
|
|
|
223 | (1) |
|
|
|
224 | (1) |
|
Learn about Nature and the Nature of Your Camera |
|
|
225 | (1) |
|
Challenge and Reward Yourself |
|
|
226 | (1) |
|
|
|
227 | (1) |
|
|
|
228 | (1) |
|
The Bottom Line About the Horizon Line |
|
|
229 | (1) |
|
|
|
230 | (1) |
|
|
|
231 | (1) |
|
|
|
232 | (1) |
|
|
|
233 | (1) |
|
|
|
234 | (1) |
|
Experience the Emotion, Experiment in Photoshop |
|
|
235 | (1) |
|
|
|
236 | (1) |
|
|
|
237 | (1) |
|
|
|
238 | (1) |
| Post Script |
|
239 | (2) |
| DVD Appendix |
|
241 | (1) |
| EULA |
|
242 | |
Lisainfo e-raamatute kohta