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E-raamat: Satire, Veneration, and St. Joseph in Art, c. 1300-1550

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Satire, Veneration, and St. Joseph in Art, c. 1300-1550Suurem pilt
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Satire, Veneration, and St. Joseph in Art, c. 1300.1550 is the first book to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's perception as a mere teaching tool for the laity and the antithesis of 'high' veneration and theology, a divide perpetuated by Counter-Reformation thought and the inheritance of Mikhail Bakhtin (Rabelais and His World, 1965). It reveals how humor, laughter, and material culture played a critical role in establishing St. Joseph as an exemplar in western Europe as early as the thirteenth century. Its goal is to open a new line of interpretation in medieval and early modern cultural studies by revealing the functions of humor in sacred scenes, the role of laughter as veneration, and the importance of play for pre-Reformation religious experiences.

Arvustused

"Anne L. Williams offers a welcome addition to the scholarship concerning late medieval and early modern hagiographical imagery. Well organized, well illustrated, and thoroughly researched, her multi-disciplinary approach marries art history, literary studies, and religious studies to bring new and compelling insights both to extant iconography of Saint Joseph and to lay and clerical attitudes toward his cult in the period(s) she studies." - Betsy Chunko-Dominguez, Savannah College of Art and Design, Speculum 96/3 (July 2021)

"Focusing on the artistic deployment of humour, satire and mockery, this magisterial interdisciplinary study offers innovative readings of Joseph of Nazareth in European late medieval and early modern visual culture = required reading for anyone interested in the dynamic, expanding image of St. Joseph, arguably one of the most important fathers in European culture." - Dr. Catherine Harding, Late Medieval and Early Renaissance Art, University of Victoria

List of Illustrations
7(6)
Acknowledgements 13(2)
Introduction 15(22)
Ridicule or Reverence? A History of Scholarship on St. Joseph
22(7)
Sanctity, Humor, and the Gap between Material Reality and Religious Experience
29(8)
1 Joseph's Hosen, Devotion, and Humor: The `Domestic' Saint and the Earliest Material Evidence of His Cult
37(54)
1.1 Introduction: Rethinking `Higher' Levels of Literature and Art
37(5)
1.2 Joseph's Hosen and Early Material Evidence of His Cult
42(21)
1.2.1 The Ivories
51(3)
1.2.2 The Power of Relics in Fourteenth-Century Europe
54(3)
1.2.3 The Hosen and Humor in Royal Commissions: The Antwerp-Baltimore Pofyptych of Philip the Bold
57(6)
1.3 Nutritor Domini and Bumbling Old Fool: The Hamburg Petri-Altar
63(20)
1.3.1 The Kindelwiegenspiele
78(5)
1.4 Conclusion
83(8)
2 Satire Sacred and Profane
91(60)
2.1 Introduction: Laughter as Veneration
91(3)
2.2 From the Margins to the Center: Humor and the `World Upside Down' in Sacred Art and Ritual
94(9)
2.3 Diaper-Washer Josephs and the `Battle for the Pants'
103(6)
2.4 Joseph, the Ass, the Peasant, and the Fool
109(14)
2.5 Complexities of Early Modern Humor: The Virtue of the `Natural Man'
123(5)
2.6 Dirty Old Man: The Bawdy and the Chaste Saint
128(14)
2.7 Conclusion: Satirizing the Sacred
142(9)
3 Urbanitas, the Imago Humilis, and the Rhetoric of Humor in Sacred Art
151(36)
3.1 Sacred Humor beyond Edification
151(6)
3.2 Urbanitas, Facetia, and Courtliness in Medieval and Renaissance Europe
157(5)
3.3 Dissimulatio, Christian Irony, and the Imago Humilis
162(5)
3.4 The Art of Rhetorical Humor and the Artist as virfacetus: Early Humanism and Social Exchange
167(14)
3.5 Conclusion
181(6)
4 The Miserly Saint and the Multivalent Image: Sanctity, Satire, and Subversion
187(38)
4.1 The Early Modern paterfamilias and the Profit Economy
187(3)
4.2 Treasurer or Miser?
190(26)
4.3 Satire, Subversion, and the Multivalent Image
216(4)
4.4 Conclusion
220(5)
Conclusion 225(6)
Index 231
Anne L. Williams is Visiting Assistant Professor of Art History at the College of William & Mary.
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