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PART I USING PLUG-INS AND PRESETS |
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3 | (56) |
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1 Using Plug-ins and Presets |
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4 | (16) |
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4 | (1) |
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5 | (1) |
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5 | (1) |
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6 | (2) |
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Working with Free Plug-Ins |
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8 | (1) |
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8 | (1) |
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9 | (1) |
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Using Commercial Plug-ins |
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10 | (2) |
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12 | (3) |
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15 | (1) |
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Working with Custom Color LUTs (Lookup Tables) |
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16 | (1) |
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Installing LUTs for Use with the Photo Editor |
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16 | (1) |
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Using LUTs with Elements+ |
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16 | (2) |
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18 | (1) |
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19 | (1) |
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19 | (1) |
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Understanding Advantages of Actions |
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19 | (1) |
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20 | (39) |
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20 | (2) |
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Working in ACR Before Elements 2021 |
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22 | (1) |
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Opening Files in the Raw Editor |
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22 | (4) |
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26 | (4) |
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30 | (3) |
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Editing Multiple Images in the Raw Editor |
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33 | (3) |
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Applying Multiple Raw Edits to a Single Image |
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36 | (3) |
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Working in ACR in Elements 2021 and After |
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39 | (1) |
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Launching the Camera Raw Editor |
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39 | (1) |
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Becoming Familiar with Tools and Buttons |
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40 | (5) |
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Sharpening and Reducing Noise |
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45 | (2) |
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Using the Calibration Panel |
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47 | (1) |
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47 | (2) |
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49 | (1) |
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49 | (1) |
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50 | (2) |
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Working with XML Files and Preferences |
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52 | (1) |
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Changing Program Defaults |
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52 | (1) |
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53 | (1) |
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54 | (1) |
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Using Elements+ Camera Raw |
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55 | (4) |
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PART II SELECTIONS AND LAYERS |
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59 | (84) |
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60 | (22) |
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60 | (1) |
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61 | (1) |
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Creating Geometric Selections |
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61 | (2) |
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63 | (2) |
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Using Miscellaneous Selection Tools |
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65 | (5) |
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70 | (1) |
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70 | (1) |
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70 | (3) |
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73 | (1) |
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Saving, Loading, and Deleting Selections |
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73 | (2) |
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Creating Selections with Elements+ |
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75 | (1) |
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75 | (1) |
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Loading Selections from Channels |
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76 | (1) |
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Creating Selections from Paths |
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77 | (1) |
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77 | (2) |
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79 | (3) |
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82 | (44) |
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82 | (1) |
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83 | (1) |
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Examining the Layers Panel |
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84 | (2) |
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86 | (2) |
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88 | (1) |
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Creating Solid Color Fills |
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89 | (1) |
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90 | (2) |
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92 | (2) |
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Using the Layers Panel Menu |
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94 | (2) |
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Creating Composite Layers |
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96 | (1) |
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Working with Adjustment Layers |
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97 | (1) |
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Creating Brightness Adjustment Layers |
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98 | (1) |
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Creating Hue/Saturation Adjustment Layers |
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99 | (1) |
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99 | (1) |
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100 | (1) |
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101 | (1) |
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101 | (1) |
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101 | (1) |
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Using Elements+ Adjustment Layers |
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102 | (1) |
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102 | (2) |
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Editing Elements+ Adjustment Layers |
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104 | (1) |
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104 | (1) |
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104 | (1) |
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105 | (1) |
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Working with Color Lookup |
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106 | (1) |
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Working with Smart Objects |
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106 | (1) |
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106 | (1) |
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Using Elements+ with Smart Objects |
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107 | (1) |
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107 | (1) |
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Understanding Blend Modes |
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108 | (1) |
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Working with the Normal Modes |
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108 | (1) |
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Working with the Darken Modes |
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109 | (2) |
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Working with the Lighten Modes |
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111 | (2) |
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Working with Contrast Blend Modes |
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113 | (3) |
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Working with the Inversion Group |
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116 | (1) |
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Working with the Component Group |
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117 | (1) |
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Knowing the Most Important Blend Modes |
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117 | (5) |
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Using Keyboard Shortcuts with Blend Modes |
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122 | (1) |
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123 | (1) |
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Using Keyboard Shortcuts with Layers |
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123 | (1) |
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123 | (1) |
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124 | (2) |
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126 | (17) |
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126 | (1) |
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Understanding Layer Masks Basics |
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127 | (1) |
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Getting Familiar with Layer Masks Essentials |
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127 | (1) |
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128 | (1) |
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Creating Empty Layer Masks |
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128 | (1) |
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129 | (1) |
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Creating Adjustment Layers |
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129 | (1) |
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Creating Layer Masks from Selections |
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130 | (1) |
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Showing and Hiding Layer Masks |
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130 | (1) |
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Linking and Unlinking Layer Masks |
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131 | (1) |
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131 | (1) |
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131 | (2) |
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Changing Background Colors |
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133 | (1) |
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134 | (1) |
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134 | (1) |
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Copying a Layer Mask to Another Document |
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134 | (1) |
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134 | (2) |
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Creating Luminosity Masks |
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136 | (1) |
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Adjusting Highlights and Shadows Using a Luminosity Mask |
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136 | (3) |
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139 | (4) |
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PART III SHARPENING AND EFFECTS |
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143 | (48) |
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144 | (10) |
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144 | (1) |
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Using Camera Raw Sharpening |
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145 | (1) |
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Working with the High Pass Filter |
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145 | (1) |
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Sharpening an Image with the High Pass Filter |
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145 | (3) |
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Sharpening Different Areas of an Image |
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148 | (2) |
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Using Photoshop Elements Sharpening Tools |
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150 | (1) |
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150 | (1) |
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151 | (1) |
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152 | (2) |
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154 | (37) |
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154 | (1) |
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155 | (1) |
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Creating a Painterly Image |
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155 | (5) |
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Creating a Watercolor Effect |
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160 | (4) |
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Creating an Oil Painting Effect |
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164 | (2) |
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Adding Depth of Field to Photos |
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166 | (3) |
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Creating Picture Edges Effects |
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169 | (1) |
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Working with Picture Frame Effects |
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169 | (3) |
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172 | (1) |
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173 | (4) |
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177 | (1) |
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177 | (1) |
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Colorizing Black-and-White Photos |
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178 | (4) |
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182 | (1) |
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182 | (3) |
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185 | (2) |
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Adding Photo Effects with Elements |
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187 | (4) |
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PART IV PHOTO COMPOSITING |
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191 | (28) |
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192 | (27) |
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192 | (1) |
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Knowing Compositing Essentials |
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193 | (3) |
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Understanding Perspective |
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196 | (1) |
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Identifying the Horizon Line |
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197 | (1) |
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Visualizing Vanishing Points |
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198 | (1) |
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Using Perspective When Compositing Images |
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199 | (4) |
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Using Photomerge Guided Edits |
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203 | (1) |
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203 | (1) |
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Using Photomerge Exposure |
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203 | (6) |
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Photomerging a Group Shot |
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209 | (1) |
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210 | (1) |
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211 | (3) |
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214 | (2) |
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216 | (3) |
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PART V WORKING WITH COLOR |
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219 | (64) |
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220 | (18) |
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220 | (1) |
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221 | (1) |
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221 | (2) |
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Choosing Colors in the Create Panel |
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223 | (5) |
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228 | (4) |
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232 | (6) |
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10 Color Toning and Color Grading |
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238 | (45) |
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238 | (1) |
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Color Toning with Gradient Maps |
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239 | (1) |
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240 | (1) |
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241 | (1) |
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Creating Black-and-White Photos |
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241 | (3) |
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Replacing Color with Gradient Maps |
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244 | (6) |
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Color Grading with Gradient Maps |
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250 | (10) |
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Color Grading Using Levels |
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260 | (3) |
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263 | (1) |
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264 | (2) |
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Creating Cinematic Color Toning |
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266 | (5) |
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Color Editing with Elements+ |
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271 | (1) |
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Color Grading Using the Channel Mixer |
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271 | (2) |
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273 | (2) |
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275 | (4) |
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Sizing Images for Cinematic Views |
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279 | (1) |
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Preparing a Cinematic Look |
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279 | (1) |
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Setting the Ratio for a Cinema Image Size |
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280 | (3) |
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PART VI WORKING WITH TEXT AND PHOTO EFFECTS |
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283 | (90) |
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284 | (30) |
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284 | (1) |
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285 | (1) |
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Understanding Font Attributes |
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285 | (1) |
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285 | (1) |
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286 | (2) |
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288 | (1) |
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Changing Character and Line Spacing |
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289 | (1) |
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290 | (1) |
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291 | (2) |
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293 | (2) |
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295 | (1) |
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295 | (2) |
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297 | (2) |
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299 | (1) |
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300 | (4) |
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304 | (1) |
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304 | (1) |
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305 | (1) |
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306 | (1) |
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Creating Type Shadows and Reflections |
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307 | (2) |
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309 | (1) |
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309 | (3) |
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312 | (2) |
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12 Creating Photo Effects |
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314 | (59) |
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314 | (1) |
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315 | (2) |
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Creating a High Key Photo |
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317 | (3) |
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320 | (5) |
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325 | (1) |
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Creating Pixel Stretch Images |
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326 | (1) |
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327 | (3) |
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330 | (4) |
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Creating Low Poly Illustrations |
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334 | (2) |
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Creating Custom Portrait Effects |
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336 | (1) |
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336 | (2) |
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Making Hair Appear Fuller |
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338 | (2) |
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Applying Multiple Textures |
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340 | (2) |
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342 | (1) |
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Painting in Layer Masks with Grunge Brushes |
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342 | (1) |
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343 | (2) |
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Creating Custom Grunge Brush Effects |
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345 | (3) |
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Creating a Red Carpet Photo Booth |
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348 | (1) |
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Creating Paint Drip Effects |
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349 | (3) |
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Creating Cartoon Illustrations |
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352 | (1) |
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Creating a Caricature Cartoon Effect |
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353 | (7) |
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Creating a Pencil Drawing |
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360 | (1) |
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360 | (3) |
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363 | (10) |
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PART VII EDITING PHOTOS OF PEOPLE |
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373 | (66) |
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13 Editing Vintage Photos |
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374 | (22) |
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374 | (1) |
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375 | (1) |
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375 | (4) |
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Using the Clone Stamp for Fixes |
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379 | (2) |
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Color Grading Vintage Photos |
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381 | (1) |
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Adding Vignettes and Frames |
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382 | (1) |
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382 | (3) |
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Creating Borders and Frames |
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385 | (6) |
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Creating Vintage Photo Looks |
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391 | (5) |
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396 | (24) |
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396 | (1) |
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Using Camera Raw Adjustments |
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397 | (3) |
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400 | (1) |
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400 | (1) |
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401 | (1) |
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402 | (1) |
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402 | (1) |
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403 | (1) |
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Using the Spot Healing Brush Tool |
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404 | (1) |
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404 | (2) |
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Sculpting Facial Contours |
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406 | (1) |
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Using the Dodge and Burn Tools |
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406 | (1) |
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406 | (1) |
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Using Levels Adjustment Layers |
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407 | (1) |
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Dodging and Burning a Portrait |
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407 | (2) |
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409 | (1) |
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Analyzing a Subject's Eyes |
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409 | (1) |
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410 | (1) |
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411 | (1) |
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Editing Eyebrows, Lashes, and Liners |
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411 | (1) |
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412 | (1) |
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Removing Artifacts Around the Lips |
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412 | (1) |
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Applying a Color for the Lipstick |
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412 | (1) |
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Dodging and Burning the Lips |
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413 | (1) |
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414 | (1) |
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414 | (2) |
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416 | (1) |
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417 | (1) |
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Making a Model Appear Taller |
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417 | (2) |
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419 | (1) |
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420 | (19) |
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420 | (1) |
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421 | (1) |
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Using a Gradient Map for Skin Tone |
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421 | (4) |
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Using Levels Adjustments for Correcting Skin Color |
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425 | (2) |
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427 | (1) |
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427 | (1) |
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Using the Smooth Skin Dialog Box |
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428 | (1) |
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Creating Frequency Separations |
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429 | (4) |
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Creating Luminosity Masks |
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433 | (6) |
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PART VI SHARING YOUR CREATIONS |
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439 | (21) |
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440 | (20) |
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440 | (1) |
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Preparing Photos for Instagram |
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441 | (1) |
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Setting the Color Profile |
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441 | (1) |
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442 | (1) |
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443 | (1) |
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Sizing a Photo for Instagram |
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444 | (1) |
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Comparing Photos with a Phone Display |
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445 | (1) |
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Saving a Photo for Instagram |
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446 | (1) |
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Uploading Photos to Instagram from Desktop Computers |
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446 | (2) |
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Preparing Photos for Facebook |
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448 | (2) |
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Uploading Photos to Twitter |
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450 | (1) |
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451 | (1) |
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Printing to Desktop Color Printers |
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451 | (1) |
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Printing at Commercial Print Shops |
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452 | (1) |
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Printing Oversized and Tarpaulin Prints |
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452 | (1) |
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Using Online Print Services |
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452 | (8) |
| Index |
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460 | |