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Adobe Photoshop Elements Advanced Editing Techniques and Tricks: The Essential Guide to Going Beyond Guided Edits [Pehme köide]

  • Formaat: Paperback / softback, 480 pages, kõrgus x laius x paksus: 228x178x20 mm, kaal: 880 g
  • Sari: Voices That Matter
  • Ilmumisaeg: 16-Jun-2022
  • Kirjastus: New Riders Publishing
  • ISBN-10: 0137844026
  • ISBN-13: 9780137844029
Teised raamatud teemal:
  • Formaat: Paperback / softback, 480 pages, kõrgus x laius x paksus: 228x178x20 mm, kaal: 880 g
  • Sari: Voices That Matter
  • Ilmumisaeg: 16-Jun-2022
  • Kirjastus: New Riders Publishing
  • ISBN-10: 0137844026
  • ISBN-13: 9780137844029
Teised raamatud teemal:

Adobe Photoshop Elements Advanced Editing Techniques and Tricks: The Essential Guide to Going Beyond Guided Edits is a must for those who want to go beyond automated features and Guided Edits and delve into the many advanced techniques that are possible using Adobe Photoshop Elements.

 

LEARN HOW TO

  • Perfect editing portrait images by performing techniques such as skin tone correction, frequency separations, skin smoothing, and enhancing facial features
  • Properly edit and enhance a subject’s eyes, lips, eyebrows, and facial lighting
  •   Apply advanced photo compositing techniques, utilizing rules for controlling perspective
  • Use color grading techniques similar to those used by professional motion picture film editors
  • Delve into advanced tools not included in Photoshop Elements such as curves, color range, selective color, working with color LUTs, and more

With detailed step-by-step instructions, this book is targeted to intermediate and advanced users who want to take their photography to the next level. Additional tips using Photoshop Elements can be found on Ted’s YouTube channel at www.YouTube/tedpadova.

PART I USING PLUG-INS AND PRESETS
3(56)
1 Using Plug-ins and Presets
4(16)
Chapter Goals
4(1)
Adding Plug-Ins
5(1)
Finding Plug-Ins
5(1)
Installing Plug-Ins
6(2)
Working with Free Plug-Ins
8(1)
Using Harry's Filters
8(1)
Using the NIK Collection
9(1)
Using Commercial Plug-ins
10(2)
Using Elements+
12(3)
Using Elements XXL
15(1)
Working with Custom Color LUTs (Lookup Tables)
16(1)
Installing LUTs for Use with the Photo Editor
16(1)
Using LUTs with Elements+
16(2)
Adding Actions
18(1)
Installing Actions
19(1)
Running an Action
19(1)
Understanding Advantages of Actions
19(1)
2 Using Camera Raw
20(39)
Chapter Goals
20(2)
Working in ACR Before Elements 2021
22(1)
Opening Files in the Raw Editor
22(4)
Using the Basic Panel
26(4)
Working on 16-Bit Images
30(3)
Editing Multiple Images in the Raw Editor
33(3)
Applying Multiple Raw Edits to a Single Image
36(3)
Working in ACR in Elements 2021 and After
39(1)
Launching the Camera Raw Editor
39(1)
Becoming Familiar with Tools and Buttons
40(5)
Sharpening and Reducing Noise
45(2)
Using the Calibration Panel
47(1)
Working with Filmstrips
47(2)
Synchronizing Edits
49(1)
Synchronizing Defaults
49(1)
Working with Profiles
50(2)
Working with XML Files and Preferences
52(1)
Changing Program Defaults
52(1)
Using Save Options
53(1)
Using Sidecar Files
54(1)
Using Elements+ Camera Raw
55(4)
PART II SELECTIONS AND LAYERS
59(84)
3 Making Selections
60(22)
Chapter Goals
60(1)
Using Selection Tools
61(1)
Creating Geometric Selections
61(2)
Using Lasso Tools
63(2)
Using Miscellaneous Selection Tools
65(5)
Using the Select Menu
70(1)
Working with Selections
70(1)
Refining Selections
70(3)
Transforming Selections
73(1)
Saving, Loading, and Deleting Selections
73(2)
Creating Selections with Elements+
75(1)
Using Color Range
75(1)
Loading Selections from Channels
76(1)
Creating Selections from Paths
77(1)
Working with Shapes
77(2)
Pasting into Selections
79(3)
4 Working with Layers
82(44)
Chapter Goals
82(1)
Understanding Layers
83(1)
Examining the Layers Panel
84(2)
Creating New Layers
86(2)
Creating Fill Layers
88(1)
Creating Solid Color Fills
89(1)
Creating Gradient Fills
90(2)
Creating Pattern Fills
92(2)
Using the Layers Panel Menu
94(2)
Creating Composite Layers
96(1)
Working with Adjustment Layers
97(1)
Creating Brightness Adjustment Layers
98(1)
Creating Hue/Saturation Adjustment Layers
99(1)
Creating Gradient Maps
99(1)
Using Photo Filters
100(1)
Inverting Images
101(1)
Using Threshold
101(1)
Posterizing Photos
101(1)
Using Elements+ Adjustment Layers
102(1)
Using Elements+ Curves
102(2)
Editing Elements+ Adjustment Layers
104(1)
Adjusting Color Balance
104(1)
Using the Channel Mixer
104(1)
Using Selective Color
105(1)
Working with Color Lookup
106(1)
Working with Smart Objects
106(1)
Placing Photos
106(1)
Using Elements+ with Smart Objects
107(1)
Blending Layers
107(1)
Understanding Blend Modes
108(1)
Working with the Normal Modes
108(1)
Working with the Darken Modes
109(2)
Working with the Lighten Modes
111(2)
Working with Contrast Blend Modes
113(3)
Working with the Inversion Group
116(1)
Working with the Component Group
117(1)
Knowing the Most Important Blend Modes
117(5)
Using Keyboard Shortcuts with Blend Modes
122(1)
Managing Layers
123(1)
Using Keyboard Shortcuts with Layers
123(1)
Reordering Layers
123(1)
Deleting Layers
124(2)
5 Masking Photos
126(17)
Chapter Goals
126(1)
Understanding Layer Masks Basics
127(1)
Getting Familiar with Layer Masks Essentials
127(1)
Creating Layer Masks
128(1)
Creating Empty Layer Masks
128(1)
Creating Negative Masks
129(1)
Creating Adjustment Layers
129(1)
Creating Layer Masks from Selections
130(1)
Showing and Hiding Layer Masks
130(1)
Linking and Unlinking Layer Masks
131(1)
Inverting a Layer Mask
131(1)
Painting on Layer Masks
131(2)
Changing Background Colors
133(1)
Copying Layer Masks
134(1)
Deleting Layer Masks
134(1)
Copying a Layer Mask to Another Document
134(1)
Creating Clipping Masks
134(2)
Creating Luminosity Masks
136(1)
Adjusting Highlights and Shadows Using a Luminosity Mask
136(3)
Adjusting Midtones
139(4)
PART III SHARPENING AND EFFECTS
143(48)
6 Sharpening Photos
144(10)
Chapter Goals
144(1)
Using Camera Raw Sharpening
145(1)
Working with the High Pass Filter
145(1)
Sharpening an Image with the High Pass Filter
145(3)
Sharpening Different Areas of an Image
148(2)
Using Photoshop Elements Sharpening Tools
150(1)
Using the Menu Options
150(1)
Using Unsharp Mask
151(1)
Using Sharpening Tools
152(2)
7 Using Effects
154(37)
Chapter Goals
154(1)
Working with Effects
155(1)
Creating a Painterly Image
155(5)
Creating a Watercolor Effect
160(4)
Creating an Oil Painting Effect
164(2)
Adding Depth of Field to Photos
166(3)
Creating Picture Edges Effects
169(1)
Working with Picture Frame Effects
169(3)
Creating Vignettes
172(1)
Creating Custom Borders
173(4)
Using Color Effects
177(1)
Creating Sepia Effects
177(1)
Colorizing Black-and-White Photos
178(4)
Using Special Effects
182(1)
Creating Pop Art Effects
182(3)
Posterizing Images
185(2)
Adding Photo Effects with Elements
187(4)
PART IV PHOTO COMPOSITING
191(28)
8 Compositing Images
192(27)
Chapter Goals
192(1)
Knowing Compositing Essentials
193(3)
Understanding Perspective
196(1)
Identifying the Horizon Line
197(1)
Visualizing Vanishing Points
198(1)
Using Perspective When Compositing Images
199(4)
Using Photomerge Guided Edits
203(1)
Using Photomerge Compose
203(1)
Using Photomerge Exposure
203(6)
Photomerging a Group Shot
209(1)
Editing Skies
210(1)
Photomerging a Panorama
211(3)
Matching Color
214(2)
Adding Subjects in Grass
216(3)
PART V WORKING WITH COLOR
219(64)
9 Sampling Color
220(18)
Chapter Goals
220(1)
Using and Applying Color
221(1)
Using Adobe Color
221(2)
Choosing Colors in the Create Panel
223(5)
Using Swatches
228(4)
Applying Color
232(6)
10 Color Toning and Color Grading
238(45)
Chapter Goals
238(1)
Color Toning with Gradient Maps
239(1)
Creating a Gradient Map
240(1)
Loading Gradient Maps
241(1)
Creating Black-and-White Photos
241(3)
Replacing Color with Gradient Maps
244(6)
Color Grading with Gradient Maps
250(10)
Color Grading Using Levels
260(3)
Creating Duotones
263(1)
Removing Color Casts
264(2)
Creating Cinematic Color Toning
266(5)
Color Editing with Elements+
271(1)
Color Grading Using the Channel Mixer
271(2)
Using Selective Color
273(2)
Using 3D LUTs
275(4)
Sizing Images for Cinematic Views
279(1)
Preparing a Cinematic Look
279(1)
Setting the Ratio for a Cinema Image Size
280(3)
PART VI WORKING WITH TEXT AND PHOTO EFFECTS
283(90)
11 Working with Type
284(30)
Chapter Goals
284(1)
Working with Fonts
285(1)
Understanding Font Attributes
285(1)
Examining Font Types
285(1)
Viewing Glyphs
286(2)
Looking at Font Types
288(1)
Changing Character and Line Spacing
289(1)
Sizing Type
290(1)
Viewing Type Samples
291(2)
Downloading Fonts
293(2)
Creating Type Effects
295(1)
Adding Styles to Type
295(2)
Creating Gold Type
297(2)
Splitting Text
299(1)
Warping Type
300(4)
Creating Type on a Curve
304(1)
Creating Type on Stone
304(1)
Carving Type on Wood
305(1)
Creating Grunge Type
306(1)
Creating Type Shadows and Reflections
307(2)
Masking Type
309(1)
Creating Type on a Path
309(3)
Adding Watermarks
312(2)
12 Creating Photo Effects
314(59)
Chapter Goals
314(1)
Creating a Low Key Photo
315(2)
Creating a High Key Photo
317(3)
Creating Infrared Photos
320(5)
Using Photo Filters
325(1)
Creating Pixel Stretch Images
326(1)
Horizontal Pixel Stretch
327(3)
Circular Pixel Stretch
330(4)
Creating Low Poly Illustrations
334(2)
Creating Custom Portrait Effects
336(1)
Creating Longer Necks
336(2)
Making Hair Appear Fuller
338(2)
Applying Multiple Textures
340(2)
Creating Brush Effects
342(1)
Painting in Layer Masks with Grunge Brushes
342(1)
Reusing Masks
343(2)
Creating Custom Grunge Brush Effects
345(3)
Creating a Red Carpet Photo Booth
348(1)
Creating Paint Drip Effects
349(3)
Creating Cartoon Illustrations
352(1)
Creating a Caricature Cartoon Effect
353(7)
Creating a Pencil Drawing
360(1)
Pencil Sketch 1
360(3)
Pencil Sketch 2
363(10)
PART VII EDITING PHOTOS OF PEOPLE
373(66)
13 Editing Vintage Photos
374(22)
Chapter Goals
374(1)
Restoring Photos
375(1)
Restoring Faded Photos
375(4)
Using the Clone Stamp for Fixes
379(2)
Color Grading Vintage Photos
381(1)
Adding Vignettes and Frames
382(1)
Creating Vignettes
382(3)
Creating Borders and Frames
385(6)
Creating Vintage Photo Looks
391(5)
14 Editing Portraits
396(24)
Chapter Goals
396(1)
Using Camera Raw Adjustments
397(3)
Editing Blemishes
400(1)
Creating Selections
400(1)
Refining Selections
401(1)
Blurring Skin Tones
402(1)
Editing Layer Masks
402(1)
Using the Blur Tool
403(1)
Using the Spot Healing Brush Tool
404(1)
Adding Film Grain
404(2)
Sculpting Facial Contours
406(1)
Using the Dodge and Burn Tools
406(1)
Using 50% Gray Layers
406(1)
Using Levels Adjustment Layers
407(1)
Dodging and Burning a Portrait
407(2)
Editing Eyes
409(1)
Analyzing a Subject's Eyes
409(1)
Editing the Irises
410(1)
Editing the Sclera
411(1)
Editing Eyebrows, Lashes, and Liners
411(1)
Editing Lips
412(1)
Removing Artifacts Around the Lips
412(1)
Applying a Color for the Lipstick
412(1)
Dodging and Burning the Lips
413(1)
Brightening Teeth
414(1)
Sharpening Portraits
414(2)
Editing Body Shapes
416(1)
Creating a Gradient Mask
417(1)
Making a Model Appear Taller
417(2)
Creating Longer Necks
419(1)
15 Editing Skin Tones
420(19)
Chapter Goals
420(1)
Correcting Skin Tones
421(1)
Using a Gradient Map for Skin Tone
421(4)
Using Levels Adjustments for Correcting Skin Color
425(2)
Smoothing Skin
427(1)
Creating Smooth Skin
427(1)
Using the Smooth Skin Dialog Box
428(1)
Creating Frequency Separations
429(4)
Creating Luminosity Masks
433(6)
PART VI SHARING YOUR CREATIONS
439(21)
16 Sharing Images
440(20)
Chapter Goals
440(1)
Preparing Photos for Instagram
441(1)
Setting the Color Profile
441(1)
Adjusting Brightness
442(1)
Adding Punch to a Photo
443(1)
Sizing a Photo for Instagram
444(1)
Comparing Photos with a Phone Display
445(1)
Saving a Photo for Instagram
446(1)
Uploading Photos to Instagram from Desktop Computers
446(2)
Preparing Photos for Facebook
448(2)
Uploading Photos to Twitter
450(1)
Printing Photos
451(1)
Printing to Desktop Color Printers
451(1)
Printing at Commercial Print Shops
452(1)
Printing Oversized and Tarpaulin Prints
452(1)
Using Online Print Services
452(8)
Index 460
I've been a professional photographer on and off for almost 60 years. I first started working in photography in 1963 at the Army Aviation Test Office at Edwards Air Force Base in Edwards, California. I shot on glass plates using the Fairchild Flight Analyzer, developed the plates, and made contact prints. It was crude but an interesting first introduction to photography.

 

A few years later, I joined the Peace Corps and spent several years in a Venezuelan fishing village and the Amazon jungle in Ecuador. It was early in my Peace Corps service that I acquired my first SLR and became thoroughly engrossed in photography.

 

After my tour in the Peace Corps, I went to the New York Institute of Photography in New York City when it was a resident school. After a short time in Manhattan, where I shot all over the city, I acquired a diploma in Commercial Photography and headed off to my home in California.

 

Throughout the time I was working on my baccalaureate degree and going to graduate school, I shot weddings that paid for my education. When I had time off from school, I worked in a small trailer I converted into a dark room, where I processed B&W film and made enlargements.

 

I began teaching secondary school after finishing my university degree and was given a class to teach in photography. For more than 30 years, I've been involved in teaching photography and digital image editing. I owned a digital imaging and photo finishing company for more than 16 years. That's where much of my work was spent on the back end of photography. 

 

Photography has never been a regular job for me, but it's been a delight and a great love. I wouldn't want to spend all my time in a full-time job in photography, and I'm quite certain that is the reason it's still a first love for me. In years past, my heroes in the photography world were the great photographers of all time, such as Ansel Adams, Richard Avedon, Bert Stern, Irving Penn, Annie Leibovitz, and several others. But today, my heroes are the many young people I come across in teaching and some young modern-day professionals.





 

I've been working with computers for more than 40 years. I had the luxury of learning applications slowly over time. When Photoshop 1.0 was introduced, I taught all the tools and menu commands and just about all that could be done in Photoshop in my one-day university classes at UC Santa Barbara and UCLA. The same went for Adobe Illustrator all the way through version 3.2. Today, however, one could spend a week covering just color in Photoshop or Illustrator without getting into various tools and commands to handle other edits. 

 

The young people today who can jump into Photoshop 2022 or Elements 2022 and become knowledgeable and skilled in a short time are truly my heroes. I'm simply amazed at how fast young people learn such a complicated set of applications so quickly. It took me more than 40 years to know a little about the applications I work with today. If I had to start learning now, I just might retire and go fishing.