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E-raamat: Ambivalent Detective in Victorian Sensation Novels: Dickens, Braddon, and Collins [Taylor & Francis e-raamat]

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The Ambivalent Detective in Victorian Sensation Novels studies how the detective as a literary character evolved through the mid-nineteenth century in England, as seen in sensation novels.



The Ambivalent Detective in Victorian Sensation Novels studies how the detective as a literary character evolved through the mid-nineteenth century in England, as seen in sensation novels. In contrast to most assumptions about the English detective, Yoon argues that the detective was more often tolerated than admired following the establishment of professional detectives in the London Metropolitan Police Force in 1842. Through studying the historical and literary contexts between the 1840s to the 1860s, Yoon argues that the detective was seen as a suspicious, even mistrusted and disdained, figure who was nonetheless viewed as necessary to combat rising levels of crime. The detective as a literary character responded to the often contradictory values and aspirations of the middle class, representing an independent masculinity and laying claim to scientific authority. This study surveys novels by Charles Dickens, Mary Elizabeth Braddon, and Wilkie Collins, alongside lesser-known writers like William Russell, James Redding Ware (pseudonym Andrew Forrester), and William Stephens Hayward. This book contributes to the study of mid-nineteenth-century Victorian culture and connects with broader studies of the detective fiction genre.

Introduction: The ambivalent detective in Victorian sensation novels

1 Historical contexts: Police reform, marriage, empire, and the periodical
press

2 Early detectives in Dickenss Household Words stories and Martin Chuzzlewit


3 The detective as villain and hero in Dickenss Bleak House

4 Detectives of the late 1850s and early 1860s: Russell, Collins, and Wood

5 Early detectives in Braddons The Trail of the Serpent and The Black Band

6 Between gentleman and detective: Masculine negotiations in Lady Audleys
Secret

7 Oriental mystique and spying servants in Braddons Aurora Floyd

8 Female detectives: Ware (Forrester), Hayward, and Collinss The Law and the
Lady

9 From ambivalence to rationality: Detection in Collinss Armadale and The
Moonstone

10 After sensation novels: Imperial themes and detectives in Dickenss The
Mystery of Edwin Drood and Doyles stories

Coda
Sarah Yoon is a Lecturer at Underwood International College, Yonsei University, in South Korea. She holds an MA in English Literature from Yonsei University. Her research interests include Victorian literature and culture, the environmental humanities, and Korean-English translated novels. Her research has been published by international journals, such as Brontë Studies and Critique. The Ambivalent Detective in Victorian Sensation Novels is her first book.