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E-raamat: Antebellum American Pendant Paintings: New Ways of Looking [Taylor & Francis e-raamat]

  • Formaat: 216 pages, 8 Illustrations, color; 49 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 30-Sep-2021
  • Kirjastus: Routledge
  • ISBN-13: 9781315162577
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 216 pages, 8 Illustrations, color; 49 Illustrations, black and white
  • Sari: Routledge Research in Art History
  • Ilmumisaeg: 30-Sep-2021
  • Kirjastus: Routledge
  • ISBN-13: 9781315162577
 Antebellum American Pendant Paintings: New Ways of Looking marks the first sustained study of pendant paintings: discrete images designed as a pair, opening with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory.



Antebellum American Pendant Paintings: New Ways of Looking

marks the first sustained study of pendant paintings: discrete images designed as a pair. It opens with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the pendant format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor’s Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole’s Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale’s Kilauea by Day and Kilauea by Night

(1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. The book contributes to American art history the study of a characteristic but as yet overlooked format and models for the discipline a new and productive framework of analysis focused on the fundamental yet complex way images work back and forth with one another.

Table of Contents



List of Illustrations



Acknowledgments



Introduction



Opening the Space Between: Antebellum American Pendant Paintings



Chapter 1



Putting the "Rip" in Rip Van Winkle: Historical Absence in John Quidors
Companion Paintings



Chapter 2



Taking a Contemplative Look: Visual Devotion in Thomas Coles Departure and
Return



Chapter 3



The Missing Pacific: The Expeditionary Blank in Titian Ramsay Peales Kilauea
Landscapes



Epilogue



After the Antebellum: Pendants during the Civil War and Postbellum Era



Works Cited
Wendy N. E. Ikemoto earned her Ph.D. in the History of Art and Architecture from Harvard University. She taught at Harvard and The Courtauld Institute of Art in London and served as Visiting Assistant Professor of American Art at Vassar College. She has published in American Art and The Burlington Magazine.