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E-raamat: Architectural Drawings as Investigating Devices: Architectures Changing Scope in the 20th Century [Taylor & Francis e-raamat]

  • Formaat: 270 pages, 39 Halftones, black and white; 39 Illustrations, black and white
  • Sari: Routledge Research in Architecture
  • Ilmumisaeg: 10-Jul-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003372080
  • Taylor & Francis e-raamat
  • Hind: 161,57 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 230,81 €
  • Säästad 30%
  • Formaat: 270 pages, 39 Halftones, black and white; 39 Illustrations, black and white
  • Sari: Routledge Research in Architecture
  • Ilmumisaeg: 10-Jul-2023
  • Kirjastus: Routledge
  • ISBN-13: 9781003372080
"Architectural Drawings as Investigating Devices explores how the changing modes of representation in architecture and urbanism relate to the transformation of how the addressees of architecture and urbanism are conceived. The book diagnoses the dominantepistemological debates in architecture and urbanism during 20th and 21st centuries, tracing their transformations from Le Corbusier and Ludwig Mies van der Rohe's preference for perspective representation, to the diagrams of Team 10 architects, to the critiques of functionalism, and the upgrade of the artefactual value of architectural drawings in Aldo Rossi, John Hejduk, Peter Eisenman, and Oswald Mathias Ungers, and, finally, to the reinvention of architectural program through the event in Bernard Tschumi and the Office for Metropolitan Architecture (OMA). Particular emphasis is placed on the spirit of truth and clarity in modernist architecture, the relationship between the individual and the community in post-war era architecture, the decodificationof design process as syntactic analogy and the paradigm of autonomy in the 1970s & 1980s architecture, and the concern about the dynamic character of urban conditions, and the potentialities hidden in architectural program in the post-autonomy era. The book is based on extensive archival research in Canada, the USA and Europe, and will be of interest to architects, artists, researchers and students in architecture, architectural history, theory, cultural theory, philosophy and aesthetics"--

Architectural Drawings as Investigating Devices explores how the changing modes of representation in architecture and urbanism relate to the transformation of how the addressees of architecture and urbanism are conceived.



Architectural Drawings as Investigating Devices explores how the changing modes of representation in architecture and urbanism relate to the transformation of how the addressees of architecture and urbanism are conceived.

The book diagnoses the dominant epistemological debates in architecture and urbanism during 20th and 21st centuries, tracing their transformations from Le Corbusier and Ludwig Mies van der Rohe’s preference for perspective representation, to the diagrams of Team 10 architects, to the critiques of functionalism, and the upgrade of the artefactual value of architectural drawings in Aldo Rossi, John Hejduk, Peter Eisenman, and Oswald Mathias Ungers, and, finally, to the reinvention of architectural program through the event in Bernard Tschumi and the Office for Metropolitan Architecture (OMA). Particular emphasis is placed on the spirit of truth and clarity in modernist architecture, the relationship between the individual and the community in post-war era architecture, the decodification of design process as syntactic analogy and the paradigm of autonomy in the 1970s & 1980s architecture, and the concern about the dynamic character of urban conditions, and the potentialities hidden in architectural program in the post-autonomy era.

The book is based on extensive archival research in Canada, the USA and Europe, and will be of interest to architects, artists, researchers and students in architecture, architectural history, theory, cultural theory, philosophy and aesthetics.

Acknowledgments. Foreword by Gevork Hartoonian.
Chapter
1. Introduction.
Chapter
2. Different ways of relating fiction to reality and architectural
drawings: Object-oriented and subject-oriented modes of representation.
Chapter
3. Ludwig Mies van der Rohe and Le Corbusier vis-à-vis the modernist
ethos: Around the spirit of truth and clarity.
Chapter
4.
Individual-community assemblages in post-war era architecture: The
dissolution of universality.
Chapter
5. Decodification of design process as
syntactic analogy: The primacy of the observer in the 1970s & 1980s.
Chapter
6. Identification of the architect with the architectural artefact:
Autobiography vis-à-vis the design process.
Chapter
7. Bernard Tschumi and
the intensification of urban conditions: Uncovering the potentialities hidden
in the program.
Chapter
8. Bernard Tschumis architecture as the discourse of
events: Disjunction and a new definition of metropolis.
Chapter
9. Rem
Koolhaas and the congestion of metropolis: How the artificial would replace
the reality?
Chapter
10. Conversing with Bernard Tschumi on his conception of
architectures modes of representation: Instead of epilogue. Index.
Dr. Ing. Marianna Charitonidou is Principal Investigator and Postdoctoral Researcher at the Department of Art Theory and History of Athens School of Fine Arts, where she is leading the project Constantinos A. Doxiadis and Adriano Olivettis Post-war Reconstruction Agendas in Greece and in Italy: Centralising and Decentralising Political Apparatus, and Founder & Principal of Think Through Design Architectural, Urban and Landscape Design Studio. She is architect engineer and urbanist, historian and theorist of architecture and urbanism, expert in sustainable environmental design and curator. Apart from her PhD thesis The Relationship between Interpretation and Elaboration of Architectural Form: Investigating the Mutations of Architectures Scope (National Technical University of Athens, 2018), she completed the following two postdoctoral projects: The Travelling Architects Eye: Photography and the Automobile Vision at the Department of Architecture of ETH Zurich, where she was Lecturer (2019-2021), and The Fictional Addressee of Architecture as a Device for Exploring Post-colonial Culture: The Transformations of the Helleno-centric Approaches at the School of Architecture of the National Technical University of Athens. She curated the exhibition The View from the Car: Autopia as a New Perceptual Regime (ETH Zurich, 2021).