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E-raamat: Avantgarde Art and Radical Material Theology: A Manifesto [Taylor & Francis e-raamat]

(Stockholm School of Theology, Sweden)
  • Formaat: 104 pages, 7 Halftones, black and white; 7 Illustrations, black and white
  • Sari: Routledge Focus on Religion
  • Ilmumisaeg: 05-Oct-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780429198939
  • Taylor & Francis e-raamat
  • Hind: 58,15 €*
  • * hind, mis tagab piiramatu üheaegsete kasutajate arvuga ligipääsu piiramatuks ajaks
  • Tavahind: 83,08 €
  • Säästad 30%
  • Formaat: 104 pages, 7 Halftones, black and white; 7 Illustrations, black and white
  • Sari: Routledge Focus on Religion
  • Ilmumisaeg: 05-Oct-2020
  • Kirjastus: Routledge
  • ISBN-13: 9780429198939
"Theological thought has long been focused on the meaning to be found in our existence, but it has tended to neglect what it might offer to those seeking how to prolong and improve our physical existence in this world. In conversation with 20th century materialist art and thought, this book presents a radical theology that engages directly with the political and ecological issues of our time. The book introduces a new thinker to the theological sphere, Russian avant-garde artist Liubov Popova (1889-1924). She was a woman acknowledged for her artistic and intellectual talent and yet is never discussed in relation to the 20th century thinkers with whom her ideas have obvious connections. Popova's art and thought are discussed together with thinkers like Walter Benjamin, Donna Haraway, Gilles Deleuze and Henri Lefebvre, along with ecotheological and theopolitical perspectives. Inspired by the activist creativity of avant-garde art, the book's final chapter, playfully yet with deadly seriousness, presents a manifesto for radical theology today. This is a work of theological activism that demonstrates the benefit of allowing new voices into the conversations around art, spirituality and our planet. As such, it will be of keen interest to academics in Theology, Religion and the Arts and the Philosophy of Religion"--

Theological thought has long been focused on the meaning to be found in our existence, but it has tended to neglect what it might offer to those seeking how to prolong and improve our physical existence in this world. In conversation with twentieth-century materialist art and thought, this book presents a radical theology that engages directly with the political and ecological issues of our time.

The book introduces a new thinker to the theological sphere, Russian avantgarde artist Liubov Popova (1889–1924). She was a woman acknowledged for her artistic and intellectual talent and yet is never discussed in relation to the twentieth-century thinkers with whom her ideas have obvious connections. Popova’s art and thought are discussed together with thinkers like Walter Benjamin, Donna Haraway, Gilles Deleuze and Paul Tillich, along with ecotheological and theopolitical perspectives. Inspired by the activist creativity of avantgarde art, the book’s final chapter, playfully yet with deadly seriousness, presents a manifesto for radical theology today.

This is a work of theological activism that demonstrates the benefit of allowing new voices into the conversations around art, spirituality and our planet. As such, it will be of keen interest to academics in Theology, Religion and the Arts and the Philosophy of Religion.

Foreword ix
Preface xiv
Introduction: Radical material theology and the Earth 1(12)
Material sacrality
2(3)
Rethinking art with Liubov Popova
5(1)
Popova and the life of construction
6(3)
Disposition of the chapters
9(1)
Notes
10(3)
1 The backdrop: Theology of art from Tillich to Popova
13(15)
Tillich's concrete concern
14(3)
Objects of not-knowing
17(1)
Western viewing habits
18(4)
Unity and diversity
22(3)
Notes
25(3)
2 Released from Eden
28(16)
We are cyborgs
29(4)
From creation to construction
33(3)
The cyborg constructor
36(2)
Theology constructors
38(3)
Notes
41(3)
3 The things you own
44(16)
A new everyday
45(2)
Art, ritual and second technology
47(2)
Beyond comrade and fetish
49(2)
Commodity as phantasmagoria
51(5)
Second theology
56(2)
Notes
58(2)
4 The Christ machine
60(31)
From face to machine
61(3)
Haraway, Deleuze and dogs
64(3)
The stage machine
67(7)
The celestial machine
74(2)
Notes
76(2)
5 Last thing(ie)s: Eschatology out of joint
78(1)
The near and far
78(2)
A theology of place
80(2)
Radical liturgical theology
82(2)
Timemessiness and spacemessiness
84(2)
The Christianity machine
86(2)
Notes
88(3)
Conclusion: Second theology: a manifesto
91(2)
1 For second theology, construction is the only given
91(1)
2 Second theology is always political
91(1)
3 Construction works with an infinity of screws, planks, circuit boards, inherited ideas and hands
91(1)
4 Christ is a machine
91(1)
5 Trees make us take off our shoes, as do compasses, and critters, cyborgs, faces and stuff
92(1)
6 Eschatology is about the thingies next to us, because they are always the last
92(1)
7 God is a thingie
92(1)
8 Finitude enables construction
92(1)
Bibliography 93(6)
Index 99
Petra Carlsson Redell is an Associate Professor of Systematic Theology at Stockholm School of Theology, Sweden. She has published multiple times on religion, philosophy and art in journals such as Studia Theologica and The Oxford Journal of Literature & Theology, and in books including Mysticism as Revolt (2014) and Foucault, Art, and Radical Theology (2018).