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E-raamat: Big DataA New Medium? [Taylor & Francis e-raamat]

Edited by (University of Dundee, UK)
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Drawing on a range of methods from across science and technology studies, digital humanities and digital arts, this book presents a comprehensive view of the big data phenomenon.

Big data architectures are increasingly transforming political questions into technical management by determining classificatory systems in the social, educational, and healthcare realms. Data, and their multiple arborisations, have become new epistemic landscapes. They have also become new existential terrains. The fundamental question is: can big data be seen as a new medium in the way photography or film were when they first appeared? No new medium is ever truly new. Its always remediation of older media. What is new is the mediums re-articulation of the difference between here and there, before and after, yours and mine, knowable and unknowable, possible and impossible.

This transdisciplinary volume, incorporating cultural and media theory, art, philosophy, history, and political philosophy is a key resource for readers interested in digital humanities, cultural, and media studies.
List of figures
ix
List of contributors
xi
Acknowledgements xv
Prologue: Why ask the question? 1(14)
Natasha Lashetich
PART I Patterning knowledge and time
15(46)
1 Big data and/versus people knowledge: On the ambiguities of humanistic research
17(15)
Ingrid M. Hoofd
2 Simulated replicants forever? Big data, engendered determinism, and the end of prophecy
32(14)
Franco `Bifo' Berardi
3 "Visual hallucination of probable events": On environments of images, data, and machine learning
46(15)
Abelardo Gil-Fournier
Jussi Parikka
PART II Patterning use and extraction
61(52)
4 Biometric datafication in governmental and personal spheres
63(17)
Btihaj Ajana
5 Digital biopolitics and the problem of fatigue in platform capitalism
80(14)
Tim Christaens
6 Appreciating machine-generated artwork through deep learning mechanisms
94(19)
Lonce Wyse
PART III Patterning cultural heritage and memory
113(48)
7 Data to the Nth degree: Zooming in on The Smart Set
115(15)
Craig J. Saper
8 Intellectual autonomy after artificial intelligence: The future of memory institutions and historical research
130(15)
Nicola Horsley
9 BeHerc: Prosthetic memory in the age of digital frottage
145(16)
Natasha Lushetich
Masaki Fujihata
PART IV Patterning people
161(60)
10 Surfaces and depths: An aesthetics of big data
163(14)
Dominic Smith
11 POV-data-doubles, the dividual, and the drive to visibility
177(14)
Mitra Azar
12 Reading big data as the heterogeneous subject
191(15)
Simon Biggs
13 Epilogue: Telepathic exaptation in late cognitive capitalism: A speculative approach to the effects of digitality
206(15)
Warren Neidich
Index 221
Natasha Lushetich is Professor of Contemporary Art & Theory at the University of Dundee. Her research is interdisciplinary and focuses on intermedia, biopolitics and performativity, the status of sensory experience in cultural knowledge, hegemony, and complexity.