Muutke küpsiste eelistusi

The Cambridge Companion to the Organ Cambridge Companions to Music [Book [Softcover]]

Edited by , Edited by (University of Cambridge)
  • Formaat: Paperback / softback, 356 pages, kõrgus x laius x paksus: 244x173x20 mm, kaal: 660 g, 70 Printed music items; 8 Tables, unspecified; 31 Halftones, unspecified
  • Tüüp: Book [Softcover]
  • Sari: Cambridge Companions to Music
  • Ilmumisaeg: 1999
  • Kirjastus: Cambridge University Press
  • Keel: Inglise
  • ISBN-10: 0521575842
  • ISBN-13: 9780521575843
Teised raamatud teemal:
  • Formaat: Paperback / softback, 356 pages, kõrgus x laius x paksus: 244x173x20 mm, kaal: 660 g, 70 Printed music items; 8 Tables, unspecified; 31 Halftones, unspecified
  • Tüüp: Book [Softcover]
  • Sari: Cambridge Companions to Music
  • Ilmumisaeg: 1999
  • Kirjastus: Cambridge University Press
  • Keel: Inglise
  • ISBN-10: 0521575842
  • ISBN-13: 9780521575843
Teised raamatud teemal:
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

Arvustused

' this Companion implements in every respect the claims its publishers make for it as 'an essential guide to all aspects of the organ and its music'. Perhaps unusually for so valuable a book of reference, much of it also makes engrossing reading.' Church Times ' never less than readable, and sometimes positively compelling an extremely valuable book that should be on every musician's bookshelf.' The Musical Times ' editors of this Companion have done an excellent job in producing a sharply-focused, coherent set of essays within 330 pages this is a book that can usefully, indeed should, be read by anyone interested in the organ and its music. Students will need their own copies for constant reference, while the more experienced will be stilumated, informed and challenged.' Music and Letters

Muu info

An essential Companion to all aspects of the organ and its music.
List of figures
vii
Notes on contributors xi
Preface xi
Part I The instrument
Origins and development of the organ Nicholas Thistlethwaite
1(17)
Organ construction Stephen Bicknell
18(13)
The physics of the organ John Mainstone
31(11)
Temperament and pitch Christopher Kent
42(13)
The organ case Stephen Bicknell
55(27)
Organ building today Stephen Bicknell
82(11)
Part II The player
The fundamentals of organ playing Kimberly Marshall
93(20)
A survey of historical performance practices Kimberly Marshall
113(17)
Organ music and the liturgy Edward Higginbottom
130(18)
Part III Selected repertoires
Italian organ music to Frescobaldi Christopher Stembridge
148(16)
Iberian organ music before 1700 James Dalton
164(12)
The French classical organ school Edward Higginbottom
176(14)
English organ music to c1700 Geoffrey Cox
190(14)
Catholic Germany and Austria 1648-c1800 Patrick Russill
204(15)
The north German organ school Geoffrey Webber
219(17)
The organ music of J.S. Bach David Yearsley
236(14)
German organ music after 1800 Graham Barber
250(13)
French and Belgian organ music after 1800 Gerard Brooks
263(16)
British organ music after 1800 Andrew McCrea
279(20)
North American organ music after 1800 Douglas Reed
299(17)
Appendix The modes (toni) and their attributes according to Zarlino Christopher Stembridge 316(3)
Notes 319(3)
Bibliography 322(10)
Index 332