'The Cambridge Companion to Percussion is a concise yet action-packed and concept-rich volume that, like its subject matter, strikes forcibly in the range of ideas from its contributors. The book aims broadly, its chapters cover a vast quantity of musical material, the topics are timely, and the references in the footnotes essential.' Thomas Brett, BrettWorks reviews (www.brettworks.com) 'The writing is varied and informative, pleasing and revealing. The publication does a good job in informing the reading public about percussion as seen by performers, educators, composers and conductors. This book deserves a place in library and personal collections worldwide.' National Association of College Wind and Percussion Instructors Journal ' the volume comprises fairly focused essays, on a variety of topics, that taken together provide an effective overview of the richly varied world of modern percussion [ and] is particularly valuable and should be required reading for any student hoping to embark on an orchestral career.' CHOICE ' this reviewer highly recommends a thorough read regarding the field of percussion music education which is represented in many colleges and universities. The writing is varied and informative, pleasing and revealing. The publication does a good job in informing the reading public about percussion as seen by performers, educators, composers and conductors. This book deserves a place in library and personal collections worldwide.' Geary Larrick, Nacwpi Journal 'This is another fine addition to the Cambridge Companion series and is essential for all libraries supporting percussion studies and research. It also provides thoughtful and entertaining reading for the player or listener who wants deeper insight into this wide-ranging discipline.' Russ Girsberger, Notes
